2008 September 23
From The Art and Popular Culture Encyclopedia
| Revision as of 17:14, 23 September 2008 Jahsonic (Talk | contribs) ← Previous diff |
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| - | Excerpts from [[1996]]' French documentary [[Universal Techno]] featuring [[Juan Atkins]] & [[Derrick May]] | + | [[The Mystic Otto Rapp]] presents [[Zdzisław Beksiński]] and [[Brigid Marlin]] |
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| - | Directed by [[Dominique Deluze]]. | + | As a longtime [[Creation Books]] fan, you are invited to celebrate the launch of Creation's latest imprint: [[Future Fiction]]. |
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| - | * [http://www.youtube.com/watch?v=RSX_r0u3uzE&feature=related ''Universal Techno''] - Label: Les Films à Lou; Released: 1996; Director: Dominique Deluze; Length: 63 minutes. | + | |
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| - | The film features [[Richard D. James]], [[Derrick May]], [[Kevin Saunderson]], [[Juan Atkins]], [[Kenny Larkin]], [[Jeff Mills]], [[Mike Banks]], [[Sven Väth]], | + | |
| - | [[Autechre]], [[Mark Bell]], [[LFO]], [[Steve Beckett]] of [[Warp Records]]; and [[Ken Ishii]]. | + | |
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| - | It features interesting glimpes to the streets of [[Detroit]], which looks at times like some post-apocalyptic war zone | + | |
| - | Omissions include [[Robert Hood]], [[Carl Craig]] and [[Richie Hawtin]], [[Maurizio]] and [[Sähkö]]/[[Panasonic]] | ||
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| In [[1970]], [[Roland Topor]] takes up the pseudonym of Maud Morel for ''Pop Rose'' and in [[1971]] Laurent Taupor for ''Épreuve par neuf''. | In [[1970]], [[Roland Topor]] takes up the pseudonym of Maud Morel for ''Pop Rose'' and in [[1971]] Laurent Taupor for ''Épreuve par neuf''. | ||
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| It's called the [[second-person narrative]] and although [[Ambrose Bierce]] said that "the frank yet graceful use of "[[I]]" distinguishes a [[good writer]] from a [[bad writer|bad]], I find the 2nd person [[pov]] strangely compelling. | It's called the [[second-person narrative]] and although [[Ambrose Bierce]] said that "the frank yet graceful use of "[[I]]" distinguishes a [[good writer]] from a [[bad writer|bad]], I find the 2nd person [[pov]] strangely compelling. | ||
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| - | You are very young and it is a [[Sunday afternoon]]. Your parents pass of one of the films in the [[Sissi trilogy]] to you as a guilty pleasure. | + | You are very young and it is a [[Sunday|Sunday afternoon]]. Your parents pass off one of the films in the [[Sissi trilogy]] to you as a guilty pleasure. |
| You're older now. You see a [[spiked fence]] in the [[Hitchcock]]/[[Dali]] film ''[[Spellbound (1945 film)|Spellbound]]''. You are - of course - unaware of the Dali connection. | You're older now. You see a [[spiked fence]] in the [[Hitchcock]]/[[Dali]] film ''[[Spellbound (1945 film)|Spellbound]]''. You are - of course - unaware of the Dali connection. | ||
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The Mystic Otto Rapp presents Zdzisław Beksiński and Brigid Marlin
As a longtime Creation Books fan, you are invited to celebrate the launch of Creation's latest imprint: Future Fiction.
In 1970, Roland Topor takes up the pseudonym of Maud Morel for Pop Rose and in 1971 Laurent Taupor for Épreuve par neuf.
It's called the second-person narrative and although Ambrose Bierce said that "the frank yet graceful use of "I" distinguishes a good writer from a bad, I find the 2nd person pov strangely compelling.
You are very young and it is a Sunday afternoon. Your parents pass off one of the films in the Sissi trilogy to you as a guilty pleasure.
You're older now. You see a spiked fence in the Hitchcock/Dali film Spellbound. You are - of course - unaware of the Dali connection.
You're seventeen. Your mother tells you the sad story of Romy Schneider who killed herself after her son David-Christopher had accidentally been killed by trying to climb over a spiked fence.
Still older. The spiked fence again. This time in The Virgin Suicides.
Romy Schneider would have been 70 today. Her son 41.
tribute http://www.youtube.com/watch?v=CiTxAfvrIh4
