2008 September 23

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Revision as of 07:04, 23 September 2008

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It's called the second-person narrative and although Ambrose Bierce said that "the frank yet graceful use of "I" distinguishes a good writer from a bad, I find the 2nd person pov strangely compelling.

You are very young and it is a Sunday afternoon. Your parents pass of one of the films in the Sissi trilogy to you as a guilty pleasure.

You're older now. You see a spiked fence in the Hitchcock/Dali film Spellbound. You are - of course - unaware of the Dali connection.

You're seventeen. Your mother tells you the sad story of Romy Schneider who killed herself after her son David-Christopher had accidentally been killed by trying to climb over a spiked fence.

Still older. The spiked fence again. This time in The Virgin Suicides.

Romy Schneider would have been 70 today. Her son 41.

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 You are very young and it is a [[Sunday afternoon]]. Your parents pass of one of the films in the [[Sissi trilogy]] to you as a guilty pleasure.
-You're older now. You see a [[spiked fence]] in the [[Hitchcock]]/[[Dali]] film ''[[Spellbound (1945 film), |Spellbound]]''. You are - of course - unaware of the Dali connection.
+You're older now. You see a [[spiked fence]] in the [[Hitchcock]]/[[Dali]] film ''[[Spellbound (1945 film)|Spellbound]]''. You are - of course - unaware of the Dali connection.
 You're seventeen. Your mother tells you the [[sad story]] of [[Romy Schneider]] who killed herself after her son [[David-Christopher]] had accidentally been killed by trying to climb over a [[spiked fence]].