Modern literature  

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 +""[[Literature]] was drawn into the [[firing line]] of the times. Novels and plays not only became more outspoken, but sentences became more [[epigram]]matic and thoughts more paradoxical. No one could say how the most innocent of sentences might explode in its last word, any more than one could prophesy what somersault one's favourite belief might take in its latest incarnation. Surprises lurked in the most surprising literary places as though to reflect and keep time with the reshuffling of habits and conventions. And just as [[modern literature]] has gained in brightness by the experience, so the adventure has familiarised us with the need of variety in personality and of wider margins of freedom for its expression."--''[[The Eighteen Nineties]]'' (1913) by Holbrook Jackson
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[[Image:Don Quixote and Sancho Pansa by Honoré Daumier.jpg|thumb|200px|right|''[[Don Quixote (Honoré Daumier, Neue Pinakothek)|Don Quixote]]'' (c. 1868) by [[Honoré Daumier]]]] [[Image:Don Quixote and Sancho Pansa by Honoré Daumier.jpg|thumb|200px|right|''[[Don Quixote (Honoré Daumier, Neue Pinakothek)|Don Quixote]]'' (c. 1868) by [[Honoré Daumier]]]]
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Revision as of 16:29, 13 January 2021

""Literature was drawn into the firing line of the times. Novels and plays not only became more outspoken, but sentences became more epigrammatic and thoughts more paradoxical. No one could say how the most innocent of sentences might explode in its last word, any more than one could prophesy what somersault one's favourite belief might take in its latest incarnation. Surprises lurked in the most surprising literary places as though to reflect and keep time with the reshuffling of habits and conventions. And just as modern literature has gained in brightness by the experience, so the adventure has familiarised us with the need of variety in personality and of wider margins of freedom for its expression."--The Eighteen Nineties (1913) by Holbrook Jackson

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