1850s  

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*''[[Artificial Paradises]]'' (1850s) by Charles Baudelaire *''[[Artificial Paradises]]'' (1850s) by Charles Baudelaire
*''[[The Origin of Species]]'' (1859) by Charles Darwin *''[[The Origin of Species]]'' (1859) by Charles Darwin
-*''[[The Stones of Venice]]'' by John Ruskin+*''[[The Stones of Venice (book)|The Stones of Venice]]'' (1851-53) by John Ruskin
*''[[Chemistry of Common Life]]'' (1855) by James Finlay Weir Johnston *''[[Chemistry of Common Life]]'' (1855) by James Finlay Weir Johnston

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Stryge (1853) is a print by French etcher Charles Méryon depicting one of the chimera of the Galerie des chimères of the Notre Dame de Paris cathedral.
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Stryge (1853) is a print by French etcher Charles Méryon depicting one of the chimera of the Galerie des chimères of the Notre Dame de Paris cathedral.
A huge iron and glass building, The Crystal Palace was one of the wonders of, if not the world, Britain. A rebuilt and expanded version of the building that originally housed the Great Exhibition of 1851, it stood in Sydenham from 1854 until 1936, and attracted many thousands of visitors from all levels of society. The name "Crystal Palace" was coined by the satirical magazine Punch. Today, it symbolizes modern architecture, the rise of consumer culture and the start of industrial design.
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A huge iron and glass building, The Crystal Palace was one of the wonders of, if not the world, Britain. A rebuilt and expanded version of the building that originally housed the Great Exhibition of 1851, it stood in Sydenham from 1854 until 1936, and attracted many thousands of visitors from all levels of society. The name "Crystal Palace" was coined by the satirical magazine Punch. Today, it symbolizes modern architecture, the rise of consumer culture and the start of industrial design.
Poem of the Soul, Nightmare (1854 by Louis Janmot
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Poem of the Soul, Nightmare (1854 by Louis Janmot

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