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-[[Image:Olympia (1863) by Édouard Manet.jpg|thumb|right|200px|''[[Olympia (painting)|Olympia]]'' by [[Édouard Manet]], painted in [[1863]], it stirred an [[uproar]] when it was first exhibited at the [[1865]] [[Paris Salon]]. Today, it is considered as the start of [[modern art]].]]{{Template}}+[[Image:Olympia (1863) by Édouard Manet.jpg|thumb|right|200px|''[[Olympia (painting)|Olympia]]'' by [[Édouard Manet]], painted in [[1863]], it stirred an [[uproar]] when it was first exhibited at the [[1865]] [[Paris Salon]]. Today, it is considered as the start of [[modern art]].]]
 +[[Image:Virgin of the Nile by Federico Faruffini.jpg|thumb|right|200px|''[[The Virgin of the Nile]]'' (1865) by [[Federico Faruffini]]]]
 +{{Template}}
== Art and culture == == Art and culture ==

Revision as of 15:01, 2 February 2008

Olympia by Édouard Manet, painted in 1863, it stirred an uproar when it was first exhibited at the 1865 Paris Salon. Today, it is considered as the start of modern art.
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Olympia by Édouard Manet, painted in 1863, it stirred an uproar when it was first exhibited at the 1865 Paris Salon. Today, it is considered as the start of modern art.

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

Art and culture

  • Paris Salon

The hail of criticism included that of Jules Claretie, who in L'Artiste in May 1865 identified Olympia as "a courtesan no doubt" (une courtisane sans doute.) A few days earlier, Le monde illustré used the epigraphic poem by Zacharie Astruc to sardonically brand this "auguste jeune fille," a courtesan. A French dictionary published in 1873 describes a courtesan as "toute femmes de mauvaise vie qui est au-dessus des simple prostituées." (All women of vice who are above the simple prostitutes.) Cited in Alan Krell, "The Fantasy of Olympia," Connoisseur 195 (August 1977), p. 298.

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