1865  

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*[[Paris Salon of 1865]] opens in May *[[Paris Salon of 1865]] opens in May
==Art== ==Art==
-**Manet's Olympia did not depict a goddess or an odalisque, but a high-class prostitute waiting for a client. The classic work that most closely resembles Manet's in character is Francisco Goya's La Maja Desnuda (c. 1800).+**[[Manet's Olympia]] did not depict a goddess or an odalisque, but a high-class prostitute waiting for a client. The classic work that most closely resembles Manet's in character is Francisco Goya's La Maja Desnuda (c. 1800).
*[[Le Ministère de la Marine]] by Charles Meryon *[[Le Ministère de la Marine]] by Charles Meryon
*[[Proudhon and His Children]] by Gustave Courbet *[[Proudhon and His Children]] by Gustave Courbet

Revision as of 20:36, 11 February 2014

Le Ministère de la Marine (1865-1866) is a print by French etcher Charles Méryon depicting the marine ministry "attacked" by a charging flock of fantastic creatures.
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Le Ministère de la Marine (1865-1866) is a print by French etcher Charles Méryon depicting the marine ministry "attacked" by a charging flock of fantastic creatures.
Olympia (detail) by Édouard Manet was a succès de scandale when it was first exhibited at the Paris Salon of 1865. Today, it is considered as the start of modern art.
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Olympia (detail) by Édouard Manet was a succès de scandale when it was first exhibited at the Paris Salon of 1865. Today, it is considered as the start of modern art.

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    • Manet's Olympia did not depict a goddess or an odalisque, but a high-class prostitute waiting for a client. The classic work that most closely resembles Manet's in character is Francisco Goya's La Maja Desnuda (c. 1800).
  • Le Ministère de la Marine by Charles Meryon
  • Proudhon and His Children by Gustave Courbet
  • Rosine à sa toilette by Antoine Wiertz

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