1896  

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"There are certain effects of [[color|colour]] that give all men [[pleasure]], and others which [[jar]], almost like a musical [[discord]]. A more general development of this sensibility would make possible a new [[abstract art]], an art that should deal with colours as music does with sound." --''[[The Sense of Beauty]]'' (1896) "There are certain effects of [[color|colour]] that give all men [[pleasure]], and others which [[jar]], almost like a musical [[discord]]. A more general development of this sensibility would make possible a new [[abstract art]], an art that should deal with colours as music does with sound." --''[[The Sense of Beauty]]'' (1896)
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-[[Image:Theatre from Ars Memoriae by Robert Fludd.jpg|thumb|left|200px|[[Theatrum Orbi]] engraving by [[Theodor de Bry]] from the chapter on [[Ars Memoriae]] in ''[[Utriusque cosmi maioris scilicet et minoris metaphysica]]'' by [[Robert Fludd]].]] 
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-"[[Consciousness]] is what makes the [[Mind–body problem|mind-body problem]] really [[Intractability |intractable]]. Perhaps that is why current discussions of the problem give it little attention or get it obviously wrong. The recent wave of [[Reductionism|reductionist]] euphoria has produced several analyses of mental phenomena and [[Concept|mental concept]]s designed to explain the possibility of some variety of [[materialism]], psychophysical identification, or reduction. But the problems dealt with are those common to this type of reduction and other types, and what makes the mind-body problem unique, and unlike the [[water-H2O problem]] or the [[Turing machine]]-IBM machine problem or the lightning-electrical discharge problem or the gene-DNA problem or the oak tree-hydrocarbon problem, is ignored." --"[[What Is it Like to Be a Bat?]]" 
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"That there is a close connexion between a state of [[consciousness]] and the [[brain]] we do not dispute. But there is also a close connexion between a coat and the nail on which it hangs, for, if the nail is pulled out, the coat falls to the ground. Shall we say, then, that the shape of the nail gives us the shape of the coat, or in any way corresponds to it ?" --''[[Matter and Memory]]'' (1896) by Henri Bergson "That there is a close connexion between a state of [[consciousness]] and the [[brain]] we do not dispute. But there is also a close connexion between a coat and the nail on which it hangs, for, if the nail is pulled out, the coat falls to the ground. Shall we say, then, that the shape of the nail gives us the shape of the coat, or in any way corresponds to it ?" --''[[Matter and Memory]]'' (1896) by Henri Bergson

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The Kiss (1896) by  William Heise
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The Kiss (1896) by William Heise

"There are certain effects of colour that give all men pleasure, and others which jar, almost like a musical discord. A more general development of this sensibility would make possible a new abstract art, an art that should deal with colours as music does with sound." --The Sense of Beauty (1896)


"That there is a close connexion between a state of consciousness and the brain we do not dispute. But there is also a close connexion between a coat and the nail on which it hangs, for, if the nail is pulled out, the coat falls to the ground. Shall we say, then, that the shape of the nail gives us the shape of the coat, or in any way corresponds to it ?" --Matter and Memory (1896) by Henri Bergson

Montmartre 1896, poster by  Maxime Dethomas
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Montmartre 1896, poster by Maxime Dethomas
Ubu Roi (King Ubu) is a play developed by Alfred Jarry premiered on December 10 1896, and is widely acknowledged as a theatrical precursor to the Absurdist, Dada and Surrealist art movements.
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Ubu Roi (King Ubu) is a play developed by Alfred Jarry premiered on December 10 1896, and is widely acknowledged as a theatrical precursor to the Absurdist, Dada and Surrealist art movements.
 L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.
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L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.

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1896 (MDCCCXCVI) is the 896th year of the 2nd millennium, the 96th year of the 19th century, and the 7th year of the 1890s decade.

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