1977  

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-"[[Kraftwerk]] - I don't think they even knew how big they were among the [[black people|black masses]] back in [[1977]] when they came out with '[[Trans-Europe Express (song)|Trans Europe Express]]'. When that came out I thought that was one of the best and weirdest damn records I ever heard in my life ..That's an amazing group to see -jus' to see what computers and all that can do."--[[Afrika Bambaataa]], 1984, in ''[[Rap Attack: African Jive to New York Hip Hop|Rap Attack]]'' by [[David Toop]]+"[[Kraftwerk]] - I don't think they even knew how big they were among the [[black people|black masses]] back in [[1977]] when they came out with '[[Trans-Europe Express (song)|Trans Europe Express]]'. When that came out I thought that was one of the best and weirdest damn records I ever heard in my life ..That's an amazing group to see -jus' to see what computers and all that can do."--[[Afrika Bambaataa]] interviewed in ''[[Rap Attack: African Jive to New York Hip Hop|Rap Attack]]'' (1984) by David Toop
<hr> <hr>
-"Like guns and cars, [[camera]]s are fantasy-machines whose use is addictive. However, despite the extravagances of [[ordinary language]] and advertising, they are not lethal. In the hyperbole that markets cars like guns, there is at least this much truth: except in wartime, [[cars kill]] more people than guns do. The camera/gun does not kill, so the ominous metaphor seems to be all bluff - like a man's fantasy of having a gun, knife, or tool between his legs."''[[On Photography]]'' (1977)+"Like guns and cars, [[camera]]s are fantasy-machines whose use is addictive. However, despite the extravagances of [[ordinary language]] and advertising, they are not lethal. In the hyperbole that markets cars like guns, there is at least this much truth: except in wartime, [[cars kill]] more people than guns do. The camera/gun does not kill, so the ominous metaphor seems to be all bluff - like a man's fantasy of having a gun, knife, or tool between his legs."--''[[On Photography]]'' (1977) by Susan Sontag
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 +! style="text-align:right; width:310px;"|<< [[1976]]
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 +! style="text-align:left; width:310px;"|[[1978]] >>
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'''1977''' is the 977th year of the [[2nd millennium]], the 77th year of the [[20th century]], and the 8th year of the [[1970s]] decade. '''1977''' is the 977th year of the [[2nd millennium]], the 77th year of the [[20th century]], and the 8th year of the [[1970s]] decade.
== Art and culture == == Art and culture ==
*[[David Berkowitz|Summer of Sam]] *[[David Berkowitz|Summer of Sam]]
 +*[[January 31]] - inauguration of the [[Centre Pompidou]]
===Literature=== ===Literature===
====Fiction==== ====Fiction====
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*''[[The Grotesque in Photography]]'' by A. D. Coleman *''[[The Grotesque in Photography]]'' by A. D. Coleman
*''[[Male Fantasies]]'' by Klaus Theweleit *''[[Male Fantasies]]'' by Klaus Theweleit
-*"[[100 Good Reasons to Kill Myself Right Now]] by Roland Topor+*"[[100 Good Reasons to Kill Myself Right Now]]" by Roland Topor
=== Film === === Film ===
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*''[[That Obscure Object of Desire]]'' by Luis Buñuel *''[[That Obscure Object of Desire]]'' by Luis Buñuel
*''[[High Anxiety]]'' by Mel Brooks *''[[High Anxiety]]'' by Mel Brooks
 +
*''[[Hitler: A Film from Germany]]'' by Hans-Jürgen Syberberg *''[[Hitler: A Film from Germany]]'' by Hans-Jürgen Syberberg
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*[[Jamie Reid]] artwork for the [[Sex Pistols]] *[[Jamie Reid]] artwork for the [[Sex Pistols]]
*''[[Hommage a Böcklin]]'' by H. R. Giger *''[[Hommage a Böcklin]]'' by H. R. Giger
 +*''[[Office Baroque]]'' by Gordon Matta-Clark
===Photograpy=== ===Photograpy===
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*[[Nobu]] by Herbie Hancock *[[Nobu]] by Herbie Hancock
*[[It's Ecstasy When You Lay Down Next to Me]] by Barry White *[[It's Ecstasy When You Lay Down Next to Me]] by Barry White
-*[[Spread Love]] by [[Al Hudson]]  
*[[Let No Man Put Asunder]] by First Choice *[[Let No Man Put Asunder]] by First Choice
*[[By This River]] by Brian Eno *[[By This River]] by Brian Eno
 +*[[Going Back to My Roots]] by Lamont Dozier
*My First Mistake by Chi-Lites *My First Mistake by Chi-Lites
*[[Superstition]] by [[Dennis Mobley]] & Fresh Taste *[[Superstition]] by [[Dennis Mobley]] & Fresh Taste
*[[God Save the Queen (Sex Pistols song)|God Save the Queen]] by the Sex Pistols *[[God Save the Queen (Sex Pistols song)|God Save the Queen]] by the Sex Pistols
*[[Melodies]] by [[Crown Heights Affair|Made in U.S.A.]] *[[Melodies]] by [[Crown Heights Affair|Made in U.S.A.]]
 +*[[Anak (song)|Anak]] by Freddie Aguilar
 +*[[Blank Generation (song)|Blank Generation]] by Richard Hell and the Voidoids
====Albums==== ====Albums====

Revision as of 21:37, 23 June 2022

"Kraftwerk - I don't think they even knew how big they were among the black masses back in 1977 when they came out with 'Trans Europe Express'. When that came out I thought that was one of the best and weirdest damn records I ever heard in my life ..That's an amazing group to see -jus' to see what computers and all that can do."--Afrika Bambaataa interviewed in Rap Attack (1984) by David Toop


"Like guns and cars, cameras are fantasy-machines whose use is addictive. However, despite the extravagances of ordinary language and advertising, they are not lethal. In the hyperbole that markets cars like guns, there is at least this much truth: except in wartime, cars kill more people than guns do. The camera/gun does not kill, so the ominous metaphor seems to be all bluff - like a man's fantasy of having a gun, knife, or tool between his legs."--On Photography (1977) by Susan Sontag

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1977 is the 977th year of the 2nd millennium, the 77th year of the 20th century, and the 8th year of the 1970s decade.

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Literature

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  • Punky Reggae Party by Bob Marley
    • While in exile in London [1977], Bob Marley was introduced to punk bands, such as The Clash. Inspired by their efforts to expose various oppressive tactics used against racial minority groups, the fusion between punk and reggae was imminent. The result was the recording of 'Punky Reggae Party' with producer Lee Perry at the helm. A live version was recorded and released on Babylon By Bus.
  • Punk's breakthrough
    • In the summer of 1977, Time and Newsweek informed their readers of a new subculture, called "punk," that had emerged at a few rock clubs in the United States and Britain. It was a style of exuberant ugliness. Men and women alike wore short hair that had been cut seemingly at random, and dyed unnatural colors. Flesh was pierced in sundry locations, at times with safety pins. Punk bands had names like the Dead Boys or The Clash. The music was very loud, very fast, and seldom involved more than three chords. Dancing was spasmodic. Spitting was common. -- Scott McLemee
  • Wackies
    • The 1977 opening of a diminutive record shop at 4731 White Plains Rd. in New York City marked the foundation of the first essential reggae studio/label in the United States, Wackie’s House of Music. Founded by Jamaican producer Lloyd “Bullwackie” Barnes, Wackie’s House of Music was a haven for aspiring reggae artists, helping not only to support reggae artists, but also to establish a reggae sentiment in the United States. --Craig Terlino

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "1977" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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