A Critique of Separation
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| - | Eventually, Debord and [[Asger Jorn]] resigned themselves to the fate of "urban relativity". Debord readily admits in his film ''[[A Critique of Separation]]'' (1961), "The sectors of a city…are decipherable, but the personal meaning they have for us is incommunicable, as is the secrecy of private life in general, regarding which we possess nothing but pitiful documents". Despite the ambiguity of the theory, Debord committed himself firmly to its practical basis in reality, even as he later confesses, "none of this is very clear. It is a completely typical drunken monologue…with its vain phrases that do not await response and its overbearing explanations. And its silences." <A Critique of Separation (1961). Complete Cinematic Works (AK Press, 2003, Trans. Knabb. K> | + | |
| + | '''''Critique de la séparation''''' (Paris, [[1961]], '''A Critique of Separation''') is a short film by [[Guy Debord]] financed by the [[Dansk-Fransk Experimentalfilmskompagni]]. | ||
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Critique de la séparation (Paris, 1961, A Critique of Separation) is a short film by Guy Debord financed by the Dansk-Fransk Experimentalfilmskompagni.
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