African erotica  

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:''[[Africa]], [[erotica]], [[African art]]'' :''[[Africa]], [[erotica]], [[African art]]''
-Defining [[erotic art]] is difficult since perceptions of both what is erotic and what is art fluctuate. A sculpture of a [[phallus]] in some [[African culture]]s may be considered a traditional symbol of potency though not overtly erotic.+Defining [[erotic art]] is difficult since perceptions of both what is erotic and what is art fluctuate. A sculpture of a [[phallus]] in some [[African culture]]s may be considered a traditional [[symbol of potency]] though not overtly erotic.
Influences on modern [[striptease]] include the dances of the [[Ghawazee]] "discovered" and seized upon by French colonists in nineteenth century [[North Africa]] and [[Egypt]]. Influences on modern [[striptease]] include the dances of the [[Ghawazee]] "discovered" and seized upon by French colonists in nineteenth century [[North Africa]] and [[Egypt]].
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Revision as of 22:47, 30 July 2010

Josephine Baker dancing the charleston at the Folies Bergère in Paris for La Revue nègre in 1926. Notice the art deco background. (Photo by Walery)
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Josephine Baker dancing the charleston at the Folies Bergère in Paris for La Revue nègre in 1926. Notice the art deco background.
(Photo by Walery)

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Africa, erotica, African art

Defining erotic art is difficult since perceptions of both what is erotic and what is art fluctuate. A sculpture of a phallus in some African cultures may be considered a traditional symbol of potency though not overtly erotic.

Influences on modern striptease include the dances of the Ghawazee "discovered" and seized upon by French colonists in nineteenth century North Africa and Egypt.




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