An artist might advance specifically to get lost  

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“In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] [[reverberation]]s.” --[[Robert Smithson]]]] “In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] [[reverberation]]s.” --[[Robert Smithson]]]]
{{Template}} {{Template}}
-"'''In the illusory babels of language, an artist might advance specifically to get lost'''" is a dictum by [[Robert Smithson]] recorded in the essay "[[A Museum of Language in the Vicinity of Art]]" (1968).+"'''In the illusory babels of language, an artist might advance specifically to get lost'''" is a dictum by American artist [[Robert Smithson]] recorded in the essay "[[A Museum of Language in the Vicinity of Art]]" (1968).
The full passage reads: The full passage reads:

Revision as of 20:03, 3 September 2018

Ars Memoriae: The Theatre (1619) - Robert Fludd  “In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson
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Ars Memoriae: The Theatre (1619) - Robert Fludd
“In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson

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"In the illusory babels of language, an artist might advance specifically to get lost" is a dictum by American artist Robert Smithson recorded in the essay "A Museum of Language in the Vicinity of Art" (1968).

The full passage reads:

"In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations."

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "An artist might advance specifically to get lost" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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