Art intervention  

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-{{Template}}* [[Art intervention]], an interaction with a previously existing artwork, audience, or venue/space +{{Template}}
 +An '''art intervention''' is an interaction with a previously existing artwork, audience or venue/space. It has the auspice of [[conceptual art]] and is commonly a form of [[performance art]]. It is associated with the [[Viennese Actionism|Viennese Actionists]], the [[Dada]] movement and [[Neo-Dadaists]]. It has also been made much use of by the [[Stuckism|Stuckists]] to affect perceptions of other artwork which they oppose, and as a protest against an existing intervention.
 +Although intervention by its very nature carries an implication of [[subversion]], it is now accepted as a legitimate form of art and is often carried out with the endorsement of those in positions of authority over the artwork, audience or venue/space to be intervened in. However, unendorsed (i.e. illicit) interventions are common and lead to debate as to the distinction between art and [[vandalism]] . By definition it is a challenge, or at the very least a comment, related to the earlier work or the theme of that work, or to the expectations of a particular audience, and more likely to fulfil that function to its full potential when it is unilateral, although in these instances, it is almost certain that it will be viewed by authorities as unwelcome, if not vandalism, and not art.
 +== See also ==
 +*[[Contemporary art]]
 +*[[Appropriation (art)]]
 +*[[Art and dementia]]
 +*[[Art vandalism]]
 +*[[Banksy]]
 +*[[Classificatory disputes about art]]
 +*[[Conceptual art]]
 +*[[Found art]]
 +*[[Installation art]]
 +*[[Performance art]]
 +*[[Pierre Pinoncelli]], [[Taking a hammer to a urinal, 2006]]
 +*[[Salon des Tree]]
 +*[[Stuckist demonstrations]]
 +*[[Yuan Chai and Jian Jun Xi]]
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An art intervention is an interaction with a previously existing artwork, audience or venue/space. It has the auspice of conceptual art and is commonly a form of performance art. It is associated with the Viennese Actionists, the Dada movement and Neo-Dadaists. It has also been made much use of by the Stuckists to affect perceptions of other artwork which they oppose, and as a protest against an existing intervention.

Although intervention by its very nature carries an implication of subversion, it is now accepted as a legitimate form of art and is often carried out with the endorsement of those in positions of authority over the artwork, audience or venue/space to be intervened in. However, unendorsed (i.e. illicit) interventions are common and lead to debate as to the distinction between art and vandalism . By definition it is a challenge, or at the very least a comment, related to the earlier work or the theme of that work, or to the expectations of a particular audience, and more likely to fulfil that function to its full potential when it is unilateral, although in these instances, it is almost certain that it will be viewed by authorities as unwelcome, if not vandalism, and not art.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Art intervention" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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