Black comedy  

From The Art and Popular Culture Encyclopedia

Revision as of 16:12, 9 March 2009

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Black comedy, also known as black humor is a sub-genre of comedy and satire where topics and events that are usually treated seriously — death, mass murder, suicide, sickness, madness, terror, drug abuse, rape, war, etc. — are treated in a humorous or satirical manner. Synonyms include dark humor, morbid humor, gallows humor and off-color humor. A seminal anthology in this category is Anthology of Black Humor (1940) by André Breton.

In the United States, black comedy as a literary genre came to prominence in the 1950s and 1960s. Writers such as Terry Southern, Joseph Heller, Thomas Pynchon, Kurt Vonnegut and Harlan Ellison have published novels, stories and plays where profound or horrific events were portrayed in a comic manner. An anthology edited by Bruce Jay Friedman, titled Black Humor: Anthology was published in 1965.

The 1964 film Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb presents one of the best-known examples of black comedy. The subject of the film is nuclear war and the extinction of life on Earth. Normally, dramas about nuclear war treat the subject with gravity and seriousness, creating suspense over the efforts to avoid a nuclear war. But Dr. Strangelove plays the subject for laughs; for example, in the film, the fail-safe procedures designed to prevent a nuclear war are precisely the systems that ensure that it will happen. The film Fail Safe, produced simultaneously, tells a largely identical story with a distinctly grave tone; the film The Bed-Sitting Room, released six years later, treats post-nuclear English society in an even wilder comic approach.

Notable directors of black comedy films include Tim Burton, Terry Gilliam, The Coen Brothers, Martin Scorsese, Ralph Bakshi, Peter Jackson, & Stanley Kubrick.

Today, black comedy can be found in almost all forms of media.

In the United States

American black comedy

In America, black comedy as a literary genre came to prominence in the 1950s and 1960s. An anthology edited by Bruce Jay Friedman, titled Black Humor, assembles many examples of the genre.

According to screenwriter John Truby, when black comedy is used as a basis for a story's plotline, it involves a society in an unhealthy state and a main character wanting something which, for whatever reason, is not a thing that will be beneficial to himself or society. The audience should usually be able to see this for themselves, and often a supporting character within the story also sees the insanity of the situation. The main character rarely if ever learns a lesson or undergoes any significant change from the ordeal, but sometimes a relatively sane course of action is offered to them.

Black comedy is a prevalent theme of many cult films, television shows and video games. The 1964 film Dr. Strangelove presents one of the best-known mainstream examples of black comedy. The subject of the film is nuclear warfare and the annihilation of life on Earth. Normally, dramas about nuclear war treat the subject with gravity and seriousness, creating suspense over the efforts to avoid a nuclear war. But Dr. Strangelove plays the subject for laughs; for example, in the film, the fail-safe procedures designed to prevent a nuclear war are precisely the systems that ensure that it will happen. Plotwise, Group Captain Mandrake serves as the one sane character in the decayed society, and Major Kong fills the role of the hero striving for a harmful goal.

In modern standards, black comedy is commonly used in dramatic or satirical films retaining its serious tone. Examples include The Twelve Chairs, Catch Me If You Can, W., Network, Natural Born Killers and sometimes family-oriented films like Super Mario Bros. and Charlie and the Chocolate Factory.