Buffet froid
From The Art and Popular Culture Encyclopedia
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| The location of the metro station of the [[RER]] of [[La Défense]], then ending its construction and not already receiving 170 000 daily employees as is the case today, highly contributes to the atmosphere of the opening sequence of the film: a [[dehumanization|deshumanized]] urban space, [[cold|froid]] and [[angst|anxiety]]-ridden, filmed by night, the only encounters to be expected those of [[marginalized]] human beings. All "urban" scenes were filmed in [[Créteil]], in areas heavily under construction at the time.. | The location of the metro station of the [[RER]] of [[La Défense]], then ending its construction and not already receiving 170 000 daily employees as is the case today, highly contributes to the atmosphere of the opening sequence of the film: a [[dehumanization|deshumanized]] urban space, [[cold|froid]] and [[angst|anxiety]]-ridden, filmed by night, the only encounters to be expected those of [[marginalized]] human beings. All "urban" scenes were filmed in [[Créteil]], in areas heavily under construction at the time.. | ||
| - | Bertrand Blier reunites a sublime trio, avec un paumé pour son acteur [[fétiche]] ([[Gérard Depardieu]]), un commissaire à contre emploi (tel que décrit plus haut) ([[Bernard Blier]]) et un assassin [[strangler|étrangleur]] de femmes composé par [[Jean Carmet]], en pleine forme. | + | Bertrand Blier reunites a sublime trio, with his [[fetish]] actor [[Gérard Depardieu]]), a un-police officer ([[Bernard Blier]]) and a assassin [[strangler]] of women played by [[Jean Carmet]], all at the peak of their careers. |
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Revision as of 12:21, 15 July 2007
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Buffet froid is a 1979 French movie, written and directed by Bertrand Blier, and starring Gérard Depardieu, Carole Bouquet, Bernard Blier and Jean Carmet.
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Analysis
The plot of this film is extremely complex and elusive, for the reason that we do not know what the motivation of the characters are that systematically drive them to do the opposite of what is expected of them. Thus, the police inspector allows murders, commits murders himself and pretends not being occupied with his profession when off duty.
The film owes much of its ideological framework to surrealism, re-enforced by an ambience of mystery et theatricality, very similar to the work of Luis Buñuel, who has punctuated his work with numerous « gratuits » murders. We are also reminded of the absurd theatre of Alfred Jarry and Eugène Ionesco.
The location of the metro station of the RER of La Défense, then ending its construction and not already receiving 170 000 daily employees as is the case today, highly contributes to the atmosphere of the opening sequence of the film: a deshumanized urban space, froid and anxiety-ridden, filmed by night, the only encounters to be expected those of marginalized human beings. All "urban" scenes were filmed in Créteil, in areas heavily under construction at the time..
Bertrand Blier reunites a sublime trio, with his fetish actor Gérard Depardieu), a un-police officer (Bernard Blier) and a assassin strangler of women played by Jean Carmet, all at the peak of their careers.
