Carolee Schneemann
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 21:28, 7 March 2019 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 21:28, 7 March 2019 Jahsonic (Talk | contribs) Next diff → |
||
| Line 1: | Line 1: | ||
| {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | ||
| | style="text-align: left;" | | | style="text-align: left;" | | ||
| - | '''Carolee Schneemann''' (b. [[1939]]) is an [[United States|American]] [[performance artist]], known for her [[body art|discourses on the body]], [[human sexuality|sexuality]] and [[gender]]. She received a B.A. from Bard College and an M.F.A. from the University of Illinois. A member of the [[Fluxus]] group, her work is primarily characterized by research into visual traditions, [[taboo]]s, and the body of the individual in relationship to social bodies. | + | [[Carolee Schneemann]] along with [[Yves Klein]] in France, and [[Yayoi Kusama]], [[Charlotte Moorman]], and [[Yoko Ono]] in New York City were pioneers of performance based works of art, that often entailed nudity. |
| - | + | ||
| - | <hr> | + | |
| - | + | ||
| - | Schneemann along with [[Yves Klein]] in France, and [[Yayoi Kusama]], [[Charlotte Moorman]], and [[Yoko Ono]] in New York City were pioneers of performance based works of art, that often entailed nudity. | + | |
| |} | |} | ||
Revision as of 21:28, 7 March 2019
|
Carolee Schneemann along with Yves Klein in France, and Yayoi Kusama, Charlotte Moorman, and Yoko Ono in New York City were pioneers of performance based works of art, that often entailed nudity. |
|
Related e |
|
Featured: |
Carolee Schneemann (October 12, 1939 – March 6, 2019) was an American artist, known for her body art focusing on sexuality and gender. Her most famous works include Eye Body: 36 Transformative Actions (1963), Meat Joy (1964), Fuses (1967), and Interior Scroll (1975)
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Carolee Schneemann" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
