Chaosmos
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| + | :Because, Soferim Bebel, if it goes to that, (and dormerwindow 18 | ||
| + | :gossip will cry it from the housetops no surelier than the writing 19 | ||
| + | :on the wall will hue it to the mod of men that mote in the main 20 | ||
| + | :street) every person, place and thing in the chaosmos of Alle 21 | ||
| + | :anyway connected with the gobblydumped turkery was moving 22 | ||
| + | :and changing every part of the time: the travelling inkhorn 23 | ||
| + | :(possibly pot), the hare and turtle pen and paper, the continually 24 | ||
| + | :more and less intermisunderstanding minds of the anticollabora- 25 | ||
| + | :tors, the as time went on as it will variously inflected, differently 26 | ||
| + | :pronounced, otherwise spelled, changeably meaning vocable 27 | ||
| + | :scriptsigns. | ||
| - | '''''Le poetiche di Joyce''''' (1965 - English translations: '''''The Middle Ages of James Joyce , The Aesthetics of Chaosmos''''', 1989) by [[Umberto Eco]]. | ||
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| - | :A work that has gone through many transformations. Originally titled “Le poetiche di Joyce” as the final chapter of 1962’s [[Opera aperta]], it was revised and published in 1966 as ''Le poetiche di Joyce: dalla “summa” al “Finnegans Wake.”'' The work was again revised and translated into English by Ellen Esrock and retitled ''The Aesthetics of Chaosmos'' for a 1982 publication. The present Harvard University Press version of the book, ''The Aesthetics of Chaosmos: The Middle Ages of James Joyce'', includes a slight revision of the Esrock translation as well as a new section called “The Medieval Model,” which includes material from a 1969 lecture at Tulsa University.[http://www.themodernword.com/eco/eco_works_litcrit.html] | ||
| ==See also== | ==See also== | ||
| *[[Chaosmos]] | *[[Chaosmos]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 18:39, 29 April 2013
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- Because, Soferim Bebel, if it goes to that, (and dormerwindow 18
- gossip will cry it from the housetops no surelier than the writing 19
- on the wall will hue it to the mod of men that mote in the main 20
- street) every person, place and thing in the chaosmos of Alle 21
- anyway connected with the gobblydumped turkery was moving 22
- and changing every part of the time: the travelling inkhorn 23
- (possibly pot), the hare and turtle pen and paper, the continually 24
- more and less intermisunderstanding minds of the anticollabora- 25
- tors, the as time went on as it will variously inflected, differently 26
- pronounced, otherwise spelled, changeably meaning vocable 27
- scriptsigns.
See also
- Chaosmos
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