Charles Sheeler
From The Art and Popular Culture Encyclopedia
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- | '''Charles Sheeler''' ([[July 16]] [[1883]] – [[May 7]] [[1965]]) is recognized as one of the founders of [[American modernism]] and one of the master [[photographer]]s of the [[20th century]]. | + | '''Charles Sheeler''' ([[July 16]] [[1883]] – [[May 7]] [[1965]]) is recognized as one of the founders of [[American modernism]] and one of the master [[photographer]]s ([[Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company]]) of the [[20th century]]. |
Born in [[Philadelphia]], he first studied at the [[Pennsylvania Academy of Fine Arts]]. In 1909 he went to [[Paris]], just when the popularity of [[Cubism]] was skyrocketing. Returning to the United States, he realized that he would not be able to make a living with [[Modernist]] painting. Instead, he took up commercial photography, focusing particularly on architectural subjects. He was a self-taught photographer, learning his trade on a $5 [[Brownie (camera)|Brownie]]. | Born in [[Philadelphia]], he first studied at the [[Pennsylvania Academy of Fine Arts]]. In 1909 he went to [[Paris]], just when the popularity of [[Cubism]] was skyrocketing. Returning to the United States, he realized that he would not be able to make a living with [[Modernist]] painting. Instead, he took up commercial photography, focusing particularly on architectural subjects. He was a self-taught photographer, learning his trade on a $5 [[Brownie (camera)|Brownie]]. |
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Charles Sheeler (July 16 1883 – May 7 1965) is recognized as one of the founders of American modernism and one of the master photographers (Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company) of the 20th century.
Born in Philadelphia, he first studied at the Pennsylvania Academy of Fine Arts. In 1909 he went to Paris, just when the popularity of Cubism was skyrocketing. Returning to the United States, he realized that he would not be able to make a living with Modernist painting. Instead, he took up commercial photography, focusing particularly on architectural subjects. He was a self-taught photographer, learning his trade on a $5 Brownie.
Sheeler rented a farmhouse in Doylestown, Pennsylvania, about 39 miles outside of Philadelphia. He shared it with artist Morton Schamberg. He was so fond of the home's 19th century stove that he called it his "companion" and made it a subject of his photographs. The farmhouse serves a prominent role in many of his photographs, including shots of the bedroom and kitchen. At one point he was quoted as calling it "my cloister."
Sheeler painted using a technique that complemented his photography. He was a self-proclaimed Precisionist, a term that emphasized the linear precision he employed in his depictions. As in his photographic works, his subjects were generally material things such as machinery and structures. He was hired by the Ford Motor Co. to photograph and make paintings of their factories!