Confusion  

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-#redirect[[Mental confusion]]+[[Image:Theatre from Ars Memoriae by Robert Fludd.jpg|thumb|right|200px|''[[Ars Memoriae]]'': The [[Theatre]] ([[1619]]) - [[Robert Fludd]]
 +<br>
 +“In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]]]]
 + 
 +{{Template}}
 +'''Confusion''' of a [[pathological]] degree, usually refers to loss of orientation (ability to place oneself correctly in the world by time, location, and personal identity) and often memory (ability to correctly recall previous events or learn new material). Confusion as such is not synonymous with inability to focus attention, although severe inability to focus attention can cause, or greatly contribute to, confusion.
 + 
 +==Etymology==
 +From ''[[con-]]'' (“with, together”) + ''[[fundō]]'' (“pour”).
 +
 +== See also ==
 +* [[Cognitive distortion]]
 +* [[Destabilisation]]
 +* [[Gaslighting]]
 +* [[Mind games]]
 +* [[Subversion]]
 + 
 +{{GFDL}}

Revision as of 20:48, 6 May 2014

Ars Memoriae: The Theatre (1619) - Robert Fludd  “In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson
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Ars Memoriae: The Theatre (1619) - Robert Fludd
“In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson

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Confusion of a pathological degree, usually refers to loss of orientation (ability to place oneself correctly in the world by time, location, and personal identity) and often memory (ability to correctly recall previous events or learn new material). Confusion as such is not synonymous with inability to focus attention, although severe inability to focus attention can cause, or greatly contribute to, confusion.

Etymology

From con- (“with, together”) + fundō (“pour”).

See also




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