Controversy  

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== Succès de scandale == == Succès de scandale ==
:''[[succès de scandale]]'' :''[[succès de scandale]]''
 +'''Succès de scandale''' is [[French (language)|French]] for "''success by scandal''", i.e. when (part of) a [[success]] derives from a [[scandal]].
 +
 +It might seem contradictory that any kind of success might follow from scandal: but scandal attracts attention, and this attention (whether gossip or bad press or any other kind) is sometimes the beginning of notoriety and/or other successes. Today, the often used cynical phrase "no such thing as bad publicity" is indicative of the extent to which "success by scandal" is a part of modern culture.
 +
 +The archetypal example of ''succes de scandale'' in art is [[Igor Stravinsky|Stravinsky]]'s ballet ''[[The Rite of Spring|Le Sacre du printemps]]'' ''(The Rite of Spring)'' , which [[premiere]]d in [[1913]] by the [[Ballets Russes]]. In the high days of the [[Belle Epoque]], the public attending this premiere was so scandalised by the brutal sounds produced by the orchestra and the evocation of a blood sacrifice on stage that a riot broke out.
 +
== Etymology == == Etymology ==

Revision as of 07:25, 26 June 2014

 This page Controversy is part of the publication bias list of the Art and Popular Culture Encyclopedia, presented by Alfred Jarry.
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This page Controversy is part of the publication bias list of the Art and Popular Culture Encyclopedia, presented by Alfred Jarry.
Nocturne in Black and Gold – The Falling Rocket  (c. 1874-77) by James McNeill Whistler caused controversy after art critic John Ruskin commented that Whistler had flung "a pot of paint in the public's face". Whistler subsequently sued Ruskin for defamation.
Enlarge
Nocturne in Black and Gold – The Falling Rocket (c. 1874-77) by James McNeill Whistler caused controversy after art critic John Ruskin commented that Whistler had flung "a pot of paint in the public's face". Whistler subsequently sued Ruskin for defamation.

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Controversy is a state of prolonged public dispute or debate, usually concerning a matter of opinion. The word was coined from the Latin controversia, as a composite of controversus - "turned in an opposite direction," from contra - "against" - and vertere - to turn, or versus, hence, "to turn against."

Perennial areas of controversy include history, religion, philosophy, sex and politics. Other minor areas of controversy may include economics, science, finances, and race. Controversy in matters of theology has traditionally been particularly heated, giving rise to the phrase odium theologicum. Controversial issues are held as potentially divisive in a given society, because they can lead to tension and ill will. Because of this, some controversies are considered taboo to discuss in public among other people, unless people are either mature enough or can find a common ground to share and discuss its people's feelings, and one's own direct observations and experiences on a controversial issue.

Contents

Odium theologicum

odium theologicum

Censorship

Censorship

Censorship is the removal or withholding of information from the public by a controlling group or body. Typically censorship is done by governments, religious groups, or the mass media, although other forms of censorship exist. The term "censorship" often carries with it a sense of untoward, inappropriate or repressive secrecy.

Censorship is closely related to the concepts of freedom of speech and freedom of expression. When overused, it is often associated with human rights abuse, dictatorship and repression.

Odium theologicum

odium theologicum

The Latin phrase Odium theologicum, literally meaning "theological hatred", is the name originally given to the often intense anger and hatred generated by disputes over theology. It has also been adopted to describe non-theological disputes of a rancorous nature.

The highly regarded philosopher and mathematician Bertrand Russell argued that the antidote to odium theologicum is science, which he characterized as dealing purely with fact, devoid of any personal commitment.

The most savage controversies are those about matters as to which there is no good evidence either way. Persecution is used in theology, not in arithmetic, because in arithmetic there is knowledge, but in theology there is only opinion. --"An Outline of Intellectual Rubbish" in Unpopular Essays, 1950

Succès de scandale

succès de scandale

Succès de scandale is French for "success by scandal", i.e. when (part of) a success derives from a scandal.

It might seem contradictory that any kind of success might follow from scandal: but scandal attracts attention, and this attention (whether gossip or bad press or any other kind) is sometimes the beginning of notoriety and/or other successes. Today, the often used cynical phrase "no such thing as bad publicity" is indicative of the extent to which "success by scandal" is a part of modern culture.

The archetypal example of succes de scandale in art is Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) , which premiered in 1913 by the Ballets Russes. In the high days of the Belle Epoque, the public attending this premiere was so scandalised by the brutal sounds produced by the orchestra and the evocation of a blood sacrifice on stage that a riot broke out.


Etymology

contra - verto

See also




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