Counter-Enlightenment
From The Art and Popular Culture Encyclopedia
Revision as of 23:41, 14 December 2007 Jahsonic (Talk | contribs) ← Previous diff |
Revision as of 23:42, 14 December 2007 Jahsonic (Talk | contribs) Next diff → |
||
Line 1: | Line 1: | ||
{{Template}} | {{Template}} | ||
- | '''"Counter-Enlightenment"''' is a term used in the second half of the twentieth century to refer to a movement that arose in the late-eighteenth and early-nineteenth centuries in opposition to the eighteenth century [[Age of Enlightenment|Enlightenment]]. It sometimes operates as "a kind of shorthand for any opposition to the dominance of Enlightenment thought."The term is usually associated with [[Isaiah Berlin]], who is often (mistakenly) credited with coining it. The German philosopher [[Friedrich Nietzsche]] used the term ''Gegenaufklärung'' at the end of the nineteenth century, although only in passing. It has not been widely used since. Isaiah Berlin published widely about the Enlightenment's enemies and did much to popularise the concept of a Counter-Enlightenment movement that he associated most closely with German [[Romanticism]]; however, recent scholarship has challenged this view for focusing too narrowly on Germany and stopping abruptly in the early nineteenth century, thereby ignoring the Enlightenment's many subsequent critics, particularly in the twentieth century. Some scholars reject the use of the term 'the Counter-Enlightenment' entirely, on the grounds that there was no single Enlightenment for its alleged enemies to oppose. | + | '''"Counter-Enlightenment"''' is a term used in the second half of the twentieth century to refer to a movement that arose in the late-eighteenth and early-nineteenth centuries in opposition to the eighteenth century [[Age of Enlightenment|Enlightenment]]. It sometimes operates as "a kind of shorthand for any opposition to the dominance of Enlightenment thought."The term is usually associated with [[Isaiah Berlin]], who is often (mistakenly) credited with coining it. The German philosopher [[Friedrich Nietzsche]] used the term ''Gegenaufklärung'' at the end of the nineteenth century, although only in passing. It has not been widely used since. Isaiah Berlin published widely about the Enlightenment's enemies and did much to popularise the concept of a Counter-Enlightenment movement that he associated most closely with German [[Romanticism]]; however, recent scholarship has challenged this view for focusing too narrowly on Germany and stopping abruptly in the early nineteenth century, thereby ignoring the Enlightenment's many subsequent critics, particularly in the twentieth century. Some scholars reject the use of the term 'the Counter-Enlightenment' entirely, on the grounds that there was no single Enlightenment for its alleged enemies to oppose. In the visual arts it is represented by [[Francisco de Goya]]'s "[[The Sleep of Reason Produces Monsters]]" (1799)]] |
== See also == | == See also == |
Revision as of 23:42, 14 December 2007
Related e |
Featured: |
"Counter-Enlightenment" is a term used in the second half of the twentieth century to refer to a movement that arose in the late-eighteenth and early-nineteenth centuries in opposition to the eighteenth century Enlightenment. It sometimes operates as "a kind of shorthand for any opposition to the dominance of Enlightenment thought."The term is usually associated with Isaiah Berlin, who is often (mistakenly) credited with coining it. The German philosopher Friedrich Nietzsche used the term Gegenaufklärung at the end of the nineteenth century, although only in passing. It has not been widely used since. Isaiah Berlin published widely about the Enlightenment's enemies and did much to popularise the concept of a Counter-Enlightenment movement that he associated most closely with German Romanticism; however, recent scholarship has challenged this view for focusing too narrowly on Germany and stopping abruptly in the early nineteenth century, thereby ignoring the Enlightenment's many subsequent critics, particularly in the twentieth century. Some scholars reject the use of the term 'the Counter-Enlightenment' entirely, on the grounds that there was no single Enlightenment for its alleged enemies to oppose. In the visual arts it is represented by Francisco de Goya's "The Sleep of Reason Produces Monsters" (1799)]]
See also