Distancing effect
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| - | {{Template}}The '''alienation effect ''' (from the [[German language|German]] '''''Verfremdungseffekt''''') is a theatrical and cinematic device "which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer." The term was coined by [[playwright]] [[Bertolt Brecht]] to describe the aesthetics of [[epic theatre]]. | + | {{Template}} |
| + | The '''alienation effect ''' (from the [[German language|German]] '''''Verfremdungseffekt''''') is a theatrical and cinematic device "which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer." The term was coined by [[playwright]] [[Bertolt Brecht]] to describe the aesthetics of [[epic theatre]]. | ||
| ==See also== | ==See also== | ||
| + | *[[Alienation]] | ||
| *[[Bertolt Brecht]] | *[[Bertolt Brecht]] | ||
| *[[defamiliarization]] | *[[defamiliarization]] | ||
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The alienation effect (from the German Verfremdungseffekt) is a theatrical and cinematic device "which prevents the audience from losing itself passively and completely in the character created by the actor, and which consequently leads the audience to be a consciously critical observer." The term was coined by playwright Bertolt Brecht to describe the aesthetics of epic theatre.
See also
- Alienation
- Bertolt Brecht
- defamiliarization
- Epic Theatre
- Jean-Luc Godard
- Rainer Werner Fassbinder
- Nagisa Oshima
- Lars von Trier
- Hal Hartley
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Distancing effect" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
