El Lissitzky
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| - | {{Template}} '''Lazar Markovich Lissitzky''' ([[November 23]], [[1890]] – [[December 30]], [[1941]]), better known as '''El Lissitzky''' ('''Эль Лисицкий'''), was a [[Russia]]n [[artist]], [[designer]], [[photographer]], [[teacher]], [[typographer]], and [[architect]]. He was one of the most important figures of the [[Russian avant garde]], helping develop [[suprematism]] with his friend and mentor, [[Kazimir Malevich]], and designed numerous [[Art exhibition|exhibition]] displays and [[propaganda]] works for the former [[Soviet Union]]. His work greatly influenced the [[Bauhaus]], [[Constructivism (art)|Constructivist]], and [[De Stijl]] movements and experimented with production techniques and stylistic devices that would go on to dominate [[Graphic design#20th century|20th century graphic design]]. | + | {{Template}} |
| + | '''Lazar Markovich Lissitzky''' ([[November 23]], [[1890]] – [[December 30]], [[1941]]), better known as '''El Lissitzky''' ('''Эль Лисицкий'''), was a [[Russia]]n [[artist]], [[designer]], [[photographer]], [[teacher]], [[typographer]], and [[architect]]. He was one of the most important figures of the [[Russian avant garde]], helping develop [[suprematism]] with his friend and mentor, [[Kazimir Malevich]], and designed numerous [[Art exhibition|exhibition]] displays and [[propaganda]] works for the former [[Soviet Union]]. His work greatly influenced the [[Bauhaus]], [[Constructivism (art)|Constructivist]], and [[De Stijl]] movements and experimented with production techniques and stylistic devices that would go on to dominate [[Graphic design#20th century|20th century graphic design]]. | ||
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Lazar Markovich Lissitzky (November 23, 1890 – December 30, 1941), better known as El Lissitzky (Эль Лисицкий), was a Russian artist, designer, photographer, teacher, typographer, and architect. He was one of the most important figures of the Russian avant garde, helping develop suprematism with his friend and mentor, Kazimir Malevich, and designed numerous exhibition displays and propaganda works for the former Soviet Union. His work greatly influenced the Bauhaus, Constructivist, and De Stijl movements and experimented with production techniques and stylistic devices that would go on to dominate 20th century graphic design.
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