John Falstaff  

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-#A [[fat]] and [[jolly]] [[knight]]. The character was invented by [[William Shakespeare|William Shakespeare]] for his [[play]]s ''Henry IV'' (parts 1 and 2) and also appeared in ''The Merry Wives of Windsor''.+A [[fat]], [[vainglorious]], [[coward]]ly, [[jolly]] [[knight]]. The character was invented by [[William Shakespeare|William Shakespeare]] for his [[play]]s ''Henry IV'' (parts 1 and 2) and also appeared in ''[[The Merry Wives of Windsor]]''. By extension, Falstaffian means [[corpulent]] and [[jolly]].
 +==Appearances==
 +He appears in the following plays:
-===Derived terms===+*''[[Henry IV, part 1]]''
-*[[Falstaffian]]+*''[[Henry IV, part 2]]''
 +*''[[The Merry Wives of Windsor]]''
 + 
 +His death is mentioned in ''[[Henry V (play)|Henry V]]'' but he has no lines, nor is it directed that he appear on stage. However, many stage and film adaptations have seen it necessary to include Falstaff for the insight he provides into [[Henry V of England|King Henry V]]'s character. The most notable examples in cinema are [[Laurence Olivier]]'s [[Henry V (1944 movie)|1944 version]] and [[Kenneth Branagh]]'s [[Henry V (1989 movie)|1989 film]], both of which draw additional material from the ''Henry IV'' plays.
 + 
 +There are several works about Falstaff, inspired by Shakespeare's plays:
 +*[[Orson Welles]]'s ''[[Chimes at Midnight]]'' (1966) compiles the two ''Henry IV'' plays into a single, condensed storyline, while adding a handful of scenes from ''[[Richard II (play)|Richard II]]'' and ''Henry V''. The movie, also known as ''Falstaff'', features Welles himself in the title role.
 +*''[[Falstaff (opera)|Falstaff]]'' (1893), [[Giuseppe Verdi]]'s last [[opera buffa|opera]], with a [[libretto]] by [[Arrigo Boito]]. It is mostly based upon ''The Merry Wives of Windsor''.
 +*''[[Falstaff (Salieri)|Falstaff]]'' (1799), [[Antonio Salieri]]'s [[opera buffa|opera]], with a libretto by [[Carlo Prospers Defranchesi]], which is also based upon ''The Merry Wives of Windsor''.
 +*''[[Falstaff (Elgar)|Falstaff]]'' (1913), a "symphonic study" by [[Edward Elgar|Elgar]], which is a sympathetic and programmatic musical portrait.
 +*''Falstaff'', a Hungarian TV movie based on ''[[Henry IV, part 1]]'' and ''[[Henry IV, part 2]]'', prepared by László Vámos and Péter Müller
 +*''[[The Merry Wives of Windsor (opera)|Die lustigen Weiber von Windsor]]'' (1849) by [[Carl Otto Nicolai]], based upon ''The Merry Wives of Windsor.''
 +*''Sir John in Love'', 1924–1928, an opera by composer [[Ralph Vaughan Williams]]
 +*The opera ''Plump Jack'' (1984) by [[Gordon Getty]].
 +*The novel ''Falstaff'' by [[Robert Nye]].
 + 
 +==See also==
 +*[[Sir John Fastolf]]
 +*[[Sir John Oldcastle]]
 +*[[Battle of Patay]]
 +*[[Falstaff (opera)]]
 +*[[Toby Belch]]
 +*[[PlumpJack Winery]]
 + 
 +==See also==
 +*[[Falstaff Press]]
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A fat, vainglorious, cowardly, jolly knight. The character was invented by William Shakespeare for his plays Henry IV (parts 1 and 2) and also appeared in The Merry Wives of Windsor. By extension, Falstaffian means corpulent and jolly.

Appearances

He appears in the following plays:

His death is mentioned in Henry V but he has no lines, nor is it directed that he appear on stage. However, many stage and film adaptations have seen it necessary to include Falstaff for the insight he provides into King Henry V's character. The most notable examples in cinema are Laurence Olivier's 1944 version and Kenneth Branagh's 1989 film, both of which draw additional material from the Henry IV plays.

There are several works about Falstaff, inspired by Shakespeare's plays:

See also

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Falstaff" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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