Fantasia (1940 film)
From The Art and Popular Culture Encyclopedia
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| The concept of matching animation to classical music was used as early as 1928 in Disney's cartoon series, the ''[[Silly Symphonies]]'', but he wanted to go beyond the usual slapstick, and produce shorts where "sheer fantasy unfolds ... action controlled by a musical pattern has great charm in the realm of [[unreality]]." | The concept of matching animation to classical music was used as early as 1928 in Disney's cartoon series, the ''[[Silly Symphonies]]'', but he wanted to go beyond the usual slapstick, and produce shorts where "sheer fantasy unfolds ... action controlled by a musical pattern has great charm in the realm of [[unreality]]." | ||
| - | [[Oscar Fischinger]] designed the [[J. S. Bach]] ''[[Toccata and Fugue in D Minor]]'' sequence for [[Walt Disney]]'s ''[[Fantasia (1940 film)|Fantasia]]'' ([[1940 in film|1940]]), but quit without credit because Disney altered his designs to be more representational. | + | [[Oskar Fischinger]] designed the [[J. S. Bach]] ''[[Toccata and Fugue in D Minor]]'' sequence for [[Walt Disney]]'s ''[[Fantasia (1940 film)|Fantasia]]'' ([[1940 in film|1940]]), but quit without credit because Disney altered his designs to be more representational. |
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| [[Category:World Cinema Classics]] | [[Category:World Cinema Classics]] | ||
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Fantasia is a 1940 American animated film produced by Walt Disney and released by Walt Disney Productions. With story direction by Joe Grant and Dick Huemer, and production supervision by Ben Sharpsteen, it is the third feature in the Disney animated features canon. The film consists of eight animated segments set to pieces of classical music conducted by Leopold Stokowski, seven of which are performed by the Philadelphia Orchestra. Music critic and composer Deems Taylor acts as the film's Master of Ceremonies, who introduces each segment in live action interstitial scenes.
The concept of matching animation to classical music was used as early as 1928 in Disney's cartoon series, the Silly Symphonies, but he wanted to go beyond the usual slapstick, and produce shorts where "sheer fantasy unfolds ... action controlled by a musical pattern has great charm in the realm of unreality."
Oskar Fischinger designed the J. S. Bach Toccata and Fugue in D Minor sequence for Walt Disney's Fantasia (1940), but quit without credit because Disney altered his designs to be more representational.
