Federico Zuccari
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| '''Federico Zuccari''', also known as '''Federigo Zuccaro''' (c. 1540/1541 – July 20, 1609), was an [[Italy|Italian]] [[Mannerism|Mannerist]] [[Painting|painter]] and [[architect]], active both in Italy and abroad. | '''Federico Zuccari''', also known as '''Federigo Zuccaro''' (c. 1540/1541 – July 20, 1609), was an [[Italy|Italian]] [[Mannerism|Mannerist]] [[Painting|painter]] and [[architect]], active both in Italy and abroad. | ||
| + | ==Biography== | ||
| + | Zuccari was born at [[Sant'Angelo in Vado]], near [[Urbino]] ([[Marche]]). | ||
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| + | His documented career as a painter began in 1550, when he moved to Rome to work under [[Taddeo Zuccari|Taddeo]], his elder brother. He went on to complete decorations for [[Pius IV]], and help complete the fresco decorations at the [[Villa Farnese|Villa Farnese at Caprarola]]. He was involved in the following fresco projects: | ||
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| + | *Decoration of the [[Casina Pio IV]], Rome | ||
| + | *Grimani Chapel, [[San Francesco della Vigna]], Venice | ||
| + | *Pucci Chapel in the church of [[Trinità dei Monti]], Rome | ||
| + | *[[San Marcello al Corso]], Rome | ||
| + | *[[Cathedral of Orvieto]] (1570) | ||
| + | *[[Oratorio del Gonfalone]], Rome (1573) | ||
| + | *Dome of [[Santa Maria del Fiore]], Florence (previously started by [[Vasari]]) | ||
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| + | Another picture in the same collection appears to be a replica of his painting of the "Allegory of Calumny", as suggested by [[Lucian]]'s description of a celebrated work by [[Apelles]]; the satire in the original painting, directed against some of his courtier enemies, was the immediate cause of Zuccari's temporary exile from Rome. Zuccari was recalled to Rome by [[Pope Gregory XIII]] to continue in the Pauline chapel of the [[Vatican City|Vatican]]. He visited [[Brussels]], and there made a series of cartoons for the [[Brussels tapestry|tapestry-weavers]]. In 1574 he passed over to England, where he received commission from [[Robert Dudley, Earl of Leicester]] to portray himself and [[Elizabeth I of England|Queen Elizabeth]].<ref>Goldring, Elizabeth: "The Earl of Leicester's Inventory of Kenilworth Castle, c.1578", ''English Heritage Historical Review'', Vol. 2, 2007, p. 38</ref> He also painted [[Mary, Queen of Scots]], Sir [[Nicholas Bacon (courtier)|Nicholas Bacon]], Sir [[Francis Walsingham]], [[Charles Howard, 1st Earl of Nottingham|Lord High Admiral Howard]]. | ||
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| + | He painted a portrait of a ''Man with Two Dogs'', in the [[Pitti Palace]] (Florence), and the ''Dead Christ and Angels'' in the [[Galleria Borghese]] (Rome). In 1585, he accepted an offer by [[Philip II of Spain]] to decorate the new [[Escorial]] at a yearly salary of 2,000 crowns. He worked at the palace from January 1586 to end of 1588, when he returned to Rome. His paintings (like those of [[El Greco]] before him) were disliked by Philip II and many were painted over. However the parting was amicable:"We must not blame him, but those who sent him to us", said Philip.<ref>Trevor-Roper, Hugh; ''Princes and Artists, Patronage and Ideology at Four Habsburg Courts 1517-1633'', Thames & Hudson, London, 1976, p 69</ref> He was succeeded by [[Pellegrino Tibaldi]]. He there founded in 1595, under a charter confirmed by [[Pope Sixtus V]], the [[Accademia di San Luca]], of which he was the first president. [[Bartolomeo Carducci]] is said to have studied with him. | ||
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| + | Like his [[Giorgio Vasari]] a generation before, Zuccari aimed at being an art critic and historian. His chief book, ''L'idea de' Pittori, Scultori, ed Architetti'' (1607), was far less popular. | ||
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| + | Zuccari was raised to the rank of [[cavaliere]] not long before his death, which took place at [[Ancona]] in 1609. | ||
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Revision as of 12:31, 22 September 2012
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Federico Zuccari, also known as Federigo Zuccaro (c. 1540/1541 – July 20, 1609), was an Italian Mannerist painter and architect, active both in Italy and abroad.
Biography
Zuccari was born at Sant'Angelo in Vado, near Urbino (Marche).
His documented career as a painter began in 1550, when he moved to Rome to work under Taddeo, his elder brother. He went on to complete decorations for Pius IV, and help complete the fresco decorations at the Villa Farnese at Caprarola. He was involved in the following fresco projects:
- Decoration of the Casina Pio IV, Rome
- Grimani Chapel, San Francesco della Vigna, Venice
- Pucci Chapel in the church of Trinità dei Monti, Rome
- San Marcello al Corso, Rome
- Cathedral of Orvieto (1570)
- Oratorio del Gonfalone, Rome (1573)
- Dome of Santa Maria del Fiore, Florence (previously started by Vasari)
Another picture in the same collection appears to be a replica of his painting of the "Allegory of Calumny", as suggested by Lucian's description of a celebrated work by Apelles; the satire in the original painting, directed against some of his courtier enemies, was the immediate cause of Zuccari's temporary exile from Rome. Zuccari was recalled to Rome by Pope Gregory XIII to continue in the Pauline chapel of the Vatican. He visited Brussels, and there made a series of cartoons for the tapestry-weavers. In 1574 he passed over to England, where he received commission from Robert Dudley, Earl of Leicester to portray himself and Queen Elizabeth.<ref>Goldring, Elizabeth: "The Earl of Leicester's Inventory of Kenilworth Castle, c.1578", English Heritage Historical Review, Vol. 2, 2007, p. 38</ref> He also painted Mary, Queen of Scots, Sir Nicholas Bacon, Sir Francis Walsingham, Lord High Admiral Howard.
He painted a portrait of a Man with Two Dogs, in the Pitti Palace (Florence), and the Dead Christ and Angels in the Galleria Borghese (Rome). In 1585, he accepted an offer by Philip II of Spain to decorate the new Escorial at a yearly salary of 2,000 crowns. He worked at the palace from January 1586 to end of 1588, when he returned to Rome. His paintings (like those of El Greco before him) were disliked by Philip II and many were painted over. However the parting was amicable:"We must not blame him, but those who sent him to us", said Philip.<ref>Trevor-Roper, Hugh; Princes and Artists, Patronage and Ideology at Four Habsburg Courts 1517-1633, Thames & Hudson, London, 1976, p 69</ref> He was succeeded by Pellegrino Tibaldi. He there founded in 1595, under a charter confirmed by Pope Sixtus V, the Accademia di San Luca, of which he was the first president. Bartolomeo Carducci is said to have studied with him.
Like his Giorgio Vasari a generation before, Zuccari aimed at being an art critic and historian. His chief book, L'idea de' Pittori, Scultori, ed Architetti (1607), was far less popular.
Zuccari was raised to the rank of cavaliere not long before his death, which took place at Ancona in 1609.
