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-[[Image:Le Voyage dans la lune.jpg|200px|thumb|right|''[[A Trip to the Moon]]'' () [[Georges Méliès]]]]+[[Image:Le Voyage dans la lune.jpg|200px|thumb|right|''[[A Trip to the Moon]]'' (1902) [[Georges Méliès]]]]
[[Image:The Raven.jpg|thumb|right|200px|In 1963, [[Roger Corman]] directed ''[[The Raven (1963 film)|The Raven]]'', a [[horror-comedy]] written by [[Richard Matheson]] very loosely based on the poem, "[[The Raven]]" by [[Edgar Allan Poe]]. It stars [[Vincent Price]], [[Peter Lorre]], and [[Boris Karloff]] as a trio of rival [[Magic (paranormal)|sorcerers]].]] [[Image:The Raven.jpg|thumb|right|200px|In 1963, [[Roger Corman]] directed ''[[The Raven (1963 film)|The Raven]]'', a [[horror-comedy]] written by [[Richard Matheson]] very loosely based on the poem, "[[The Raven]]" by [[Edgar Allan Poe]]. It stars [[Vincent Price]], [[Peter Lorre]], and [[Boris Karloff]] as a trio of rival [[Magic (paranormal)|sorcerers]].]]
[[Image:The Big Swallow.jpg|thumb|right|200px|Extreme [[close-up]] from the movie "[[The Big Swallow]]" ([[1901]]), produced and directed by [[James Williamson]] (1855-1933)]] [[Image:The Big Swallow.jpg|thumb|right|200px|Extreme [[close-up]] from the movie "[[The Big Swallow]]" ([[1901]]), produced and directed by [[James Williamson]] (1855-1933)]]

Revision as of 11:04, 14 July 2009

In 1963, Roger Corman directed The Raven, a horror-comedy written by Richard Matheson very loosely based on the poem, "The Raven" by Edgar Allan Poe. It stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers.
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In 1963, Roger Corman directed The Raven, a horror-comedy written by Richard Matheson very loosely based on the poem, "The Raven" by Edgar Allan Poe. It stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers.
Extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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Extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
 L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.
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L'arrivée d'un train en gare de La Ciotat (The Arrival of a Train at La Ciotat Station is an 1895 French short black-and-white silent documentary film directed and produced by Auguste and Louis Lumière. It was first screened on December 28 1895 in Paris, France, and was shown to a paying audience January 6 1896.
 A simple example of the inherent meaning in an art form is that of a western film where two men face each other on a dusty and empty road; one dons a black hat, the other white. Independent of any external meaning, there is no way to tell what the situation might mean, but due to the long development of the "western" genre, it is clear to the informed audience that they are watching a gunfight showdown between a good guy and a bad guy.
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A simple example of the inherent meaning in an art form is that of a western film where two men face each other on a dusty and empty road; one dons a black hat, the other white. Independent of any external meaning, there is no way to tell what the situation might mean, but due to the long development of the "western" genre, it is clear to the informed audience that they are watching a gunfight showdown between a good guy and a bad guy.

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"Film is a genuine art. It is genuine in that it is strictly popular. Like all the arts its apppeal is based on a few primitive, and therefore universal, instincts and mechanisms in man. Sex and combat are the chief instincts. --after Terry Ramsaye (1926).
"Voyeurism is not just one of the primary tools of cinema, but of written fiction too."
"The Kino is a vulgar modern entertainment and I doubt if it can tell us anything serious about the modern condition." --Sigmund Freud
"They can keep their Bressons and their Cocteaus. The cinematic, modern marvelous is popular, and the best and most exciting films are, beginning with Méliès and Fantômas, the films shown in local fleapits, films which seem to have no place in the history of cinema." --Ado Kyrou “The Marvelous is Popular.”

In the history of fiction, film became the dominant medium after the arrival of sound film in the late 1920s and early 1930s, displacing the novel and theatre. Until the arrival of home video, film was a community based entertainment medium. In recent years, video games have displaced films as the top grossing entertainment medium.

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History

Motion pictures developed gradually from a carnival novelty to one of the most important tools of communication, entertainment, and mass media in the 20th century. Films have had a substantial impact on the arts, technology, and politics.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Film" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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