Form
From The Art and Popular Culture Encyclopedia
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+ | [[Image:The Music of Gounod is a 'thoughtform' from Thought Forms (1901) by Annie Besant & Charles Webster Leadbeater.jpg|thumb|left|200px|[[The Music of Gounod]], a 'thoughtform' from ''Thought Forms'' (1901) by Annie Besant & Charles Webster Leadbeater]] | ||
{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" | ||
- | | style="text-align: left;" | It would be hard to find any reputable [[literary critic]] today who would care to be caught defending ''as an idea'' the old [[antithesis]] of [[Style (fiction)|style]] versus [[Content (media)|content]]. On this issue a pious consensus prevails. Everyone is quick to avow that style and content are indissoluble, that the strongly individual style of each important writer is an [[organic]] aspect of his work and never something merely "[[decorative]]." --"[[On Style]] (1966) - Susan Sontag | + | | style="text-align: left;" | |
+ | "It would be hard to find any reputable [[literary critic]] today who would care to be caught defending ''as an idea'' the old [[antithesis]] of [[Style (fiction)|style]] versus [[Content (media)|content]]. On this issue a pious consensus prevails. Everyone is quick to avow that style and content are indissoluble, that the strongly individual style of each important writer is an [[organic]] aspect of his work and never something merely "[[decorative]]." --"[[On Style]] (1966) - Susan Sontag | ||
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- | [[Image:Les Poires.jpg|200px|thumb|right|''[[Les Poires]]'', as sold separately to cover the expenses of a trial of [[Le Charivari]]]] | + | [[Image:The-bouba-kiki-effect.png|thumb|right|200px|The [[Bouba/kiki effect]] (1929)]] |
- | [[Image:Ernst Haeckel's Artforms of Nature of 1904.jpg|thumb|right|200px|''[[Artforms of Nature]]'' ([[1904]]) by [[Ernst Haeckel]]<br> | + | [[Image:Bracelli_2.jpeg|thumb|right|200px|From the ''[[Bizzarie di varie figure]]'' (1624) by Giovanni Battista Braccelli]] |
- | The 49th plate from Ernst Haeckel's ''Kunstformen der Natur'' of 1904, showing various [[sea anemone]]s classified as Actiniae.]] | + | [[Image:Les Poires.jpg|200px|thumb|right|''[[Les Poires]]'', as sold separately to cover the expenses of a trial of Le Charivari]] |
{{Template}} | {{Template}} | ||
- | '''Form''' is the [[shape]] or [[visible]] [[structure]] of a [[thing]] or [[person]] or a thing that gives shape to other things as in a [[mold]]. It can also refer to an order of doing things, as in religious [[ritual]]. | + | '''Form''' is the [[shape]] or [[visible]] [[structure]] of a [[thing]] or [[person]] or a thing that gives shape to other things as in a [[Molding (process)|mold]]. It can also refer to an order of doing things, as in religious [[ritual]]. |
==Etymology== | ==Etymology== | ||
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==See also== | ==See also== | ||
*[[Amorphous]] | *[[Amorphous]] | ||
- | *[[Form follows function]] | ||
- | *[[Form and content]] | ||
- | *[[Desinit in piscem mulier formosa superne]] | ||
*[[Deformis formositas ac formosa deformitas]] | *[[Deformis formositas ac formosa deformitas]] | ||
+ | *[[Desinit in piscem mulier formosa superne]] | ||
+ | *[[Essence]] | ||
+ | *[[Figure]] | ||
+ | *[[Fingo]] | ||
+ | *[[Form and content]] | ||
+ | *[[Form follows function]] | ||
+ | *[[Formality]] | ||
*[[Form of the Good]] | *[[Form of the Good]] | ||
+ | *[[Geometry]] | ||
*[[Information]] | *[[Information]] | ||
*[[Matter]] | *[[Matter]] | ||
*[[Morph]] | *[[Morph]] | ||
+ | *[[Reform]] | ||
*[[Substance]] | *[[Substance]] | ||
{{GFDL}} | {{GFDL}} |
Revision as of 12:01, 13 July 2021
"It would be hard to find any reputable literary critic today who would care to be caught defending as an idea the old antithesis of style versus content. On this issue a pious consensus prevails. Everyone is quick to avow that style and content are indissoluble, that the strongly individual style of each important writer is an organic aspect of his work and never something merely "decorative." --"On Style (1966) - Susan Sontag |
Related e |
Featured: |
Form is the shape or visible structure of a thing or person or a thing that gives shape to other things as in a mold. It can also refer to an order of doing things, as in religious ritual.
Contents |
Etymology
From Middle English forme (“shape, figure, manner, bench, frame, seat, condition, agreement, etc.”), from Old French forme, from Latin forma (“shape, figure, image, outline, plan, mold, frame, case, etc., manner, sort, kind, etc.”) Perhaps from Ancient Greek μόρφα (morpha, “bodily form, build”), from μορφή (morphē, “shape, fashion, appearance, outward form, contour, figure”), via Etruscan.
Related
art form - appearance - biomorphism - content - design - formalism - formula - function - metamorphoses - object - perception - style - thing - zoomorphism
Philosophy
- Substantial form, asserts that ideas organize matter and make it intelligible
- Theory of Forms, asserts that ideas possess the highest and most fundamental kind of reality
- Value-form, an approach to understanding the origins of commodity trade and the formation of markets
- Argument form, aka Logical form or Test form - replacing the different words, or sentences, that make up the argument with letters, along the lines of algebra; the letters represent logical variables
See also
- Amorphous
- Deformis formositas ac formosa deformitas
- Desinit in piscem mulier formosa superne
- Essence
- Figure
- Fingo
- Form and content
- Form follows function
- Formality
- Form of the Good
- Geometry
- Information
- Matter
- Morph
- Reform
- Substance