Fountain (Duchamp)
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Fountain is a 1917 work by Marcel Duchamp. It is one of the pieces which he called readymades (also known as found art), because he made use of an already existing object—in this case a urinal, which he titled Fountain and signed R. Mutt. It was submitted to an art show as an act of provocation, but was lost shortly after this. It is a major landmark in 20th century art. Replicas commissioned by Duchamp in the 1960s are now on display in museums.
Legacy
In December 2004, Duchamp's Fountain was voted the most influential artwork of the 20th century by 500 selected British art world professionals.<ref>Template:Cite news</ref> The Independent noted in a February 2008 article that with this single work, Duchamp invented conceptual art and "severed forever the traditional link between the artist's labour and the merit of the work".<ref name="Independent">Template:Cite news</ref>
Jerry Saltz wrote in The Village Voice in 2006:
The prices for replicas, editions, or works that have some ephemeral trace of Duchamp reached its peak with the purchase of one of the 1964 replicas of "Fountain" from the 1964 edition of eight, for $1.7 million at Sotheby's in November 1999. <ref>Marquis, Marcel Duchamp: The Bachelor Stripped Bare A Biography, p. 5.</ref>
Interventions
Swedish artist Björn Kjelltoft urinated in the Fountain at Moderna Museet in Stockholm in 1999. <ref>ÅRETS STÖRSTA KONSTHÄNDELSE</ref>
In spring 2000, Yuan Chai and Jian Jun Xi, two performance artists, who in 1999 had jumped on Tracey Emin's installation-sculpture My Bed in the Turner Prize exhibition at Tate Britain, went to the newly opened Tate Modern and urinated on the Fountain which was on display. However, they were prevented from soiling the sculpture directly by its Perspex case. The Tate, which denied that the duo had succeeded in urinating into the sculpture itself,<ref>{{
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}}</ref> banned them from the premises stating that they were threatening "works of art and our staff." When asked why they felt they had to add to Duchamp's work, Chai said, "The urinal is there – it's an invitation. As Duchamp said himself, it's the artist's choice. He chooses what is art. We just added to it."<ref name="Independent"/>
On January 4, 2006, while on display in the Dada show in the Pompidou Centre in Paris, Fountain was attacked by Pierre Pinoncelli, a then 76 year old <ref>"Pierre Pinoncelli: This man is not an artist" at infoshop.org </ref> French performance artist, with a hammer causing a slight chip. Pinoncelli, who was arrested, said the attack was a work of performance art that Marcel Duchamp himself would have appreciated.<ref name=bbcpinocelli>Template:Cite news</ref> In 1993 Pinoncelli urinated into the piece while it was on display in Nimes, in southern France. Both of Pinoncelli's performances derive from neo-Dadaists' and Viennese Actionists' intervention or manoeuvre.Template:Citation needed
Afterword
Duchamp is often misquoted as saying:
However, fellow Dadaist Hans Richter explained years later that it was in a letter he had written to Duchamp in 1961, except in the second person not the first, i.e. "You threw..." etc. Duchamp had written in French, "Ok, ça va très bien" ("Ok, that's going very well") in the margin beside it.<ref>Template:Cite journal.</ref>
