Fredric Jameson  

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 +The [[postmodernism]]s have, in fact, been fascinated precisely by this whole “[[Degradation|degraded]]” landscape of [[schlock]] and [[kitsch]], of TV series and [[Reader's Digest]], of [[advertising]] and [[motel]]s, of the late show and the [[B movie|grade-B Hollywood film]], of so-called [[paraliterature]], with its [[airport novel|airport paperback]] categories of the [[gothic fiction|gothic]] and the [[romance novel|romance]], the popular biography, the [[crime fiction|murder mystery]], and the [[science fiction]] or [[fantasy literature|fantasy novel]]: materials they no longer simply “quote” as a [[James Joyce|Joyce]] or a [[Gustav Mahler|Mahler]] might have done, but incorporate into their very substance. --''[[Postmodernism, or, the Cultural Logic of Late Capitalism ]]'', Fredric Jameson, 1984
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-:The [[postmodernism]]s have, in fact, been fascinated precisely by this whole “[[degraded]]” landscape of [[schlock]] and [[kitsch]], of TV series and [[Reader's Digest]], of [[advertising]] and [[motel]]s, of the late show and the [[B movie|grade-B Hollywood film]], of so-called [[paraliterature]], with its [[airport paperback]] categories of the [[gothic]] and the [[romance]], the popular biography, the murder mystery, and the science fiction or fantasy novel: materials they no longer simply “quote” as a [[Joyce]] or a [[Mahler]] might have done, but incorporate into their very substance. --''[[Postmodernism, or, the Cultural Logic of Late Capitalism]]'' (1984)+'''Fredric Jameson''' (born 14 April 1934) is an American [[literary criticism|literary critic]] and [[Marxism|Marxist political theorist]]. He is best known for his analysis of contemporary [[culture|cultural]] trends—he once described [[postmodernity|postmodernism]] as the [[spatialization]] of culture under the pressure of organized [[capitalism]]. Jameson's best-known books include ''[[Postmodernism, or, the Cultural Logic of Late Capitalism|Postmodernism: The Cultural Logic of Late Capitalism]]'', ''[[The Political Unconscious]]'', and ''Marxism and Form''.
- +==See also==
-'''Fredric Jameson''' (born [[April 14]], [[1934]]) is a [[literary criticism|literary critic]] and [[Marxist]] [[politics|political]] [[literary theory|theorist]]. He is best known for the analysis of contemporary [[culture|cultural]] trends; he described [[postmodernism]] as the [[spatialization]] of culture under the pressure of organized [[capitalism]]. Jameson's best-known books include ''[[Postmodernism, or, the Cultural Logic of Late Capitalism|Postmodernism: The Cultural Logic of Late Capitalism]]'', ''The Political Unconscious'', and ''Marxism and Form''.+* [[Dialectic]]
 +* [[Dialectical materialism]]
 +* [[Georg Wilhelm Friedrich Hegel|Hegel]]
 +* [[Literary realism]]
 +* [[Literary theory]]
 +* [[Karl Marx|Marx]]
 +* [[Marxism]]
 +* [[List of contributors to Marxist theory|Marxist theorists]]
 +* [[Modernism]]
 +* [[Political consciousness]]
 +* [[Postmodernism]]
 +* [[Psychoanalytic sociology]]
 +* [[Utopia]]
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Revision as of 07:26, 17 April 2014

The postmodernisms have, in fact, been fascinated precisely by this whole “degraded” landscape of schlock and kitsch, of TV series and Reader's Digest, of advertising and motels, of the late show and the grade-B Hollywood film, of so-called paraliterature, with its airport paperback categories of the gothic and the romance, the popular biography, the murder mystery, and the science fiction or fantasy novel: materials they no longer simply “quote” as a Joyce or a Mahler might have done, but incorporate into their very substance. --Postmodernism, or, the Cultural Logic of Late Capitalism , Fredric Jameson, 1984

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Fredric Jameson (born 14 April 1934) is an American literary critic and Marxist political theorist. He is best known for his analysis of contemporary cultural trends—he once described postmodernism as the spatialization of culture under the pressure of organized capitalism. Jameson's best-known books include Postmodernism: The Cultural Logic of Late Capitalism, The Political Unconscious, and Marxism and Form.

See also




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