Gérard Genette
From The Art and Popular Culture Encyclopedia
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| *''Mimologiques: voyage en Cratylie'', 1976. (translated as ''Mimologics'', 1995) | *''Mimologiques: voyage en Cratylie'', 1976. (translated as ''Mimologics'', 1995) | ||
| *''Introduction à l'architexte'', 1979. | *''Introduction à l'architexte'', 1979. | ||
| - | *''Palimpsestes: La littérature au second degré'', 1982. | + | *''[[Palimpsestes: La littérature au second degré]]'', 1982. |
| *''Nouveau discours du récit'', 1983. | *''Nouveau discours du récit'', 1983. | ||
| *''[[Seuils]]'', 1987. (translated as ''[[Paratexts. Thresholds of interpretation]]'', 1997) | *''[[Seuils]]'', 1987. (translated as ''[[Paratexts. Thresholds of interpretation]]'', 1997) | ||
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He is largely responsible for the reintroduction of a rhetorical vocabulary into literary criticism, for example such terms as trope and metonymy. Additionally his work on narrative, best known in English through the selection Narrative Discourse: An Essay in Method, has been of importance. His major work is the multi-part Figures series, of which Narrative Discourse is a section.
His international influence is not as great as that of some others identified with structuralism, such as Roland Barthes and Claude Lévi-Strauss; his work is more often included in selections or discussed in secondary works than studied in its own right. Terms and techniques originating in his vocabulary and systems have, however, become widespread, such as the term paratext for prefaces, introductions, illustrations or other material accompanying the text.
Timeline
- 1930: Born in Paris.
- 1967: Receives professorship in French literature at the Sorbonne.
- 1970: Founds French journal Poétique.
Selected works
- Figures I-III, 1967-70. (selections of Figures III translated and published as Narrative Discourse: An Essay in Method, 1979)
- Mimologiques: voyage en Cratylie, 1976. (translated as Mimologics, 1995)
- Introduction à l'architexte, 1979.
- Palimpsestes: La littérature au second degré, 1982.
- Nouveau discours du récit, 1983.
- Seuils, 1987. (translated as Paratexts. Thresholds of interpretation, 1997)
- Fiction et diction, 1991.
- L'Œuvre de l'art, 1: Immanence et transcendance, 1994.
- L'Œuvre de l'art, 2: La relation esthétique, 1997.
- Figures IV, 1999.
- Figures V, 2002.
- Métalepse: De la figure à la fiction, 2004.
- Bardadrac, 2006.
