Georges Bataille
From The Art and Popular Culture Encyclopedia
Revision as of 22:35, 8 April 2007 84.198.160.226 (Talk) (→Denise Rollin-Le Gentil) ← Previous diff |
Revision as of 22:36, 8 April 2007 84.198.160.226 (Talk) (→Denise Rollin-Le Gentil) Next diff → |
||
Line 3: | Line 3: | ||
His brand of subversive [[surrealism]] is documented in [[Documents]]. | His brand of subversive [[surrealism]] is documented in [[Documents]]. | ||
== Denise Rollin-Le Gentil == | == Denise Rollin-Le Gentil == | ||
- | On 2 October 1939, Georges Bataille meets [[Denise Rollin-Le Gentil]], who is 32 and married with a young son, [[Jean Rollin]]. Michel Surya writes, ‘She was beautiful, a beauty that would be described as melancholy if not taciturn. She spoke little or, for long periods not at all’. She joins him at his flat in October; thereafter, Bataille will spend time in her flat at 3 rue de Lille. | + | On 2 October 1939, Georges Bataille meets [[Denise Rollin-Le Gentil]] ... |
- | + | ||
- | In 1945, Maurice Blanchot commences an apparently largely epistolatory affair with Denise Rollin, which will continue until her death in 1978. -- adpated from Spurious [http://spurious.typepad.com/spurious/2003/12/batailles_war.html] --[[User:WikiSysop|WikiSysop]] 23:53, 8 April 2007 (CEST) | + | |
== Influence on American modern art criticism == | == Influence on American modern art criticism == |
Revision as of 22:36, 8 April 2007
Georges Bataille [1][2] (September 10, 1897 – July 9, 1962) was a French writer, anthropologist, archivist and philosopher, though he avoided this last term himself.
His brand of subversive surrealism is documented in Documents.
Denise Rollin-Le Gentil
On 2 October 1939, Georges Bataille meets Denise Rollin-Le Gentil ...
Influence on American modern art criticism
American modern art criticism as professed by Rosalind Krauss, Yve-Alain Bois, Denis Hollier, and Hal Foster has been much influenced by Bataille. Although I should add that it has not only been Bataille who influenced American art and literary criticism; the whole of French theory has had an enormous — and by some much bemoaned — influence on postmodern American theory, much like German theory was influential in post-war France.
Blog entries
http://jahsonic.wordpress.com/2006/12/05/bretonian-and-bataillean-strains-of-surrealism/