Gioachino Rossini  

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 +"''[[Music]]'' is the true [[universal language]] which is everywhere understood; and so it is constantly spoken in all countries and throughout the centuries most eagerly and earnestly, and a significant and suggestive melody very soon finds its way round the globe. On the other hand, a melody that is poor and says nothing soon dies away and is forgotten; which shows that the contents of a melody are very easy to understand. Nevertheless, it speaks not of things, but simply of [[weal and woe]] as being for the will the sole realities. It therefore says so much to the heart, whereas to the head it has nothing direct to say; and it is an improper use if this is required of it, as happens in all descriptive music. Such music should, therefore, be rejected once for all, even though [[Haydn]] and [[Beethoven]] have been misguided into using it. [[Mozart]] and [[Gioachino Rossini |Rossini]] have, to my knowledge, never done this. For to express passions is one thing and to paint objects another."--''[[Parerga and Paralipomena]]'' (1851) by Arthur Schopenhauer
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-'''Gioachino Antonio Rossini''' <ref>Rossini's first name is often spelled "Gioacchino." Rossini himself spelled it with either one "c" or two early in life, but eventually settled on "Gioachino." ''Baker's'', ''Grove'', and most Rossini scholars use "Gioachino."</ref> ([[Pesaro]], [[February 29]], [[1792]] &ndash; [[Passy]], [[November 13]], [[1868]]) was a popular [[Italy|Italian]] composer who wrote 39 operas as well as sacred music and [[chamber music]]. His best known works include ''Il barbiere di Siviglia'' (''[[The Barber of Seville]]''), ''[[La Cenerentola]]'' and ''Guillaume Tell'' (''[[William Tell (opera)|William Tell]]''). +'''Gioachino Antonio Rossini''' ([[Pesaro]], [[February 29]], [[1792]] &ndash; [[Passy]], [[November 13]], [[1868]]) was a popular [[Italy|Italian]] composer who wrote 39 operas as well as sacred music and [[chamber music]]. His best known works include ''Il barbiere di Siviglia'' (''[[The Barber of Seville]]''), ''[[La Cenerentola]]'' and ''Guillaume Tell'' (''[[William Tell (opera)|William Tell]]'').
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"Music is the true universal language which is everywhere understood; and so it is constantly spoken in all countries and throughout the centuries most eagerly and earnestly, and a significant and suggestive melody very soon finds its way round the globe. On the other hand, a melody that is poor and says nothing soon dies away and is forgotten; which shows that the contents of a melody are very easy to understand. Nevertheless, it speaks not of things, but simply of weal and woe as being for the will the sole realities. It therefore says so much to the heart, whereas to the head it has nothing direct to say; and it is an improper use if this is required of it, as happens in all descriptive music. Such music should, therefore, be rejected once for all, even though Haydn and Beethoven have been misguided into using it. Mozart and Rossini have, to my knowledge, never done this. For to express passions is one thing and to paint objects another."--Parerga and Paralipomena (1851) by Arthur Schopenhauer

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Gioachino Antonio Rossini (Pesaro, February 29, 1792Passy, November 13, 1868) was a popular Italian composer who wrote 39 operas as well as sacred music and chamber music. His best known works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola and Guillaume Tell (William Tell).




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Gioachino Rossini" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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