Grecian style  

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[[Image:Rape of the Sabine Women by David.jpg|thumb|200px|'''''The Intervention of the Sabine Women''''' ([[1796]]-[[1799|99]], detail) by [[Jacques-Louis David ]]]] [[Image:Rape of the Sabine Women by David.jpg|thumb|200px|'''''The Intervention of the Sabine Women''''' ([[1796]]-[[1799|99]], detail) by [[Jacques-Louis David ]]]]
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- +:''[[Neo-Grec]]''
-[[JL David]] conceived a new style for the painting ''[[The Intervention of the Sabine Women]]'', one which he called the "[[Grecian style]]," as opposed to the "Roman style" of his earlier historical paintings. The new style was influenced heavily by the work of art historian ''[[Johann Joachim Winkelmann]]''. In David's words, “the most prominent general characteristics of the Greek masterpieces are a noble simplicity and silent greatness in pose as well as in expression.”+[[Jacques Louis David]] conceived a new style for the painting ''[[The Intervention of the Sabine Women]]'', one which he called the "[[Grecian style]]," as opposed to the "Roman style" of his earlier historical paintings. The new style was influenced heavily by the work of art historian ''[[Johann Joachim Winkelmann]]''. In David's words, “the most prominent general characteristics of the Greek masterpieces are a noble simplicity and silent greatness in pose as well as in expression.”
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Revision as of 11:21, 12 June 2010

Image:Rape of the Sabine Women by David.jpg
The Intervention of the Sabine Women (1796-99, detail) by Jacques-Louis David

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Neo-Grec

Jacques Louis David conceived a new style for the painting The Intervention of the Sabine Women, one which he called the "Grecian style," as opposed to the "Roman style" of his earlier historical paintings. The new style was influenced heavily by the work of art historian Johann Joachim Winkelmann. In David's words, “the most prominent general characteristics of the Greek masterpieces are a noble simplicity and silent greatness in pose as well as in expression.”




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