Gutai group  

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Japanese counterculture, Angura, Japanese New Wave, Tadao Ando, Garo (magazine), Atsuko Tanaka (artist)
In the late 1980s and early 1990s, Yohji Yamamoto was involved a relationship with fellow Japanese avant-garde fashion designer Rei Kawakubo

Visual art in the postwar period

Takako Saito

After World War II, many artists began working in art forms derived from the international scene, moving away from local artistic developments into the mainstream of world art. But traditional Japanese conceptions endured, particularly in the use of modular space in architecture, certain spacing intervals in music and dance, a propensity for certain color combinations and characteristic literary forms. The wide variety of art forms available to the Japanese reflect the vigorous state of the arts, widely supported by the Japanese people and promoted by the government. In the 1950s and 1960s, Japan's artistic avant garde included the internationally influential Gutai group, which originated or anticipated various postwar genres such as performance art, installation art, conceptual art, and wearable art.

American art and architecture greatly influenced Japan. Though fear of earthquakes severely restricted the building of a skyscraper, technological advances let Japanese build larger and higher buildings with more artistic outlooks.

As Japan has always made little distinction between 'fine art' and 'decorative art', as the West is first beginning to do, it is important to note Japan's significant and unique contributions to the fields of art in entertainment, commercial uses, and graphic design. Cartoons imported from America led to anime that at first were derived exclusively from manga stories. Today, anime abounds, and many artists and studios have risen to great fame as artists; Hayao Miyazaki and the artists and animators of Studio Ghibli are generally regarded to be among the best the anime world has to offer. Japan also flourishes in the fields of graphic design, commercial art (e.g. billboards, magazine advertisements), and in video game graphics and concept art.

Post-war literature

World War II, and Japan's defeat, influenced Japanese literature. Many authors wrote stories of disaffection, loss of purpose, and the coping with defeat. Osamu Dazai's novel The Setting Sun tells of a soldier returning from Manchukuo. Shōhei Ōoka won the Yomiuri Prize for his novel Fires on the Plain about a Japanese deserter going mad in the Philippine jungle. Yukio Mishima, well known for both his nihilistic writing and his controversial suicide by seppuku, began writing in the post-war period. Nobuo Kojima's short story "The American School" portrays a group of Japanese teachers of English who, in the immediate aftermath of the war, deal with the American occupation in varying ways.

Prominent writers of the 1970s and 1980s were identified with intellectual and moral issues in their attempts to raise social and political consciousness. One of them, Kenzaburō Ōe wrote his best-known work, A Personal Matter in 1964 and became Japan's second winner of the Nobel Prize for Literature.

Mitsuaki Inoue had long been concerned with the atomic bomb and continued in the 1980s to write on problems of the nuclear age, while Shusaku Endo depicted the religious dilemma of the Kakure Kirishitan, Roman Catholics in feudal Japan, as a springboard to address spiritual problems. Yasushi Inoue also turned to the past in masterful historical novels of Inner Asia and ancient Japan, in order to portray present human fate.

Avant-garde writers, such as Kōbō Abe, who wrote fantastic novels such as Woman in the Dunes (1960), wanted to express the Japanese experience in modern terms without using either international styles or traditional conventions, developed new inner visions. Yoshikichi Furui tellingly related the lives of alienated urban dwellers coping with the minutiae of daily life, while the psychodramas within such daily life crises have been explored by a rising number of important women novelists. The 1988 Naoki Prize went to Shizuko Todo for Ripening Summer, a story capturing the complex psychology of modern women. Other award-winning stories at the end of the decade dealt with current issues of the elderly in hospitals, the recent past (Pure- Hearted Shopping District in Kōenji, Tokyo), and the life of a Meiji period ukiyo-e artist. In international literature, Kazuo Ishiguro, a native of Japan, had taken up residence in Britain and won Britain's prestigious Booker Prize.

Haruki Murakami is one of the most popular and controversial of today's Japanese authors. His genre-defying, humorous and surreal works have sparked fierce debates in Japan over whether they are true "literature" or simple pop-fiction: Kenzaburō Ōe has been one of his harshest critics. Some of his best-known works include Norwegian Wood (1987) and The Wind-Up Bird Chronicle (1994–1995). Another best-selling contemporary author is Banana Yoshimoto.

Although modern Japanese writers covered a wide variety of subjects, one particularly Japanese approach stressed their subjects' inner lives, widening the earlier novel's preoccupation with the narrator's consciousness. In Japanese fiction, plot development and action have often been of secondary interest to emotional issues. In keeping with the general trend toward reaffirming national characteristics, many old themes re-emerged, and some authors turned consciously to the past. Strikingly, Buddhist attitudes about the importance of knowing oneself and the poignant impermanence of things formed an undercurrent to sharp social criticism of this material age. There was a growing emphasis on women's roles, the Japanese persona in the modern world, and the malaise of common people lost in the complexities of urban culture.

Popular fiction, non-fiction, and children's literature all flourished in urban Japan in the 1980s. Many popular works fell between "pure literature" and pulp novels, including all sorts of historical serials, information-packed docudramas, science fiction, mysteries, detective fiction, business stories, war journals, and animal stories. Non-fiction covered everything from crime to politics. Although factual journalism predominated, many of these works were interpretive, reflecting a high degree of individualism. Children's works re-emerged in the 1950s, and the newer entrants into this field, many of them younger women, brought new vitality to it in the 1980s.

Manga (comic books) have penetrated almost every sector of the popular market. They include virtually every field of human interest, such as a multi volume high-school history of Japan and, for the adult market, a manga introduction to economics, and pornography. Manga represented between 20 and 30 percent of annual publications at the end of the 1980s, in sales of some ¥400 billion per year.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Gutai group" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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