Ideal landscape vs. 'realistic landscape'  

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 +[[Image:The Artist Moved by the Grandeur of Ancient Ruins.jpg|thumb|right|200px|
 +''[[The Artist Moved by the Grandeur of Ancient Ruins]]'' ([[1778]]-[[1779|79]]) by [[Fuseli|Henry Fuseli]]]]
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:''[[Classical Ruins]]'' :''[[Classical Ruins]]''
[[Claude Lorrain]] practised a genre called the [[ideal landscape]], where a composition would be loosely based on nature and dotted with [[classical ruins]] as a setting for a biblical or historical theme. It artfully combined landscape and history painting, thereby legitimising the former. It is synonymous with the term ''[[historical landscape]]'' which received official recognition in the Académie française when a [[Prix de Rome]] for the genre was established in [[1817]]. [[Claude Lorrain]] practised a genre called the [[ideal landscape]], where a composition would be loosely based on nature and dotted with [[classical ruins]] as a setting for a biblical or historical theme. It artfully combined landscape and history painting, thereby legitimising the former. It is synonymous with the term ''[[historical landscape]]'' which received official recognition in the Académie française when a [[Prix de Rome]] for the genre was established in [[1817]].
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Classical Ruins

Claude Lorrain practised a genre called the ideal landscape, where a composition would be loosely based on nature and dotted with classical ruins as a setting for a biblical or historical theme. It artfully combined landscape and history painting, thereby legitimising the former. It is synonymous with the term historical landscape which received official recognition in the Académie française when a Prix de Rome for the genre was established in 1817.



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