Intersection
From The Art and Popular Culture Encyclopedia
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| : “In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]], A Museum of Language in the Vicinity of Art (1968), in: Jack Flam (red.), ''Robert Smithson: The Collected Writings'', Berkeley/Los Angeles/London, University of California Press, 1996, p. 78. | : “In the [[illusion|illusory]] [[babel]]s of language, an [[artist]] might [[avant-garde|advance]] specifically to get [[lost]], and to [[drugs|intoxicate]] himself in dizzying syntaxes, seeking odd [[intersection]]s of [[meaning]], [[strange]] corridors of history, [[unexpected]] echoes, [[unknown]] humors, or [[void]]s of [[knowledge…]] but this quest is [[risky]], full of bottomless [[fiction]]s and endless architectures and [[counter]]-architectures… at the end, if there is an end, are perhaps only [[meaningless]] reverberations.” --[[Robert Smithson]], A Museum of Language in the Vicinity of Art (1968), in: Jack Flam (red.), ''Robert Smithson: The Collected Writings'', Berkeley/Los Angeles/London, University of California Press, 1996, p. 78. | ||
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- “In the illusory babels of language, an artist might advance specifically to get lost, and to intoxicate himself in dizzying syntaxes, seeking odd intersections of meaning, strange corridors of history, unexpected echoes, unknown humors, or voids of knowledge… but this quest is risky, full of bottomless fictions and endless architectures and counter-architectures… at the end, if there is an end, are perhaps only meaningless reverberations.” --Robert Smithson, A Museum of Language in the Vicinity of Art (1968), in: Jack Flam (red.), Robert Smithson: The Collected Writings, Berkeley/Los Angeles/London, University of California Press, 1996, p. 78.
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