Jean-Luc Godard
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| Born to [[French people|Franco]]-[[Swiss]] parents in Paris, he was educated in [[Nyon]], [[Switzerland]], later studying at the Lycée Rohmer, and the [[University of Paris|Sorbonne]] back to Paris. During his time at the Sorbonne, he became involved with the young group of filmmakers and film theorists that gave birth to the New Wave. | Born to [[French people|Franco]]-[[Swiss]] parents in Paris, he was educated in [[Nyon]], [[Switzerland]], later studying at the Lycée Rohmer, and the [[University of Paris|Sorbonne]] back to Paris. During his time at the Sorbonne, he became involved with the young group of filmmakers and film theorists that gave birth to the New Wave. | ||
| - | Known for stylistic implementations that challenged, at their focus, the conventions of [[Cinema of the United States|Hollywood cinema]], he became universally recognized as the most audacious and radical of the New Wave filmmakers. He adopted a position in filmmaking that was unambiguously political. His work reflected a fervent knowledge of [[History of Film|film history]], a comprehensive understanding of [[Existentialism|existential]] and [[Marxist philosophy]], and a scholarly disposition that placed him as the lone filmmaker among the public [[Intellectualism#Academics and public intellectuals|intellectuals]] of the [[Rive Gauche]].{{GFDL}} | + | Known for stylistic implementations that challenged, at their focus, the conventions of [[Cinema of the United States|Hollywood cinema]], he became universally recognized as the most audacious and radical of the New Wave filmmakers. He adopted a position in filmmaking that was unambiguously political. His work reflected a fervent knowledge of [[History of Film|film history]], a comprehensive understanding of [[Existentialism|existential]] and [[Marxist philosophy]], and a scholarly disposition that placed him as the lone filmmaker among the public [[Intellectualism#Academics and public intellectuals|intellectuals]] of the [[Rive Gauche]]. |
| + | |||
| + | ==Directing Filmography== | ||
| + | ===Early Works=== | ||
| + | *[[1954 in film|1954]] '''[[Opération béton]]''' (Operation Concrete) | ||
| + | *[[1955 in film|1955]] '''[[Une femme coquette]]''' (A Coquettish Woman) | ||
| + | *[[1957 in film|1957]] '''[[All the Boys Are Called Patrick|"Charlotte et Véronique," ou "Tous les garçons s'appellent Patrick"]]''' (''"Charlotte and Véronique," or: "All Boys Are Called Patrick"'') | ||
| + | *[[1958 in film|1958]] '''[[Une histoire d'eau]]''' (A History of Water) | ||
| + | *[[1958 in film|1958]] '''[[Charlotte et son Jules]]''' (Charlotte and Her Boyfriend) | ||
| + | |||
| + | ===[[French New Wave]] (1959 – 1967)=== | ||
| + | ====Feature Films==== | ||
| + | *[[1959 in film|1959]] '''[[Breathless (1960 film)|À bout de souffle]]''' (''Breathless'') | ||
| + | *[[1960 in film|1960]] '''[[Le petit Soldat|Le Petit soldat]]''' (''The Little Soldier'') | ||
| + | *[[1961 in film|1961]] '''[[A Woman Is a Woman|Une femme est une femme]]''' (''A Woman Is a Woman'') | ||
| + | *[[1962 in film|1962]] '''[[My Life to Live|Vivre sa vie]]''' (''To Live One's Life'') — a.k.a. ''My Life to Live'' | ||
| + | *[[1963 in film|1963]] '''[[Les Carabiniers]]''' (''The Riflemen'') | ||
| + | *[[1963 in film|1963]] '''[[Contempt (film)|Le Mépris]]''' (''Contempt'') | ||
| + | *[[1964 in film|1964]] '''[[Bande à part]]''' (''Band of Outsiders'') | ||
| + | *[[1964 in film|1964]] '''[[Une femme mariée|Une femme mariée, fragments d'un film tourné en 1964 en noir et blanc]]''' (''A Married Woman: Fragments of a Film Shot in 1964 in Black and White'') | ||
| + | *[[1964 in film|1965]] '''[[Alphaville, a Strange Adventure of Lemmy Caution|Alphaville, une étrange aventure de Lemmy Caution]]''' (''Alphaville: One of Lemmy Caution's Strange Cases'') | ||
| + | *[[1965 in film|1965]] '''[[Pierrot le fou]]''' (''Pierrot the Mad'') | ||
| + | *[[1966 in film|1966]] '''[[Masculin,_féminin|Masculin Féminin, 15 faits précis]]''' (''Masculine Feminine: 15 Precise Facts'') | ||
| + | *[[1966 in film|1966]] '''[[Made in U.S.A. (film)|Made in U.S.A.]]''' | ||
| + | *[[1966 in film|1966]] '''[[Two or Three Things I Know About Her|2 ou 3 choses que je sais d'elle]]''' (''2 or 3 Things I Know About Her'') | ||
| + | *[[1967 in film|1967]] '''[[La Chinoise]]''' (''The Chinese'') | ||
| + | *[[1967 in film|1967]] '''[[Week End|Weekend]]''' | ||
| + | |||
| + | ====Short Films==== | ||
| + | *[[1961 in film|1961]] "La Paresse" (''Sloth'') | ||
| + | :from '''[[Les Sept péchés capitaux]]''' (The Seven Deadly Sins) | ||
| + | *[[1962 in film|1962]] "Il Nuovo mondo" (''The New World'') | ||
| + | : from '''[[RoGoPaG]]''' | ||
| + | *[[1963 in film|1963]] "Le Grand escroc" (''The Big Swindler'') | ||
| + | : from '''[[Les plus belles escroqueries du monde]]''' (The World's Most Beautiful Swindlers)'' | ||
| + | *[[1964 in film|1964]] "[[Reportage sur Orly]]" (''Reporting on Orly'') | ||
| + | *[[1965 in film|1965]] "Montparnasse-Levallois" | ||
| + | : from '''[[Paris vu par...]]''' (''Paris as Seen by...'') — a.k.a. ''Six in Paris'' | ||
| + | *[[1967 in film|1967]] "Anticipation, ou: l'amour en l'an 2000" (''Anticipation: or Love in the Year 2000'') | ||
| + | : from '''[[Le Plus vieux métier du monde]]''' (''The World's Oldest Profession'') | ||
| + | *[[1967 in film|1967]] "Caméra-oeil" (''Camera-Eye'') | ||
| + | : from '''[[Loin du Vietnam]]''' (''Far from Vietnam'') | ||
| + | *[[1967 in film|1967]] "L'amore (Andate e ritorno dei figli prodighi)" (''Love: Departure and Return of the Prodigal Children'') | ||
| + | : from '''[[Amore e rabbia]]''' (''Love and Anger'') | ||
| + | |||
| + | ===[[Dziga Vertov Group]]/Political Films (1968 – 1972)=== | ||
| + | *[[1968 in film|1968]] '''[[Le Gai savoir (film)|Le Gai savoir]]''' (''Happy Knowledge'') | ||
| + | *[[1968 in film|1968]] '''[[Ciné-tracts]]''' | ||
| + | *[[1968 in film|1968]] '''[[Un Film comme les autres]]''' (''A Film Like the Others'') | ||
| + | *[[1968 in film|1968]] '''[[Sympathy for the Devil (film)|One Plus One]]''' — a.k.a. (in a version in which the ending was re-cut by the producer) ''Sympathy for the Devil'' | ||
| + | *[[1968 in film|1968]] '''[[One A.M. (1968 film)|One A.M.]]''' (One American Movie) unfinished | ||
| + | : incorporated into [[One P.M.]] (One Parallel Movie/One Pennebaker Movie) by [[D. A. Pennebaker]] in [[1971 in film|1971]] | ||
| + | *[[1969 in film|1969]] '''[[Communications (film)|Communications]]''' unfinished | ||
| + | *[[1969 in film|1969]] '''[[British Sounds]]''' a.k.a. ''See You at Mao'' | ||
| + | *[[1969 in film|1969]] '''[[Pravda (film)|Pravda]]''' | ||
| + | *[[1969 in film|1969]] '''[[Le Vent d'est]]''' (''Wind from the East'') | ||
| + | *[[1969 in film|1969]] '''[[Luttes en Italie]]''' (''Struggles in Italy'') | ||
| + | *[[1970 in film|1970]] '''[[Jusqu'à la victoire]]''' (''Until Victory'') unfinished | ||
| + | : incorporated into '''[[Ici et ailleurs]]''' (''Here and Elsewhere'') by [[Jean-Luc Godard|Godard]] & [[Anne-Marie Miéville]] in [[1974 in film|1974]] | ||
| + | *[[1971 in film|1971]] '''[[Vladimir et Rosa]]''' (''Vladimir and Rosa'') | ||
| + | *[[1972 in film|1972]] '''[[Tout va bien]]''' (''Everything's Going Fine'') | ||
| + | *[[1972 in film|1972]] '''[[Letter to Jane]]''' | ||
| + | |||
| + | ===Transitional Period (SonImage) (1974-1978)=== | ||
| + | *[[1974 in film|1974]] '''[[Ici et ailleurs]]''' (''Here and Elsewhere'') | ||
| + | *[[1975 in film|1975]] '''[[Numéro deux]]''' (''Number Two'') | ||
| + | *[[1976 in film|1976]] '''[[Comment ça va?]]''' (''How's It Going?'') | ||
| + | *[[1976 in film|1976]] '''[[Six fois deux, sur et sous la communication]]''' (''Six Times Two: On and Beneath Communication'') | ||
| + | *[[1978 in film|1978]] '''[[France/tour/détour/deux/enfants]]''' (''France/Tour/Detour/Two/Children'') | ||
| + | |||
| + | ===Second Wave (1979-1988)=== | ||
| + | ====Feature Films==== | ||
| + | *[[1979 in film|1979]] '''[[Sauve qui peut (la vie)]]''' (''Save (Your Life) Who's Able / Run for (Your Life) If You Can'') — a.k.a. ''Every Man for Himself'' (in North America) and ''Slow Motion'' (in the UK) | ||
| + | *[[1982 in film|1982]] '''[[Passion (1982 film)|Passion]]''' | ||
| + | *[[1983 in film|1983]] '''[[Prénom Carmen]]''' (''First Name: Carmen'') | ||
| + | *[[1985 in film|1985]] '''[[Je vous salue, Marie]]''' (''I Salute Thee, Marie / Hail Mary'') | ||
| + | *[[1985 in film|1985]] '''[[Détective]]''' (''Detective'') | ||
| + | *[[1987 in film|1987]] '''[[King Lear (1987 film)|King Lear]]''' | ||
| + | *[[1987 in film|1987]] '''[[Soigne ta droite, une place sur la terre]]''' (''Keep Your Right Up: A Place on the Earth'') | ||
| + | |||
| + | ====Short Films/Videos==== | ||
| + | *[[1979 in film|1979]] '''[[Quelques remarques sur la réalisation et la production du film 'Sauve qui peut (la vie)']]''' (''A Few Remarks on the Direction and Production of the Film'' Sauve qui peut (la vie)) | ||
| + | *[[1982 in film|1982]] '''[[Lettre à Freddy Buache à propos d'un court-métrage sur la ville de Lausanne]]''' (''Letter to Freddy Buache Regarding a Short Work About the Town of Lausanne'') | ||
| + | *[[1982 in film|1982]] ''Changer d'image'' (''To Alter the Image'') | ||
| + | : from '''[[Le Changement a plus d'un titre]]''' (''Change Has More Than One Title'') | ||
| + | *[[1982 in film|1982]] '''[[Scénario du film Passion]]''' | ||
| + | *[[1983 in film|1983]] '''[[Petites notes à propos du film Je vous salue, Marie]]''' (''Small Notes Regarding the Film'' Je vous salue, Marie) | ||
| + | *[[1986 in film|1986]] '''[[Grandeur et décadence d'un petit commerce de cinéma]]''' (''Grandeur and Decadence of a Small Movie Concern'') | ||
| + | *[[1986 in film|1986]] '''[[Soft and Hard]]''' | ||
| + | *[[1986 in film|1986]] '''[[Meetin' WA]]''' | ||
| + | *[[1987 in film|1987]] "Armide" | ||
| + | : from '''[[Aria (film)|Aria]]''' | ||
| + | *[[1988 in film|1988]] '''[[Closed Jeans: Marithé François Girbaud, série 1, 1-10]]''' (''Closed Jeans: Marithé François Girbaud: Series 1: 1-10'') | ||
| + | *[[1988 in film|1988]] '''[[Closed: Marithé et François Girbaud, série 2, 1-7]]''' (''Closed: Marithé and François Girbaud: Series 2: 1-7'') | ||
| + | *[[1988 in film|1988]] '''[[On s'est tous défilé]]''' (''We All Filed Past / We All Stole Away / We All Took Cover / We've All Undone Ourselves'') | ||
| + | *[[1988 in film|1988]] '''[[La Puissance de la parole]]''' (''The Power of Speech'') | ||
| + | *[[1988 in film|1988]] "Le Dernier mot/Les Français entendus par..." (''The Last Word/The French as Understood by...'') | ||
| + | : from '''[[Les Français vus par...]]''' (The French as Seen by...) | ||
| + | |||
| + | ===1989 – Present: All Works=== | ||
| + | |||
| + | *[[1989 in film|1989]] '''[[Le Rapport Darty]]''' (''The Darty Report / The Darty Connection'') | ||
| + | *[[1990 in film|1990]] '''[[Marithé François Girbaud: Métamorphojean]]''' | ||
| + | *[[1990 in film|1990]] '''[[Nouvelle Vague (film)]]''' (''New Wave'') | ||
| + | *[[1991 in film|1991]] '''[[Allemagne année 90 neuf zéro]]''' (''Germany Year 90 Nine Zero'') | ||
| + | *[[1993 in film|1993]] '''[[Les Enfants jouent à la Russie]]''' (''The Kids Play Russian'') | ||
| + | *[[1993 in film|1993]] '''[[Hélas pour moi]]''' (''Alas for Me / Oh Woe Is Me'') | ||
| + | *[[1993 in film|1993]] '''[[Je vous salue Sarajevo]]''' (''I Salute Thee Sarajevo / Hail Sarajevo'') | ||
| + | *[[1994 in film|1994]] '''[[JLG/JLG, autoportrait de décembre]]''' (''JLG/JLG: Self-Portrait in December'') | ||
| + | *[[1995 in film|1995]] '''[[2 x 50 ans de cinéma français]]''' (''2 x 50 French Cinema Years'') | ||
| + | *[[1996 in film|1996]] '''[[For Ever Mozart]]''' | ||
| + | *[[1998 in film|1998]] '''[[Histoire(s) du cinéma]]''' (''History(s) of the Cinema'') — 1988-1998 | ||
| + | *[[1999 in film|1999]] '''[[Small Notes Regarding the Arts at Fall of 20th Century: The Old Place]]''' (with Anne-Marie Miéville) | ||
| + | *[[2000 in film|2000]] '''[[De l'origine du XXIe siècle pour moi]]''' (''Of the Origin of the XXIst Century for Me'') | ||
| + | *[[2001 in film|2001]] '''[[Eloge de l'amour]]''' (''Elegy for Love / Ode to Love'') — a.k.a. ''In Praise of Love'' | ||
| + | *[[2002 in film|2002]] '''[[Liberté et patrie]]''' (''Freedom and Fatherland'') (with Anne-Marie Miéville) | ||
| + | *[[2004 in film|2004]] '''[[Notre musique]]''' (''Our Music'') | ||
| + | *[[2006 in film|2006]] '''[[Vrai faux passeport]]''' (''True False Passport'') | ||
| + | *[[2006 in film|2006]] '''[[Prières pour refuzniks: 1]]''' (''Prayers for Refuseniks: 1'') | ||
| + | *[[2006 in film|2006]] '''[[Prières pour refuzniks: 2]]''' (''Prayers for Refuseniks: 2'') | ||
| + | *[[2006 in film|2006]] '''[[L'eau de Vie, un film de Jean-Luc Godard]]''' (''Water of Life, a film by Jean-Luc Godard'')<ref>La Jornada de Morelos, January 12, 2008</ref> | ||
| + | |||
| + | ===Film Segments=== | ||
| + | {| class="wikitable" | ||
| + | |- bgcolor="#CCCCCC" | ||
| + | ! Year !! Film !! Segment !! Involvement | ||
| + | |- | ||
| + | | [[1990 in film|1990]] || ''Comment vont les enfants'' (a.k.a. How Are The Kids?) || ''L'enfance de l'art'' (a.k.a. The Infancy of Art) || Director | ||
| + | |- | ||
| + | | [[1991 in film|1991]] || ''Contre l'oubli'' (a.k.a. Lest We Forget) || ''Pour Thomas Wainggai'' (a.k.a. For Thomas Wainggai) || Director | ||
| + | |- | ||
| + | | [[2002 in film|2002]] || ''[[Ten Minutes Older: The Cello]]'' || ''Dans le noir du temps'' (a.k.a. In The Blackness of Time) || Director | ||
| + | |} | ||
| + | {{GFDL}} | ||
Revision as of 20:40, 28 January 2008
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Jean-Luc Godard (born 3 December, 1930 in Paris) is a French filmmaker and one of the most influential members of the Nouvelle Vague, or "French New Wave". Guy Debord dismissed him as an "offspring of Mao and Coca Cola".
Born to Franco-Swiss parents in Paris, he was educated in Nyon, Switzerland, later studying at the Lycée Rohmer, and the Sorbonne back to Paris. During his time at the Sorbonne, he became involved with the young group of filmmakers and film theorists that gave birth to the New Wave.
Known for stylistic implementations that challenged, at their focus, the conventions of Hollywood cinema, he became universally recognized as the most audacious and radical of the New Wave filmmakers. He adopted a position in filmmaking that was unambiguously political. His work reflected a fervent knowledge of film history, a comprehensive understanding of existential and Marxist philosophy, and a scholarly disposition that placed him as the lone filmmaker among the public intellectuals of the Rive Gauche.
Contents |
Directing Filmography
Early Works
- 1954 Opération béton (Operation Concrete)
- 1955 Une femme coquette (A Coquettish Woman)
- 1957 "Charlotte et Véronique," ou "Tous les garçons s'appellent Patrick" ("Charlotte and Véronique," or: "All Boys Are Called Patrick")
- 1958 Une histoire d'eau (A History of Water)
- 1958 Charlotte et son Jules (Charlotte and Her Boyfriend)
French New Wave (1959 – 1967)
Feature Films
- 1959 À bout de souffle (Breathless)
- 1960 Le Petit soldat (The Little Soldier)
- 1961 Une femme est une femme (A Woman Is a Woman)
- 1962 Vivre sa vie (To Live One's Life) — a.k.a. My Life to Live
- 1963 Les Carabiniers (The Riflemen)
- 1963 Le Mépris (Contempt)
- 1964 Bande à part (Band of Outsiders)
- 1964 Une femme mariée, fragments d'un film tourné en 1964 en noir et blanc (A Married Woman: Fragments of a Film Shot in 1964 in Black and White)
- 1965 Alphaville, une étrange aventure de Lemmy Caution (Alphaville: One of Lemmy Caution's Strange Cases)
- 1965 Pierrot le fou (Pierrot the Mad)
- 1966 Masculin Féminin, 15 faits précis (Masculine Feminine: 15 Precise Facts)
- 1966 Made in U.S.A.
- 1966 2 ou 3 choses que je sais d'elle (2 or 3 Things I Know About Her)
- 1967 La Chinoise (The Chinese)
- 1967 Weekend
Short Films
- 1961 "La Paresse" (Sloth)
- from Les Sept péchés capitaux (The Seven Deadly Sins)
- 1962 "Il Nuovo mondo" (The New World)
- from RoGoPaG
- 1963 "Le Grand escroc" (The Big Swindler)
- from Les plus belles escroqueries du monde (The World's Most Beautiful Swindlers)
- 1964 "Reportage sur Orly" (Reporting on Orly)
- 1965 "Montparnasse-Levallois"
- from Paris vu par... (Paris as Seen by...) — a.k.a. Six in Paris
- 1967 "Anticipation, ou: l'amour en l'an 2000" (Anticipation: or Love in the Year 2000)
- from Le Plus vieux métier du monde (The World's Oldest Profession)
- 1967 "Caméra-oeil" (Camera-Eye)
- from Loin du Vietnam (Far from Vietnam)
- 1967 "L'amore (Andate e ritorno dei figli prodighi)" (Love: Departure and Return of the Prodigal Children)
- from Amore e rabbia (Love and Anger)
Dziga Vertov Group/Political Films (1968 – 1972)
- 1968 Le Gai savoir (Happy Knowledge)
- 1968 Ciné-tracts
- 1968 Un Film comme les autres (A Film Like the Others)
- 1968 One Plus One — a.k.a. (in a version in which the ending was re-cut by the producer) Sympathy for the Devil
- 1968 One A.M. (One American Movie) unfinished
- incorporated into One P.M. (One Parallel Movie/One Pennebaker Movie) by D. A. Pennebaker in 1971
- 1969 Communications unfinished
- 1969 British Sounds a.k.a. See You at Mao
- 1969 Pravda
- 1969 Le Vent d'est (Wind from the East)
- 1969 Luttes en Italie (Struggles in Italy)
- 1970 Jusqu'à la victoire (Until Victory) unfinished
- incorporated into Ici et ailleurs (Here and Elsewhere) by Godard & Anne-Marie Miéville in 1974
- 1971 Vladimir et Rosa (Vladimir and Rosa)
- 1972 Tout va bien (Everything's Going Fine)
- 1972 Letter to Jane
Transitional Period (SonImage) (1974-1978)
- 1974 Ici et ailleurs (Here and Elsewhere)
- 1975 Numéro deux (Number Two)
- 1976 Comment ça va? (How's It Going?)
- 1976 Six fois deux, sur et sous la communication (Six Times Two: On and Beneath Communication)
- 1978 France/tour/détour/deux/enfants (France/Tour/Detour/Two/Children)
Second Wave (1979-1988)
Feature Films
- 1979 Sauve qui peut (la vie) (Save (Your Life) Who's Able / Run for (Your Life) If You Can) — a.k.a. Every Man for Himself (in North America) and Slow Motion (in the UK)
- 1982 Passion
- 1983 Prénom Carmen (First Name: Carmen)
- 1985 Je vous salue, Marie (I Salute Thee, Marie / Hail Mary)
- 1985 Détective (Detective)
- 1987 King Lear
- 1987 Soigne ta droite, une place sur la terre (Keep Your Right Up: A Place on the Earth)
Short Films/Videos
- 1979 Quelques remarques sur la réalisation et la production du film 'Sauve qui peut (la vie)' (A Few Remarks on the Direction and Production of the Film Sauve qui peut (la vie))
- 1982 Lettre à Freddy Buache à propos d'un court-métrage sur la ville de Lausanne (Letter to Freddy Buache Regarding a Short Work About the Town of Lausanne)
- 1982 Changer d'image (To Alter the Image)
- from Le Changement a plus d'un titre (Change Has More Than One Title)
- 1982 Scénario du film Passion
- 1983 Petites notes à propos du film Je vous salue, Marie (Small Notes Regarding the Film Je vous salue, Marie)
- 1986 Grandeur et décadence d'un petit commerce de cinéma (Grandeur and Decadence of a Small Movie Concern)
- 1986 Soft and Hard
- 1986 Meetin' WA
- 1987 "Armide"
- from Aria
- 1988 Closed Jeans: Marithé François Girbaud, série 1, 1-10 (Closed Jeans: Marithé François Girbaud: Series 1: 1-10)
- 1988 Closed: Marithé et François Girbaud, série 2, 1-7 (Closed: Marithé and François Girbaud: Series 2: 1-7)
- 1988 On s'est tous défilé (We All Filed Past / We All Stole Away / We All Took Cover / We've All Undone Ourselves)
- 1988 La Puissance de la parole (The Power of Speech)
- 1988 "Le Dernier mot/Les Français entendus par..." (The Last Word/The French as Understood by...)
- from Les Français vus par... (The French as Seen by...)
1989 – Present: All Works
- 1989 Le Rapport Darty (The Darty Report / The Darty Connection)
- 1990 Marithé François Girbaud: Métamorphojean
- 1990 Nouvelle Vague (film) (New Wave)
- 1991 Allemagne année 90 neuf zéro (Germany Year 90 Nine Zero)
- 1993 Les Enfants jouent à la Russie (The Kids Play Russian)
- 1993 Hélas pour moi (Alas for Me / Oh Woe Is Me)
- 1993 Je vous salue Sarajevo (I Salute Thee Sarajevo / Hail Sarajevo)
- 1994 JLG/JLG, autoportrait de décembre (JLG/JLG: Self-Portrait in December)
- 1995 2 x 50 ans de cinéma français (2 x 50 French Cinema Years)
- 1996 For Ever Mozart
- 1998 Histoire(s) du cinéma (History(s) of the Cinema) — 1988-1998
- 1999 Small Notes Regarding the Arts at Fall of 20th Century: The Old Place (with Anne-Marie Miéville)
- 2000 De l'origine du XXIe siècle pour moi (Of the Origin of the XXIst Century for Me)
- 2001 Eloge de l'amour (Elegy for Love / Ode to Love) — a.k.a. In Praise of Love
- 2002 Liberté et patrie (Freedom and Fatherland) (with Anne-Marie Miéville)
- 2004 Notre musique (Our Music)
- 2006 Vrai faux passeport (True False Passport)
- 2006 Prières pour refuzniks: 1 (Prayers for Refuseniks: 1)
- 2006 Prières pour refuzniks: 2 (Prayers for Refuseniks: 2)
- 2006 L'eau de Vie, un film de Jean-Luc Godard (Water of Life, a film by Jean-Luc Godard)<ref>La Jornada de Morelos, January 12, 2008</ref>
Film Segments
| Year | Film | Segment | Involvement |
|---|---|---|---|
| 1990 | Comment vont les enfants (a.k.a. How Are The Kids?) | L'enfance de l'art (a.k.a. The Infancy of Art) | Director |
| 1991 | Contre l'oubli (a.k.a. Lest We Forget) | Pour Thomas Wainggai (a.k.a. For Thomas Wainggai) | Director |
| 2002 | Ten Minutes Older: The Cello | Dans le noir du temps (a.k.a. In The Blackness of Time) | Director |
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Jean-Luc Godard" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
