Jerry Goldsmith  

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"Another area where the Romantic style found refuge, and even flourished, is in film scoring. Many of the early émigres escaping from Nazi Germany were Jewish composers who had studied, or even studied under, Gustav Mahler's disciples in Vienna. Max Steiner's lush score for Gone with the Wind provides an example of the use of Wagnerian leitmotifs and Mahlerian orchestration. The "Golden Age of Hollywood" film music rested heavily on the work of composers such as Korngold and Steiner as well as Franz Waxman and Alfred Newman. The next generation of film composers, such as Alex North, John Barry, Elmer Bernstein, Jerry Goldsmith, Ennio Morricone and John Williams drew on this tradition to write some of the most familiar orchestral music of the late 20th century." --Sholem Stein




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Jerry Goldsmith" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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