Jon Hassell  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 19:48, 8 March 2008
Jahsonic (Talk | contribs)

← Previous diff
Current revision
Jahsonic (Talk | contribs)

Line 1: Line 1:
 +{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
 +| style="text-align: left;" |
 +"I listened to a lot of live music and bought a heap of records. One of the most important was by a musician I'd never heard of - a trumpeter called [[Jon Hassell]]. It was called ''[[Vernal Equinox (album) |Vernal Equinox]]''."--"[[The debt I owe to Jon Hassell]]" (2007) by Brian Eno
 +|}
{{Template}} {{Template}}
-'''Jon Hassell''' (born [[1937]] in Memphis, Tennessee) is a trumpet player and composer. He is known for his influence in the [[world music]] scene and his unusual electronic manipulation of the trumpet sound.+'''Jon Hassell''' (March 22, 1937 – June 26, 2021) was an [[American composer]] and [[trumpet]] player active since the 1960s. He was best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various [[world music|world ethnic]] traditions with modern [[electronic music|electronic]] techniques. The concept was first articulated on ''[[Fourth World, Vol. 1: Possible Musics]]'', his 1980 collaboration with [[Brian Eno]]. He had also worked with artists such as the [[Theatre of Eternal Music]], [[Talking Heads]], [[Farafina]], [[Peter Gabriel]], [[Tears for Fears]], [[Ani DiFranco]], [[Techno Animal]], [[Ry Cooder]], [[Moritz von Oswald]], and [[Carl Craig]].
==Life and career== ==Life and career==
 +Born in [[Memphis, Tennessee]], United States, Hassell received his [[master's degree]] from the [[Eastman School of Music]] in [[Rochester, New York]]. During this time he became involved in European [[Serialism|serial music]], especially the work of [[Karlheinz Stockhausen]], and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music (founded and directed by Stockhausen) for two years. Hassell returned to the U.S. in 1967, where he met [[Terry Riley]] in [[Buffalo, New York]] and performed on the first recording of Riley's seminal work ''[[In C]]'' in 1968. He pursued his [[Doctor of Philosophy|Ph.D.]] in [[musicology]] in Buffalo and performed in [[La Monte Young]]'s [[Theatre of Eternal Music]] in [[New York City]], contributing to the 1974 LP ''[[Dream House 78' 17"]]''.
-Hassell received his Masters degree from the [[Eastman School of Music]] in Rochester. During this time he became involved in European serial music, especially the work of [[Karlheinz Stockhausen]], and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music for two years (founded and directed by Stockhausen). Hassell returned to the U.S. in 1967, where he met Terry Riley in Buffalo, New York and performed on the first recording of Riley's seminal work ''In C'' in 1968. He pursued his PhD in musicalogy in Buffalo and performed in [[ La Monte Young]]'s Dream House in New York City. On his return to Buffalo in the early 1970s, Hassell was introduced to the music of Indian [[Pandit Pran Nath]], a specialist in the kiranic style of singing. Hassell, Young, Marien Zazeela (Young's wife) and Riley went together to India to study with Nath. His work with Nath awoke his appetite for world music, and on the album ''Vernal Equinox'' he used his trumpet to imitate the vocal techniques of Nath (treated with various electronic effects) where he stated:+On his return to Buffalo in the early 1970s, Hassell was introduced to the music of Indian [[Pandit Pran Nath]], a specialist in the [[Kirana gharana|Kiranic]] style of singing. Hassell, Young, [[Marian Zazeela]], and Riley went together to India to study with Nath. His work with Nath awoke his appetite for traditional musics of the world, and on the album ''[[Vernal Equinox (album)|Vernal Equinox]]'', he used his trumpet (treated with various electronic effects) to imitate the vocal techniques to which Nath had exposed him. He stated:
-:"From 1973 up until then I was totally immersed in playing raga on the trumpet. I wanted the physical dexterity to be able to come into a room and be able to do something that nobody else in the world could do. My aim was to make a music that was vertically integrated in such a way that at any cross-sectional moment you were not able to pick a single element out as being from a particular country or genre of music." +:"From 1973 up until then I was totally immersed in playing raga on the trumpet. I wanted the physical dexterity to be able to come into a room and be able to do something that nobody else in the world could do. My aim was to make a music that was vertically integrated in such a way that at any cross-sectional moment you were not able to pick a single element out as being from a particular country or genre of music."
-In 1980 he collaborated with [[Brian Eno]] on the album ''Possible Musics: Fourth World Vol. 1''. Hassell's 1982 release ''Dream Theory in Malaya'' led to a performance at the first [[World of Music, Arts and Dance ]] (WOMAD) Festival, organized by [[Peter Gabriel]]. In the late 1980s, Hassell contributed to Gabriel's ''[[Passion: Music for The Last Temptation of Christ ]]'', the soundtrack album for [[Martin Scorsese|Martin Scorsese's]] film ''The Last Temptation of Christ''. Hassell and [[Pete Scaturro]] composed the electronic theme music for the television show ''[[The Practice]]''.+In 1980, he collaborated with [[Brian Eno]] on the album ''[[Fourth World, Vol. 1: Possible Musics]]'' and appeared on the Eno-produced Talking Heads album ''[[Remain in Light]]''. The same year Hassell also performed solo at the [[Mudd Club]]. His 1981 release, ''[[Dream Theory in Malaya]]'', led to a performance at the first [[World of Music, Arts and Dance]] (WOMAD) Festival, organized by [[Peter Gabriel]]. He performed and co-wrote tracks on [[David Sylvian]]'s first solo album ''[[Brilliant Trees]]'', and its instrumental follow-up ''Words with the Shaman''. In the late 1980s, Hassell contributed to Gabriel's ''[[Passion: Music for The Last Temptation of Christ|Passion]]'', the soundtrack album for [[Martin Scorsese]]'s film, ''[[The Last Temptation of Christ (film)|The Last Temptation of Christ]]''. Hassell and Pete Scaturro composed the electronic theme music for the television show ''[[The Practice]]''.
 +In 1989, Hassell contributed to the [[Tears for Fears]] album ''[[The Seeds of Love]]''.
 + 
 +Jon died from natural causes on June 26, 2021.
==Style== ==Style==
-Hassell coined the term "Fourth World" to describe his musical style, as expressed both in his trumpet playing and in his approach to [[musical composition|composition]]. This musical conception combines the philosophy and techniques of [[minimalist music|minimalism]] with Asian and African styles, and relies heavily on the use of electronic instruments. Critics of Hassell's style have noted its incorporation of New Age and world music styles, but have also detected the influence of [[Miles Davis]], particularly [[Miles Davis|Davis']] use of electronics, modal harmony and understated lyricism.<ref>Mark Gilbert: 'John Hassell,' ''Grove Music Online'' ed. L. Macy (Accessed [November 7 2007]),<http://www.grovemusic.com></ref> Both on record and during live performances, Hassell makes use of traditional western instruments--keyboards, bass, electric guitar, and percussion--to create modal, hypnotic grooves, over which he plays microtonally-inflected trumpet phrases in the style of [[Pandit Pran Nath|Nath's]] [[Kirana gharana|Kiranic]] vocals. +Hassell coined the term "Fourth World" to describe his work on "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." He used extensive [[audio signal processing|electronic processing]] of his trumpet playing. In addition to nonwestern traditional musics, critics have noted the influence of [[Miles Davis]] on Hassell's style, particularly Davis' use of electronics, [[Musical modes|modal]] [[harmony]], and understated lyricism. Both on record and during live performances, Hassell made use of western instruments—keyboards, bass, electric guitar, and percussion—to create modal, hypnotic grooves, over which he played [[microtonal music|microtonally]]-inflected trumpet phrases in the style of [[Pandit Pran Nath|Nath]]'s [[Kirana gharana|Kiranic]] vocals.
-== Discography ==+
-* 1977 ''Vernal Equinox''+
-* 1978 ''Earthquake Island''+
-* 1981 ''Fourth World, Vol. 2: [[Dream Theory in Malaya]]''+
-* 1983 ''Aka/Darbari/Java: Magic Realism''+
-* 1986 ''Power Spot'' (produced by [[Brian Eno]] / [[Daniel Lanois]])+
-* 1987 ''The Surgeon of the Nightsky Restores Dead Things by the Power of Sound'' +
-* 1988 ''Flash of the Spirit''+
-* 1990 ''City: Works of Fiction'' ([[All Saints Records]])+
-* 1994 ''Dressing for Pleasure''+
-* 1995 ''Sulla Strada'' (release of soundtrack from 1982)+
-* 1998 ''The Vertical Collection''+
-* 1999 ''Fascinoma''+
-* 2005 ''Magic Realism, Vol. 2: Maarifa Street''+
-=== Collaborations ===+==Discography==
-* 1980 ''[[Possible Musics|Fourth World, Vol. 1: Possible Musics]]'' with [[Brian Eno]]+;As leader or co-leader
-* 2000 ''Hollow Bamboo'' with [[Ry Cooder]] and [[Ronu Majumdar]] ([[bansuri]])+* ''[[Vernal Equinox (album)|Vernal Equinox]]'' (Lovely Music, 1977)
 +* ''Earthquake Island'' (Tomato 1978)
 +* ''[[Fourth World, Vol. 1: Possible Musics]]'' ([[Editions EG]], 1980), with [[Brian Eno]]
 +* ''[[Dream Theory in Malaya: Fourth World Volume Two]]'' (Editions EG, 1981)
 +* ''[[Aka/Darbari/Java: Magic Realism]]'' (Editions EG, 1983)
 +* ''[[Power Spot]]'' ([[ECM Records|ECM]], 1986)
 +* ''The Surgeon of the Nightsky Restores Dead Things by the Power of Sound'' (Intuition, 1987), live recordings
 +* ''Flash of the Spirit'' (Intuition/[[EMI Electrola]], 1988), with [[Farafina]]
 +* ''City: Works of Fiction'' (Opal/[[Warner Records|Warner Bros.]], 1990; expanded edition on [[All Saints Records|All Saints]], 2014)
 +* ''[[Dressing for Pleasure]]'' (Warner, 1994), with Bluescreen
 +* ''Sulla Strada'' (Materiali Sonori, 1995), with I Magazzini
 +* ''[[The Vertical Collection|The Vertical Collection (Sketches)]]'' (Earshot, 1997), with [[Peter Freeman (musician)|Peter Freeman]] as Bluescreen Project
 +* ''Fascinoma'' ([[Water Lily Acoustics]], 1999)
 +* ''Hollow Bamboo'' (Water Lily Acoustics, 2000), with [[Ry Cooder]], [[Ronu Majumdar]] and [[Abhijit Banerjee]]
 +* ''[[Maarifa Street: Magic Realism Volume Two]]'' ([[Label Bleu]], 2005)
 +* ''[[Last Night the Moon Came Dropping Its Clothes in the Street]]'' (ECM, 2009)
 +* ''[[Listening to Pictures]] (Pentimento Volume One)'' (Ndeya, 2018)
 +* ''[[Seeing Through Sound]] (Pentimento Volume Two)'' (Ndeya, 2020)
 + 
 +;Single tracks on compilations and remixes
 +* "Map of Dusk" on compilation ''Myths 3: La nouvelle serenité'' ([[Sub Rosa (label)|Sub Rosa]], 1987),
 +* "Pygmy Dance" on compilation ''Ai Confini / Interzone'' (New Tone, 1993), recorded live in Italy 1988
 +* "Streetfaxx" and remixes by [[808 State]] on EP ''Voiceprint (Blind from the Facts)'' (Opal, 1990; reissued on All Saints, 1993 and 2006)
 +* ''Personals'', maxi-single with remixes of "Personals" and "G-Spot" by [[MC 900 Ft Jesus]] and [[Organized Konfusion]] (Warner, 1994)
 +* "Then and Now (Berchidda)" on compilation ''Then and Now (Time in Jazz 1998 | 2007)'' (Tàjrà It., 2008), live recording from 2001 in Italy with [[John Beasley (musician)|John Beasley]], Rick Cox
 + 
 +;As sideman and guest appearances
 +On almost all recordings Jon Hassell played trumpet (sometimes merely 'used' as sound color). In cases where he plays keyboards or electronics it is mentioned in the last column; the same applies to the credits as composer (or producer).<br>
 +Film soundtracks are labeled "O.S.T." (original sound track) preceding the film title. Artists and labels are linked by first appearance only.
 + 
 +{| class="wikitable sortable"
 +! Date
 +! Leading artist or band
 +! Album title
 +! Label
 +! Track titles and notes
 + 
 +|-
 +| 1968 || [[Terry Riley]] || ''[[In C]]''
 +|| [[Columbia Records|Columbia]] || ensemble member
 +|-
 +| 1974 || [[Francesco Guccini]] || ''[[Stanze di vita quotidiana]]'' || Columbia || ensemble member
 +|-
 +| 1974 || [[La Monte Young]] and [[Marian Zazeela]] || ''[[Dream House 78' 17"]]'' || Shandar || ensemble member (quartet) on one of two extensive tracks
 +|-
 +| 1980 || [[Talking Heads]] || ''[[Remain in Light]]'' || [[Sire Records|Sire]] || on "Houses in Motion"
 +|-
 +| 1982 || [[Brian Eno]] || ''[[Ambient 4: On Land]]'' || [[Editions EG]] || on "Shadow"
 +|-
 +| 1984 || [[David Sylvian]] || ''[[Brilliant Trees]]'' || [[Virgin Records|Virgin]] || on "Weathered Wall" and "Brilliant Trees", co-composer
 +|-
 +| 1985 || David Sylvian || ''[[Alchemy: An Index of Possibilities]]'' || Virgin || on "Words with the Shaman Part 1&nbsp;3", co-composer
 +|-
 +| 1985 || [[Peter Gabriel]] || O.S.T. ''[[Birdy (Peter Gabriel album)|Birdy]]'' || Virgin/Charisma || ensemble member
 +|-
 +| 1987 || [[Lloyd Cole and the Commotions]] || ''[[Mainstream (Lloyd Cole and the Commotions album)|Mainstream]]'' || [[Polydor Records|Polydor]] || on "Big Snake"
 +|-
 +| 1989 || [[Alice (singer)|Alice]] || ''[[Il sole nella pioggia]]'' || [[EMI Records|EMI]] || on "Il sole nella pioggia" and "Le baccanti", pre-sampled trumpet sounds activated by keyboard on "Visioni"
 +|-
 +| 1989 || Peter Gabriel || O.S.T. ''[[Passion (Peter Gabriel album)|Passion]] (Music for The Last Temptation of Christ)'' || [[Real World Records|Real World]]/[[Geffen Records|Geffen]]/Virgin || on "Passion"
 +|-
 +| 1989 || [[Tears for Fears]] || ''[[The Seeds of Love]]'' || [[Fontana Records|Fontana]] || on "Standing on the Corner of the Third World" and "Famous Last Words"
 +|-
 +| 1991 || Marc Beacco || ''The Crocodile Smile'' || Polydor/Nova || on "Funeral for a Flower", co-composer
 +|-
 +| 1991 || [[Les Nouvelles Polyphonies Corses]] avec [[Hector Zazou]] || ''Les Nouvelles Polyphonies Corses avec Hector Zazou'' || [[Philips Records|Philips]]/[[Phonogram Records|Phonogram]] || on "Anima", "In la piazza" and "Notte", co-composer
 +|-
 +| 1993 || [[Ry Cooder]] || O.S.T. ''[[Trespass (1992 film)|Trespass]]'' || Sire/Warner || ensemble with [[Jim Keltner]]
 +|-
 +| 1994 || [[Stina Nordenstam]] || ''[[And She Closed Her Eyes]]'' || Telegram/[[East West Records|East&nbsp;West]] || on "Crime" and "I See You Again"
 +|-
 +| 1995 || [[Techno Animal]] || ''[[Re-Entry (Techno Animal album)|Re-Entry]]'' || Virgin || on "Flight of the Hermaphrodite" and "Needle Park", co-composer
 +|-
 +| 1996 || [[David Toop]] || ''Pink Noir'' || Virgin || on "Slow Loris Versus Poison Snail", co-composer
 +|-
 +| 1997 || [[Jackson Browne]] || ''[[The Next Voice You Hear: The Best of Jackson Browne]]'' || [[Elektra Records|Elektra]] || on "The Next Voice You Hear" produced by [[T-Bone Burnett]]
 +|-
 +| 1997 || [[k.d. lang]] || ''[[Drag (k.d. lang album)|Drag]]'' || Warner || on "Hain't It Funny?"
 +|-
 +| 1997 || [[Holly Cole]] || ''[[Dark Dear Heart]]'' || [[Alert Records|Alert]] || on "All the Pretty Little Horses"
 +|-
 +| 1997 || Ry Cooder || O.S.T. ''[[The End of Violence]]'' || Outpost || featured trumpet soloist
 +|-
 +| 1998 || Ry Cooder || O.S.T. ''[[Primary Colors (soundtrack)|Primary Colors]]'' || Outpost || on "Wide Sky", co-composer
 +|-
 +| 1998 || [[Startled Insects|The Insects]] & Richard Grassby-Lewis <small>featuring Jon Hassell</small> || O.S.T. ''[[Love and Death on Long Island]]'' || OceanDeep || featured soloist
 +|-
 +| 1998 || [[Mandalay (band)|Mandalay]] || ''[[Empathy (Mandalay album)|Empathy]]'' || [[V2 Records|V2]] || on "It's Enough Now", "This Time Last Year" and "Beautiful"
 +|-
 +| 1998 || [[Ani DiFranco]] || ''[[Little Plastic Castle]]'' || Righteous Babe || on (probably one track)
 +|-
 +| 1999 || [[Guy Sigsworth]] || O.S.T. ''[[G:MT – Greenwich Mean Time]]'' || [[Island Records|Island]] || on "Who Would You Have Me Love" with [[Hinda Hicks]]
 +|-
 +| 1999 || David Toop || ''Hot Pants Idol'' || Barooni (Nl) || on "Wing Beats", trumpet and [[harmonizer]], co-composer
 +|-
 +| 2000 || [[Hal Willner]] || O.S.T. ''[[The Million Dollar Hotel (soundtrack)|The Million Dollar Hotel: Music from the Motion Picture]]'' || [[Interscope Records|Interscope]] || on "Never Let Me Go" and "Amsterdam Blue (Cortege)", co-composer and track production
 +|-
 +| 2000 || k.d. lang || ''[[Invincible Summer]]'' || Warner || on "Simple"
 +|-
 +| 2000 || Mandalay || ''[[Instinct (Mandalay album)|Instinct]]'' || V2 || on "Not Seventeen", "Don't Invent Me" and "It's Enough Now"
 +|-
 +| 2000 || Nick Wood || ''Sound Virus'' || [[Victor Recording Company|Victor]] (Jp) || on "Confined to Ice"
 +|-
 +| 2001 || Ani DiFranco || ''[[Revelling/Reckoning]]'' || Righteous Babe || on "Revelling"
 +|-
 +| 2001 || [[Howie B.]] || ''Folk.'' || Polydor || on "Tap Dancer", co-composer
 +|-
 +| 2001 || Rick Cox || ''Maria Falling Away'' || Cold Blue || on "Long Distance", composer
 +|-
 +| 2002 || [[Frou Frou (band)|Frou Frou]] || ''[[Details (album)|Details]]'' || Island || on "Flicks", "The Dumbing Down of Love" and "Old Piano"
 +|-
 +| 2003 || [[Ibrahim Ferrer]] || ''Buenos Hermanos'' || [[World Circuit (record label)|World&nbsp;Circuit]]/[[Nonesuch Records|Nonesuch]] || on "Fuiste Cruel" and "Boliviana"; album produced by Ry Cooder
 +|-
 +| 2004 || [[Lightwave (band)|Lightwave]] (with [[Paul Haslinger]]) || ''Bleue comme une orange'' || Signature || on "Huang/Hong" and "Deep Steel Dubh"
 +|-
 +| 2004 || Alexkid || ''Mint'' || [[Play It Again, Sam (Label)|PIAS]] || on "Mint", co-composer
 +|-
 +| 2005 || [[Paul Haslinger]] || O.S.T. ''[[Sleeper Cell (TV series)|Sleeper Cell]]'' (TV series) || Rhythmbank || on "Memento Mori" with [[Sussan Deyhim]], co-composer
 +|-
 +| 2005 || Ry Cooder || ''[[Chávez Ravine (album)|Chávez Ravine]]'' || Nonesuch/Perro&nbsp;Verde || on "Don't Call Me Red"
 +|-
 +| 2006 || [[Hadouk Trio]] || ''Utopies'' || [[Naïve Records|Naïve]] || on last three tracks, co-composer
 +|-
 +| 2007 || Paul Haslinger || O.S.T. ''[[Sleeper Cell: American Terror]]'' || [[Lakeshore Records|Lakeshore]] || (not specified)
 +|-
 +| 2007 || Ry Cooder || ''[[My Name Is Buddy]]'' || Nonesuch/Perro&nbsp;Verde || on "One Cat, One Vote, One Beer"
 +|-
 +| 2007 || [[Harry Gregson-Williams]] || O.S.T. ''[[The Number 23]]'' || New Line || featured as soloist
 +|-
 +| 2007 || Michael Fahres || ''The Tubes'' || Cold Blue || on "The Tubes (1994/2003)" with [[Mark Atkins (musician)|Mark Atkins]]
 +|-
 +| 2008 || [[Jan Bang]] and [[Erik Honoré]] as Punkt || ''Live Remixes Vol. 1'' || [[Jazzland Recordings|Jazzland]] || on tracks "III" and "VI", co-composer
 +|-
 +| 2008 || Ani DiFranco || ''[[Red Letter Year]]'' || Righteous Babe || on "Star Matter"
 +|-
 +| 2008 || k.d. lang || ''[[Watershed (k.d. lang album)|Watershed]]'' || Nonesuch || on "Upstream"
 +|-
 +| 2008 || Ry Cooder || ''[[I, Flathead]]'' || Nonesuch/Perro&nbsp;Verde || on "Flathead One More Time"
 +|-
 +| 2009 || [[Jon Balke]] & [[Amina Alaoui]] || ''[[Siwan (album)|Siwan]]'' || ECM || ensemble member, trumpet and electronics
 +|-
 +| 2010 || Jan Bang || ''…And Poppies from Kandahar'' || [[Samadhisound]] || on "Exile from Paradise", co-composer (also for another track, due to trumpet samples)
 +|-
 +| 2011 || Paul Haslinger || O.S.T ''[[Underworld: Rise of the Lycans]]'' || Lakeshore || featured musician
 +|-
 +| 2015 || [[Bassekou Kouyaté]] & Ngoni Ba || ''Ba Power'' || Glitterbeat (G) || on "Ayé Sira Bla = Make Way"
 +|-
 +| 2015 || [[Duncan Sheik]] || ''Legerdemain'' || Kobalt || on "Brutalized" and "No Happy End"
 +|-
 +| 2016 || Genre Peak (Martin Birke) || ''Your Sleekest Engine'' || Gonzo || on "Metanoia", trumpet samples and/or sampler
 +|}
== See also == == See also ==
-* [[Michael Brook]]+ 
* [[David Sylvian]] * [[David Sylvian]]
 +* [[Erik Truffaz]]
 +* [[Erik Honoré]]
 +* [[List of ambient music artists]]
 +* [[Michael Brook]]
* [[Talking Heads]] * [[Talking Heads]]
 +* [[World music]]
 +* [[Fourth word]]
 +==Bibliography==
 +* Mark Prendergast, ''The Ambient Century''. New York and London, Bloomsbury Publishing, 2000, {{ISBN|978-0747557326}}
 +* Jon Hassell, program notes from ''Vernal Equinox''. Lovely Music, LML 1021, 1977.
{{GFDL}} {{GFDL}}

Current revision

"I listened to a lot of live music and bought a heap of records. One of the most important was by a musician I'd never heard of - a trumpeter called Jon Hassell. It was called Vernal Equinox."--"The debt I owe to Jon Hassell" (2007) by Brian Eno

Related e

Wikipedia
Wiktionary
Shop


Featured:

Jon Hassell (March 22, 1937 – June 26, 2021) was an American composer and trumpet player active since the 1960s. He was best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various world ethnic traditions with modern electronic techniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno. He had also worked with artists such as the Theatre of Eternal Music, Talking Heads, Farafina, Peter Gabriel, Tears for Fears, Ani DiFranco, Techno Animal, Ry Cooder, Moritz von Oswald, and Carl Craig.

Contents

Life and career

Born in Memphis, Tennessee, United States, Hassell received his master's degree from the Eastman School of Music in Rochester, New York. During this time he became involved in European serial music, especially the work of Karlheinz Stockhausen, and so after finishing his studies at Eastman, he enrolled in the Cologne Course for New Music (founded and directed by Stockhausen) for two years. Hassell returned to the U.S. in 1967, where he met Terry Riley in Buffalo, New York and performed on the first recording of Riley's seminal work In C in 1968. He pursued his Ph.D. in musicology in Buffalo and performed in La Monte Young's Theatre of Eternal Music in New York City, contributing to the 1974 LP Dream House 78' 17".

On his return to Buffalo in the early 1970s, Hassell was introduced to the music of Indian Pandit Pran Nath, a specialist in the Kiranic style of singing. Hassell, Young, Marian Zazeela, and Riley went together to India to study with Nath. His work with Nath awoke his appetite for traditional musics of the world, and on the album Vernal Equinox, he used his trumpet (treated with various electronic effects) to imitate the vocal techniques to which Nath had exposed him. He stated:

"From 1973 up until then I was totally immersed in playing raga on the trumpet. I wanted the physical dexterity to be able to come into a room and be able to do something that nobody else in the world could do. My aim was to make a music that was vertically integrated in such a way that at any cross-sectional moment you were not able to pick a single element out as being from a particular country or genre of music."

In 1980, he collaborated with Brian Eno on the album Fourth World, Vol. 1: Possible Musics and appeared on the Eno-produced Talking Heads album Remain in Light. The same year Hassell also performed solo at the Mudd Club. His 1981 release, Dream Theory in Malaya, led to a performance at the first World of Music, Arts and Dance (WOMAD) Festival, organized by Peter Gabriel. He performed and co-wrote tracks on David Sylvian's first solo album Brilliant Trees, and its instrumental follow-up Words with the Shaman. In the late 1980s, Hassell contributed to Gabriel's Passion, the soundtrack album for Martin Scorsese's film, The Last Temptation of Christ. Hassell and Pete Scaturro composed the electronic theme music for the television show The Practice. In 1989, Hassell contributed to the Tears for Fears album The Seeds of Love.

Jon died from natural causes on June 26, 2021.

Style

Hassell coined the term "Fourth World" to describe his work on "a unified primitive/futuristic sound combining features of world ethnic styles with advanced electronic techniques." He used extensive electronic processing of his trumpet playing. In addition to nonwestern traditional musics, critics have noted the influence of Miles Davis on Hassell's style, particularly Davis' use of electronics, modal harmony, and understated lyricism. Both on record and during live performances, Hassell made use of western instruments—keyboards, bass, electric guitar, and percussion—to create modal, hypnotic grooves, over which he played microtonally-inflected trumpet phrases in the style of Nath's Kiranic vocals.

Discography

As leader or co-leader
Single tracks on compilations and remixes
  • "Map of Dusk" on compilation Myths 3: La nouvelle serenité (Sub Rosa, 1987),
  • "Pygmy Dance" on compilation Ai Confini / Interzone (New Tone, 1993), recorded live in Italy 1988
  • "Streetfaxx" and remixes by 808 State on EP Voiceprint (Blind from the Facts) (Opal, 1990; reissued on All Saints, 1993 and 2006)
  • Personals, maxi-single with remixes of "Personals" and "G-Spot" by MC 900 Ft Jesus and Organized Konfusion (Warner, 1994)
  • "Then and Now (Berchidda)" on compilation Then and Now (Time in Jazz 1998 | 2007) (Tàjrà It., 2008), live recording from 2001 in Italy with John Beasley, Rick Cox
As sideman and guest appearances

On almost all recordings Jon Hassell played trumpet (sometimes merely 'used' as sound color). In cases where he plays keyboards or electronics it is mentioned in the last column; the same applies to the credits as composer (or producer).
Film soundtracks are labeled "O.S.T." (original sound track) preceding the film title. Artists and labels are linked by first appearance only.

Date Leading artist or band Album title Label Track titles and notes
1968 Terry Riley In C Columbia ensemble member
1974 Francesco Guccini Stanze di vita quotidiana Columbia ensemble member
1974 La Monte Young and Marian Zazeela Dream House 78' 17" Shandar ensemble member (quartet) on one of two extensive tracks
1980 Talking Heads Remain in Light Sire on "Houses in Motion"
1982 Brian Eno Ambient 4: On Land Editions EG on "Shadow"
1984 David Sylvian Brilliant Trees Virgin on "Weathered Wall" and "Brilliant Trees", co-composer
1985 David Sylvian Alchemy: An Index of Possibilities Virgin on "Words with the Shaman Part 1 3", co-composer
1985 Peter Gabriel O.S.T. Birdy Virgin/Charisma ensemble member
1987 Lloyd Cole and the Commotions Mainstream Polydor on "Big Snake"
1989 Alice Il sole nella pioggia EMI on "Il sole nella pioggia" and "Le baccanti", pre-sampled trumpet sounds activated by keyboard on "Visioni"
1989 Peter Gabriel O.S.T. Passion (Music for The Last Temptation of Christ) Real World/Geffen/Virgin on "Passion"
1989 Tears for Fears The Seeds of Love Fontana on "Standing on the Corner of the Third World" and "Famous Last Words"
1991 Marc Beacco The Crocodile Smile Polydor/Nova on "Funeral for a Flower", co-composer
1991 Les Nouvelles Polyphonies Corses avec Hector Zazou Les Nouvelles Polyphonies Corses avec Hector Zazou Philips/Phonogram on "Anima", "In la piazza" and "Notte", co-composer
1993 Ry Cooder O.S.T. Trespass Sire/Warner ensemble with Jim Keltner
1994 Stina Nordenstam And She Closed Her Eyes Telegram/East West on "Crime" and "I See You Again"
1995 Techno Animal Re-Entry Virgin on "Flight of the Hermaphrodite" and "Needle Park", co-composer
1996 David Toop Pink Noir Virgin on "Slow Loris Versus Poison Snail", co-composer
1997 Jackson Browne The Next Voice You Hear: The Best of Jackson Browne Elektra on "The Next Voice You Hear" produced by T-Bone Burnett
1997 k.d. lang Drag Warner on "Hain't It Funny?"
1997 Holly Cole Dark Dear Heart Alert on "All the Pretty Little Horses"
1997 Ry Cooder O.S.T. The End of Violence Outpost featured trumpet soloist
1998 Ry Cooder O.S.T. Primary Colors Outpost on "Wide Sky", co-composer
1998 The Insects & Richard Grassby-Lewis featuring Jon Hassell O.S.T. Love and Death on Long Island OceanDeep featured soloist
1998 Mandalay Empathy V2 on "It's Enough Now", "This Time Last Year" and "Beautiful"
1998 Ani DiFranco Little Plastic Castle Righteous Babe on (probably one track)
1999 Guy Sigsworth O.S.T. G:MT – Greenwich Mean Time Island on "Who Would You Have Me Love" with Hinda Hicks
1999 David Toop Hot Pants Idol Barooni (Nl) on "Wing Beats", trumpet and harmonizer, co-composer
2000 Hal Willner O.S.T. The Million Dollar Hotel: Music from the Motion Picture Interscope on "Never Let Me Go" and "Amsterdam Blue (Cortege)", co-composer and track production
2000 k.d. lang Invincible Summer Warner on "Simple"
2000 Mandalay Instinct V2 on "Not Seventeen", "Don't Invent Me" and "It's Enough Now"
2000 Nick Wood Sound Virus Victor (Jp) on "Confined to Ice"
2001 Ani DiFranco Revelling/Reckoning Righteous Babe on "Revelling"
2001 Howie B. Folk. Polydor on "Tap Dancer", co-composer
2001 Rick Cox Maria Falling Away Cold Blue on "Long Distance", composer
2002 Frou Frou Details Island on "Flicks", "The Dumbing Down of Love" and "Old Piano"
2003 Ibrahim Ferrer Buenos Hermanos World Circuit/Nonesuch on "Fuiste Cruel" and "Boliviana"; album produced by Ry Cooder
2004 Lightwave (with Paul Haslinger) Bleue comme une orange Signature on "Huang/Hong" and "Deep Steel Dubh"
2004 Alexkid Mint PIAS on "Mint", co-composer
2005 Paul Haslinger O.S.T. Sleeper Cell (TV series) Rhythmbank on "Memento Mori" with Sussan Deyhim, co-composer
2005 Ry Cooder Chávez Ravine Nonesuch/Perro Verde on "Don't Call Me Red"
2006 Hadouk Trio Utopies Naïve on last three tracks, co-composer
2007 Paul Haslinger O.S.T. Sleeper Cell: American Terror Lakeshore (not specified)
2007 Ry Cooder My Name Is Buddy Nonesuch/Perro Verde on "One Cat, One Vote, One Beer"
2007 Harry Gregson-Williams O.S.T. The Number 23 New Line featured as soloist
2007 Michael Fahres The Tubes Cold Blue on "The Tubes (1994/2003)" with Mark Atkins
2008 Jan Bang and Erik Honoré as Punkt Live Remixes Vol. 1 Jazzland on tracks "III" and "VI", co-composer
2008 Ani DiFranco Red Letter Year Righteous Babe on "Star Matter"
2008 k.d. lang Watershed Nonesuch on "Upstream"
2008 Ry Cooder I, Flathead Nonesuch/Perro Verde on "Flathead One More Time"
2009 Jon Balke & Amina Alaoui Siwan ECM ensemble member, trumpet and electronics
2010 Jan Bang …And Poppies from Kandahar Samadhisound on "Exile from Paradise", co-composer (also for another track, due to trumpet samples)
2011 Paul Haslinger O.S.T Underworld: Rise of the Lycans Lakeshore featured musician
2015 Bassekou Kouyaté & Ngoni Ba Ba Power Glitterbeat (G) on "Ayé Sira Bla = Make Way"
2015 Duncan Sheik Legerdemain Kobalt on "Brutalized" and "No Happy End"
2016 Genre Peak (Martin Birke) Your Sleekest Engine Gonzo on "Metanoia", trumpet samples and/or sampler

See also

Bibliography

  • Mark Prendergast, The Ambient Century. New York and London, Bloomsbury Publishing, 2000, Template:ISBN
  • Jon Hassell, program notes from Vernal Equinox. Lovely Music, LML 1021, 1977.




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Jon Hassell" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools