Jules Barbey d'Aurevilly, Jules Amédée Barbey d'Aurevilly
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- | '''Jules-Amédée Barbey d'Aurevilly''' ([[November 2]], [[1808]] – [[April 23]], [[1889]]), was a [[French literature|French novelist]] and [[short story]] writer. He specialised in a kind of [[Mystery (fiction)|mysterious tale]] that examines [[hidden agenda|hidden motivation]] and [[Insinuation|hinted]] [[evil]] bordering (but never crossing into) the [[Supernatural Horror in Literature|supernatural]]. He had a decisive influence on writers such as [[Auguste Villiers de l'Isle-Adam]], [[Henry James]] and [[Proust]]. His best-known collection is ''[[Les Diaboliques (book)|The She-Devils]]'', which includes the cult classic ''[[Happiness in Crime]]''. Most recently his ''[[Une vieille maîtresse]]'' (''An Elderly Mistress'', 1851) was adapted to [[Film|cinema]] by French Jahsonic favorite director [[Catherine Breillat]]: its English title is ''[[The Last Mistress]]''. | + | |
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- | He is variously lumped in with the Late [[French Romantics]], [[The Decadents]], [[Symbolists]] and is included in the [[Genealogy of the Cruel Tale]] and considered a practitioner of the [[Fantastique]]. | + | |
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- | == Praise and criticism == | + | |
- | [[Paul Charles Joseph Bourget|Paul Bourget]] describes him as a dreamer with an exquisite sense of vision, who sought and found in his work a refuge from the [[uncongenial]] world of the every day. [[Jules Lemaître]], a less sympathetic critic, finds in the extraordinary [[crime]]s of his heroes and heroines, in his [[reactionary]] views, his [[dandyism]] and snobbery, an exaggerated [[Lord Byron|Byronism]]. | + | |
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- | Beloved of [[fin-de-siècle]] decadents, Barbey d'Aurevilly is a classic example of the manner of which the [[romanticism|Romanticists]] were capable and to read him is to understand the discredit that fell upon that manner among the later Victorians. He held extreme [[Catholic]] views, yet wrote on the most [[risqué]] subjects (an apparent conflict more troubling to the English than to the French; [[Voltaire|''Voltairiennisme'']] would have been something else) he gave himself aristocratic airs and hinted at a mysterious past, though his parentage was entirely respectable and his youth humdrum and innocent. | + | |
- | ===Fantastique=== | + | |
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- | * [[Jules Amédée Barbey d'Aurevilly]] wrote [[tales of terror]] in which [[morbid]] passions are acted out in [[bizarre]] crimes, such as ''[[Les Diaboliques]]'' [The Diabolical Women] (written in 1858, published in 1874, no relation to the film). Also of note is ''[[L'Ensorcelé]]''. | + | |
- | ===Symbolists=== | + | |
- | Other fiction that is sometimes considered Symbolist is the cynical misanthropic (and especially, misogynistic) tales of [[Jules Barbey d'Aurevilly]]. | + | |
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- | ==Biography== | + | |
- | He was born at [[Saint-Sauveur-le-Vicomte]] ([[Manche]]) in [[Normandy]]. In the [[1850s]], Barbey d'Aurevilly became literary critic of ''Le Pays''. | + | |
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- | Inspired by the character and ambience of [[Valognes]], he set his works against the social pattern of the aristocracy of Normandy. Although he himself did not write in [[Norman language|Norman]], he encouraged the revival of [[vernacular literature]] in his home region. | + | |
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- | Jules-Amédée Barbey d'Aurevilly died in [[Paris]] and was interred in the [[Cimetière du Montparnasse]]. In 1926 his remains were transferred to Saint-Sauveur-le-Vicomte's cemetery. | + | |
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- | ==Selected works== | + | |
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- | *''[[Une vieille maîtresse]]'' (''An Elderly Mistress'', [[1851]]), attacked at the time of its publication on the charge of ''[[immorality]]''. | + | |
- | *''L'Ensorcelée'' (''The Bewitched'', [[1854]]), an episode of the royalist rising among the Norman peasants against the first republic. | + | |
- | *''Chevalier Destouches'' ([[1864]]) | + | |
- | *''[[Les Diaboliques (book)|Les Diaboliques]]'' (''The She-Devils'', [[1874]]), a collection of [[short story|short stories]], each of which relates a tale of a woman who commits an act of violence, a crime, or revenge. | + | |
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- | His complete works are published in two volumes of the ''[[Bibliothèque de la Pléiade]]''. | + | |
- | ==Works== | + | |
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- | *''Une vieille maîtresse'' (''An Elderly Mistress'', 1851), attacked at the time of its publication on the charge of ''immorality''; it was adapted to [[Film|cinéma]] by the controversial director [[Catherine Breillat]]: its English title is [[The Last Mistress]]. | + | |
- | *''[[L'Ensorcelée]]'' (''[[The Bewitched]]'', 1854), an episode of the royalist rising among the Norman peasants against the first republic. | + | |
- | *''Chevalier Destouches'' 1864 | + | |
- | *''[[Les Diaboliques]]'' (''The She-Devils'') 1874, a collection of [[short story|short stories]], each of which relates a tale of a woman who commits an act of violence, a crime, or revenge. | + | |
- | * ''Le Cachet d’Onyx'' 1831 | + | |
- | * ''Léa'' 1832 | + | |
- | * ''L’Amour impossible'' 1841 | + | |
- | * ''La Bague d’Annibal'' 1842 | + | |
- | * ''Un Prêtre marié'' 1864 | + | |
- | * ''Une Histoire sans nom'' 1882 | + | |
- | * ''Ce qui ne meurt pas'' 1883 | + | |
- | * ''Du Dandysme et de Georges Brummel'' 1845 | + | |
- | * ''Les Prophètes du passé'' 1851 | + | |
- | * ''Les Oeuvres et les hommes'' 1860-1909 | + | |
- | * ''Les quarante médaillons de l'Académie'' 1864 | + | |
- | * ''Les ridicules du temps'' 1883 | + | |
- | * ''Pensées détachées'', Fragments sur les femmes'' 1889 | + | |
- | * ''Polémiques d'hier'' 1889 | + | |
- | * ''Dernières Polémiques'' 1891 | + | |
- | * ''Goethe et Diderot'' 1913 | + | |
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- | His complete works are published in two volumes of the ''[[Bibliothèque de la Pléiade]]''. | + | |
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- | == Happiness in Crime == | + | |
- | *[[Le Bonheur dans le crime]] | + | |
- | {{GFDL}} | + |
Current revision
- REDIRECT Jules Barbey d'Aurevilly