La Retour de la Colonne Durutti
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- Non, je me promène. Principalement je me promène.<br> | - Non, je me promène. Principalement je me promène.<br> | ||
- | English translation from ''[[Ten Days that Shook the University]]''. | + | English translation |
‘What’s your scene, man?’<br> | ‘What’s your scene, man?’<br> | ||
- | ‘Reification’.<br> | + | ‘[[Reification (Marxism)|Reification]]’.<br> |
‘Yeah? I guess that means pretty hard work with big books and piles of paper on a big table’ <br> | ‘Yeah? I guess that means pretty hard work with big books and piles of paper on a big table’ <br> | ||
- | ‘Nope. I drift. Mostly I just drift’.<br> | + | ‘Nope. I [[psychogeography|drift]]. Mostly I just drift’.<br> |
+ | --"[[La Retour de la Colonne Durutti]]" (1966) by André Bertrand, English translation from ''[[Ten Days that Shook the University]]'' | ||
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{{Template}} | {{Template}} | ||
"[[La Retour de la Colonne Durutti]]" (October 1966, The Return of the Durutti Column) was a four page comic strip as fold-out pamphlet by [[André Bertrand]], consisting of film stills and other visuals with added [[text balloon]]s. | "[[La Retour de la Colonne Durutti]]" (October 1966, The Return of the Durutti Column) was a four page comic strip as fold-out pamphlet by [[André Bertrand]], consisting of film stills and other visuals with added [[text balloon]]s. | ||
- | This '[[detournement|détourned]]' comic strip was distributed by [[flypost]]ing it at the University of Strasbourg. | + | This '[[Détournement|détourned]]' comic strip was distributed by [[flypost]]ing it at the University of Strasbourg. |
+ | |||
+ | The comic strip images and their translated speech balloons were featured in ''[[Ten Days that Shook the University]]''. | ||
+ | |||
+ | The rock album ''[[The Return of the Durutti Column]]'' (1980) was named after it. | ||
+ | ==Snippets== | ||
+ | ===En volant des marchandises=== | ||
+ | "En volant des marchandises pour les donner, certains blousons noirs evitent cette ambiguite. Ils reproduisent a un niveau superieur la pratique du don qui a domine les societes archa'iques et que l'echange, en tant que formalisation des rapports sociaux sur la base d'un faible niveau de developpement des forces productives, est venu miner. Ils trouvent ainsi une conduite encore mieux adaptee a une societe qui se definit elle-meme comme societe de l'abondance, et amorcent pratiquement son depassement." --[[L'indépendance de la marchandise]], from [[Internationale Situationniste]][https://archive.org/stream/pdfy-nnuHUvppOwl_gWvx/Internationale_situationniste_10_djvu.txt] | ||
+ | ===Un critique de la vie quotidienne=== | ||
+ | "Oui la pensée de Marx est bien un critique de la vie quotidienne.", set in a text balloon in [[Delacroix]]'s ''[[The Death of Sardanapolous]]'' painting | ||
+ | ===Ces couillons syndicalistes=== | ||
+ | |||
+ | "Ces couillons syndicalistes vont surement [sic] encore nous prendre pour une ...", found in ''[[Proses du monde: Les enjeux sociaux des styles littéraires]]'' (2017) by [[Nelly Wolf]] | ||
+ | |||
+ | Features an image of [[Lenin]] | ||
- | The comic strip images and there translated speech balloons were featured in ''[[Ten Days that Shook the University]]''. | ||
==See also== | ==See also== | ||
*[[Durruti Column]] | *[[Durruti Column]] | ||
*[[The Return of the Durutti Column]] | *[[The Return of the Durutti Column]] | ||
+ | *[[Cerith Wyn Evans]] | ||
+ | *''[[The Return of the Return of the Durutti Column]]'' (1997) by Cerith Wyn Evans | ||
+ | |||
+ | ==References== | ||
+ | *[[Paris Match]], “Lepoids des mots, le choc des photos” | ||
+ | *[[UNEF]] | ||
+ | *[[Associations générales d’étudiants]] | ||
+ | *[[Abraham Moles]] (1920–1992) | ||
+ | *[[morphone]] | ||
+ | *[[Positif]] | ||
+ | *[[Lenin]] | ||
+ | *J.C.R [[Jeunesse communiste révolutionaire]] | ||
+ | *Francisco Goya, [[Los Caprichos]], No. 49 “[[Duendecitos]]” (Hobgoblins). | ||
+ | *[[Jules Ravachol]] (1859–1892) | ||
+ | *[[tapisserie de Bayeux]] | ||
+ | *[[Eugène Delacroix]], [[The Death of Sardanapolous]] (1827) “[[critique of everyday life]]” | ||
+ | |||
{{GFDL}} | {{GFDL}} |
Current revision
- De quoi t'occpes [sic] tu exactement ? English translation ‘What’s your scene, man?’ --"La Retour de la Colonne Durutti" (1966) by André Bertrand, English translation from Ten Days that Shook the University |
Related e |
Featured: |
"La Retour de la Colonne Durutti" (October 1966, The Return of the Durutti Column) was a four page comic strip as fold-out pamphlet by André Bertrand, consisting of film stills and other visuals with added text balloons.
This 'détourned' comic strip was distributed by flyposting it at the University of Strasbourg.
The comic strip images and their translated speech balloons were featured in Ten Days that Shook the University.
The rock album The Return of the Durutti Column (1980) was named after it.
Contents |
Snippets
En volant des marchandises
"En volant des marchandises pour les donner, certains blousons noirs evitent cette ambiguite. Ils reproduisent a un niveau superieur la pratique du don qui a domine les societes archa'iques et que l'echange, en tant que formalisation des rapports sociaux sur la base d'un faible niveau de developpement des forces productives, est venu miner. Ils trouvent ainsi une conduite encore mieux adaptee a une societe qui se definit elle-meme comme societe de l'abondance, et amorcent pratiquement son depassement." --L'indépendance de la marchandise, from Internationale Situationniste[1]
Un critique de la vie quotidienne
"Oui la pensée de Marx est bien un critique de la vie quotidienne.", set in a text balloon in Delacroix's The Death of Sardanapolous painting
Ces couillons syndicalistes
"Ces couillons syndicalistes vont surement [sic] encore nous prendre pour une ...", found in Proses du monde: Les enjeux sociaux des styles littéraires (2017) by Nelly Wolf
Features an image of Lenin
See also
- Durruti Column
- The Return of the Durutti Column
- Cerith Wyn Evans
- The Return of the Return of the Durutti Column (1997) by Cerith Wyn Evans
References
- Paris Match, “Lepoids des mots, le choc des photos”
- UNEF
- Associations générales d’étudiants
- Abraham Moles (1920–1992)
- morphone
- Positif
- Lenin
- J.C.R Jeunesse communiste révolutionaire
- Francisco Goya, Los Caprichos, No. 49 “Duendecitos” (Hobgoblins).
- Jules Ravachol (1859–1892)
- tapisserie de Bayeux
- Eugène Delacroix, The Death of Sardanapolous (1827) “critique of everyday life”