Late capitalism
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talk[1][2] of Perry Anderson (someone I've been investigating as a knock-on of re-grappling with the incomparable turgor of Fredric Jameson's Postmodernism - supposedly Anderson's The Origins of Postmodernity is a remarkable elucidation of Fred's work on pomo and its relationship with Late Capitalism) reminded me that recently I stumbled across, for the second time, an online deposit[3] from Anderson's shortlived foray into rock criticism. This was in the New Left Review, at the cusp of the Sixties into Seventies, but using the pseudonym Richard Merton. And judging by this one piece, not bad at all: I particularly enjoyed the swipe at Dylan: --Simon Reynolds[4]
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