Levi Asher  

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The term Bohemian was first used in the nineteenth century to describe the non-traditional lifestyles of marginalized and impoverished artists, writers, musicians, and actors in major European cities. The bohemian lifestyle is often associated with cafés, coffeehouses, drug use (particularly opium), alcoholism, and absinthe. Bohemians were associated with unorthodox or anti-establishment political or social viewpoints, which were expressed through extramarital sexual relations and voluntary poverty.

The term emerged in France in the 1800s when artists and creators began to concentrate in the lower-rent, lower class gypsy neighbourhoods. The term "Bohemian" reflects a belief, widely held in France at the time, that the Gypsies had come from Bohemia.

The first usage of the term "Bohemian" (meaning, literally, "Gypsy") to refer to the disaffected and impoverished young artists and students of Paris has been traced to a popular French journalist and dramatist, Felix Pyat, who wrote a series of essays about "kids today" in a publication called Nouveau Tableau de Paris au XIX Siecle in 1834. He described this personality type as "alien and bizarre ... outside the law, beyond the reaches of society ... they are the Bohemians of today."

The term did not catch on in a huge way, though, until 1845 when a writer named Henry Murger, himself a bohemian (and the model for his own character Rodolphe), began producing a series of stories about himself and his friends for a small Paris newspaper called Le Corsaire-Satan. These stories were later collected in book form and staged as a play, Scenes de la vie de Boheme, which was a tremendous hit and an almost unbelievably definitive influence on French society. Today this play is mainly known as the source of the Puccini opera 'La Boheme', but the opera was not introduced until 1896, when the Bohemian youth movement had already been old news for decades. -- Levi Asher[1]





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