Machines for living
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+ | "The house is a [[Machines for living |machine for living]] in" --[[Le Corbusier]] in ''[[Toward an Architecture|Vers une architecture]]'' (1923) | ||
+ | |}[[Image:Pruitt-Igoe-overview.jpg|thumb|200px|"[[Machines for living]]:" for various critics, including [[Tom Wolfe]], the '''[[Pruitt-Igoe]]''' housing project illustrated both the essential unlivability of [[Bauhaus]]-inspired [[international style (architecture)|box architecture]], and the ''[[hubris]]'' of [[central planning]].]] | ||
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- | "'''La maison est une machine a habiter'''" (English: "The house is a machine for living in") stated [[Le Corbusier]] in ''[[Toward an Architecture|Vers une architecture]]'' in 1923. | + | "'''La maison est une machine à habiter'''" (English: "The house is a machine for living in") is a dictum by French architect [[Le Corbusier]] recorded ''[[Toward an Architecture|Vers une architecture]]'' in 1923. |
These "[[Machines for living]]" illustrated for various critics, including [[Tom Wolfe]], both the essential unlivability of [[Bauhaus]]-inspired [[international style (architecture)|box architecture]], and the ''[[hubris]]'' of [[central planning]]. | These "[[Machines for living]]" illustrated for various critics, including [[Tom Wolfe]], both the essential unlivability of [[Bauhaus]]-inspired [[international style (architecture)|box architecture]], and the ''[[hubris]]'' of [[central planning]]. | ||
The '''[[Pruitt-Igoe]]''' housing project represented the end of this Corbusier esthetic and the start of [[postmodern architecture]]. | The '''[[Pruitt-Igoe]]''' housing project represented the end of this Corbusier esthetic and the start of [[postmodern architecture]]. | ||
- | + | ==See also== | |
+ | *[[Machine Age]] | ||
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Revision as of 20:01, 5 November 2018
"The house is a machine for living in" --Le Corbusier in Vers une architecture (1923) |
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"La maison est une machine à habiter" (English: "The house is a machine for living in") is a dictum by French architect Le Corbusier recorded Vers une architecture in 1923.
These "Machines for living" illustrated for various critics, including Tom Wolfe, both the essential unlivability of Bauhaus-inspired box architecture, and the hubris of central planning.
The Pruitt-Igoe housing project represented the end of this Corbusier esthetic and the start of postmodern architecture.
See also
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