Martin Arnold  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 00:14, 24 August 2010
Jahsonic (Talk | contribs)

← Previous diff
Revision as of 00:15, 24 August 2010
Jahsonic (Talk | contribs)

Next diff →
Line 1: Line 1:
{{Template}} {{Template}}
 +
 +'''Martin Arnold''' (born 1959 in [[Vienna]], [[Austria]]) is an [[experimental film]]maker known for his obsessive reworkings of [[found footage]]. He is also a founding member of the Austrian film distributor [[Sixpack Film]]. Arnold studied [[psychology]] and [[art history]] at the [[University of Vienna]]. He has taught filmmaking at the [[University of Wisconsin–Madison]], the [[San Francisco Art Institute]], the [[Academy of Fine Arts in Frankfurt]], the [[Kansas City Art Institute]], [[Bard College]], and at [[SUNY Binghamton]]. His films are distributed by [[Canyon Cinema]] in the United States and by Sixpack Film in Austria.
 +
 +Arnold's films are intensely cut sequences in which several seconds of found footage are taken and stretched out into much longer works. The figures on the screen flip back and forth between frames, as the motion is repeated, reversed, and numerous single frame cuts are made. His intent is to create, or possibly unearth, narratives concealed within the mundane films from which he samples. ''Passage à l'acte'' (1993) uses several seconds of the film ''[[To Kill a Mockingbird (film)|To Kill a Mockingbird]]'' to create a bizarre story of aggression and tension within a traditional American family.
 +
 +Martin Arnold is representative of the generations of artists making the transition between experimental film and video art. Pieces such as ''Passage à l'acte'' (1993) were composed on film, with Arnold writing an [[edit decision list]] (EDL) for a film editor, who then recreated the choppy and intense works from the found source material. In the mid-1990s, Arnold was given access to an [[Avid]] digital editing machine, which allowed him to work directly with the footage and cut it into the intensely repetitive sequences himself. His first digitally cut project, ''Alone: Life Wastes Andy Hardy'' (1998), made use of footage of [[Mickey Rooney]]'s character [[Andy Hardy]] from the popular film series.
 +
 +==Selected filmography==
 +
 +*''Jeanne Marie Renée'' (2002)
 +*''Deanimated'' (2002)
 +*''Alone. Life Wastes Andy Hardy'' (1998)
 +*''Brain Again: Spot'' (1994)
 +*''In Futurum'' (1994)
 +*''Jesus Walking on Screen'' (1993)
 +*''Passage à l'acte'' (1993)
 +*''Remise'' (1993)
 +*''Pièce touchée'' (1989)
 +*''O.T.2'' (1986)
 +*''O.T.1'' (1985)
 +
{{GFDL}} {{GFDL}}

Revision as of 00:15, 24 August 2010

Related e

Wikipedia
Wiktionary
Shop


Featured:

Martin Arnold (born 1959 in Vienna, Austria) is an experimental filmmaker known for his obsessive reworkings of found footage. He is also a founding member of the Austrian film distributor Sixpack Film. Arnold studied psychology and art history at the University of Vienna. He has taught filmmaking at the University of Wisconsin–Madison, the San Francisco Art Institute, the Academy of Fine Arts in Frankfurt, the Kansas City Art Institute, Bard College, and at SUNY Binghamton. His films are distributed by Canyon Cinema in the United States and by Sixpack Film in Austria.

Arnold's films are intensely cut sequences in which several seconds of found footage are taken and stretched out into much longer works. The figures on the screen flip back and forth between frames, as the motion is repeated, reversed, and numerous single frame cuts are made. His intent is to create, or possibly unearth, narratives concealed within the mundane films from which he samples. Passage à l'acte (1993) uses several seconds of the film To Kill a Mockingbird to create a bizarre story of aggression and tension within a traditional American family.

Martin Arnold is representative of the generations of artists making the transition between experimental film and video art. Pieces such as Passage à l'acte (1993) were composed on film, with Arnold writing an edit decision list (EDL) for a film editor, who then recreated the choppy and intense works from the found source material. In the mid-1990s, Arnold was given access to an Avid digital editing machine, which allowed him to work directly with the footage and cut it into the intensely repetitive sequences himself. His first digitally cut project, Alone: Life Wastes Andy Hardy (1998), made use of footage of Mickey Rooney's character Andy Hardy from the popular film series.

Selected filmography

  • Jeanne Marie Renée (2002)
  • Deanimated (2002)
  • Alone. Life Wastes Andy Hardy (1998)
  • Brain Again: Spot (1994)
  • In Futurum (1994)
  • Jesus Walking on Screen (1993)
  • Passage à l'acte (1993)
  • Remise (1993)
  • Pièce touchée (1989)
  • O.T.2 (1986)
  • O.T.1 (1985)




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Martin Arnold" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools