Melodrama
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+ | [[Image:Melodrama by Daumier.jpg|thumb|200px|right|''At the Theater'' (The Melodrama) (c. [[1860]]-[[1864|64]]) - [[Honoré Daumier]]]] | ||
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The word "'''melodrama'''" comes from the [[Greek language|Greek]] word for song "[[melody]]", combined with "[[drama]]". Music is used to increase the emotional response (such as [[tears]]) or to suggest characters. There is a tidy structure or formula to melodrama: a [[villain]] poses a threat, the hero escapes the threat (or [[damsel in distress|rescues the heroine]]) and there is a happy ending. In melodrama there is a constructed world of [[connotation]]s. | The word "'''melodrama'''" comes from the [[Greek language|Greek]] word for song "[[melody]]", combined with "[[drama]]". Music is used to increase the emotional response (such as [[tears]]) or to suggest characters. There is a tidy structure or formula to melodrama: a [[villain]] poses a threat, the hero escapes the threat (or [[damsel in distress|rescues the heroine]]) and there is a happy ending. In melodrama there is a constructed world of [[connotation]]s. |
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The word "melodrama" comes from the Greek word for song "melody", combined with "drama". Music is used to increase the emotional response (such as tears) or to suggest characters. There is a tidy structure or formula to melodrama: a villain poses a threat, the hero escapes the threat (or rescues the heroine) and there is a happy ending. In melodrama there is a constructed world of connotations.
A melodrama in a more neutral and technical sense of the term is a play, film, or other work in which plot and action are emphasized in comparison to the more character-driven emphasis within a drama. Melodramas can be distinguished from tragedy by the fact that they are open to having a happy ending.
It is classified as a body genre.