Metapainting
From The Art and Popular Culture Encyclopedia
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| [[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]]]] | [[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]]]] | ||
| + | [[Image:Ancient Rome (1757) by Giovanni Paolo Panini.jpg|thumb|right|200px|''[[Ancient Rome (painting)|Ancient Rome]]'' (1757) by [[Giovanni Paolo Panini]], a real painting depicting [[imaginary painting]]s of actual Roman antiquities.]] | ||
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| The term '''metapainting''' refers to [[painting]]s that reflect on the nature of paintings, paintings on painting as it were. | The term '''metapainting''' refers to [[painting]]s that reflect on the nature of paintings, paintings on painting as it were. | ||
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The term metapainting refers to paintings that reflect on the nature of paintings, paintings on painting as it were.
To this category belong such paintings as Reverse Side of a Painting (1670), Las Meninas (1656) by Diego Velázquez and Magritte's The Treachery Of Images (1928-29).
See also
- The Art of Painting by Vermeer
- Painting within a painting
- Droste effect
- Gallery painting
- Meta
- Metafiction
- Painting
- Painting consciousness
- The contest of Zeuxis and Parrhasius
Further reading
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Metapainting" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
