Metapainting  

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-[[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]]]] +{| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5"
 +| style="text-align: left;" |
 +"The term [[metafiction]] appears to have been coined in English by [[William H. Gass]] in his 1970 essay “[[Philosophy and the Form of Fiction]]” while the term ''[[metapainting]]'' appeared in English perhaps for the first time in the 1978 essay "[[Levels of Reality in Literature]]" by [[Italo Calvino]]." --Sholem Stein
 +|}
 +[[Image:Reverse Side Of a Painting.jpg|thumb|right|200px|
 +This page '''{{PAGENAME}}''' is part of the ''[[meta]]'' series.<br>
 +Illustration: ''[[Reverse Side of a Painting]]'' (1670) by [[Cornelis Norbertus Gysbrechts]], an example of ''[[metapainting]]''.]]
 +[[Image:Ancient Rome (1757) by Giovanni Paolo Panini.jpg|thumb|right|200px|''[[Ancient Rome (painting)|Ancient Rome]]'' (1757) by [[Giovanni Paolo Panini]], a real painting depicting [[imaginary painting]]s of actual Roman antiquities.]]
{{Template}} {{Template}}
The term '''metapainting''' refers to [[painting]]s that reflect on the nature of paintings, paintings on painting as it were. The term '''metapainting''' refers to [[painting]]s that reflect on the nature of paintings, paintings on painting as it were.
-To this category belong such paintings as ''[[Reverse Side of a Painting]]'' (1670) and Magritte's ''[[The Treachery Of Images]]'' (1928-29).+To this category belong such paintings as ''[[Reverse Side of a Painting]]'' (1670), ''[[Las Meninas]]'' (1656) by Diego Velázquez and Magritte's ''[[The Treachery Of Images]]'' (1928-29).
 +==More examples==
 +*"[[Time smoking a picture]]" by William Hogarth. It is a painting within a painting and breaks the fourth wall.
 +*''[[Brushstrokes]]'' by [[Roy Lichtenstein]]
==See also== ==See also==
*''[[The Art of Painting]]'' by Vermeer *''[[The Art of Painting]]'' by Vermeer
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*[[Painting]] *[[Painting]]
*[[Painting consciousness]] *[[Painting consciousness]]
 +*[[The contest of Zeuxis and Parrhasius]]
==Further reading== ==Further reading==
-''[[The Self-Aware Image: An Insight into Early Modern Meta-Painting]]'' (1996) by [[Victor I. Stoichita]]+*''[[The Self-Aware Image: An Insight into Early Modern Meta-Painting]]'' (1996) by [[Victor I. Stoichita]]
{{GFDL}} {{GFDL}}

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"The term metafiction appears to have been coined in English by William H. Gass in his 1970 essay “Philosophy and the Form of Fiction” while the term metapainting appeared in English perhaps for the first time in the 1978 essay "Levels of Reality in Literature" by Italo Calvino." --Sholem Stein

 This page Metapainting is part of the meta series. Illustration: Reverse Side of a Painting (1670) by Cornelis Norbertus Gysbrechts, an example of metapainting.
Enlarge
This page Metapainting is part of the meta series.
Illustration: Reverse Side of a Painting (1670) by Cornelis Norbertus Gysbrechts, an example of metapainting.
Ancient Rome (1757) by Giovanni Paolo Panini, a real painting depicting imaginary paintings of actual Roman antiquities.
Enlarge
Ancient Rome (1757) by Giovanni Paolo Panini, a real painting depicting imaginary paintings of actual Roman antiquities.

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The term metapainting refers to paintings that reflect on the nature of paintings, paintings on painting as it were.

To this category belong such paintings as Reverse Side of a Painting (1670), Las Meninas (1656) by Diego Velázquez and Magritte's The Treachery Of Images (1928-29).

More examples

See also

Further reading





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Metapainting" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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