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'''Modern art''' is a general term used for most of the [[art|artistic production]] from the [[1860s]] until approximately the [[1970s]]. (Recent art production is more often called [[Contemporary art]] or [[Postmodern art]]). Modern art refers to the then new approach to art which placed emphasis on representing emotions, themes, and various abstractions. Artists experimented with new ways of seeing, with fresh ideas about the nature, materials and functions of art, often moving further toward [[abstraction]]. '''Modern art''' is a general term used for most of the [[art|artistic production]] from the [[1860s]] until approximately the [[1970s]]. (Recent art production is more often called [[Contemporary art]] or [[Postmodern art]]). Modern art refers to the then new approach to art which placed emphasis on representing emotions, themes, and various abstractions. Artists experimented with new ways of seeing, with fresh ideas about the nature, materials and functions of art, often moving further toward [[abstraction]].
-While there is much disagreement on just what constitutes ''modern art'', everyone agrees that it started in [[19th century Paris]]. [[Walter Benjamin]] called [[Paris]] "[[Nineteenth century Paris|the capital of the 19th century]]". Paris yielded this position of art capital of the world in [[1940s]] when the center of artistic activity gravitated towards New York.+While there is much disagreement on just what constitutes ''modern art'', everyone agrees that it started in [[19th century Paris]]. [[Walter Benjamin]] called [[Paris]] "[[Nineteenth century Paris|the capital of the 19th century]]". Paris yielded this position of art capital of the world in the [[1940s]], when the center of artistic activity gravitated towards [[New York]].
While in common parlance modern art is usually used to denote art of the early 20th century ([[Fauvism]], [[Cubism]], [[Expressionism]] and [[Futurism]]), one will have to distinguish between ''modern art'' and ''modernist art''. By this token modern art is [[Delacroix]]'s [[Romanticism]], [[Courbet]]'s [[Realism (visual arts) |Realism]], and [[Manet]]'s [[Naturalism (art)|Naturalism]]. Both modern and modernist art were firmly rooted in [[19th century France]] and both are manifestations of the [[cult of ugliness]] that opposed the [[Academic art|Academic]] [[Cult of beauty|ideal of the beautiful]]. While in common parlance modern art is usually used to denote art of the early 20th century ([[Fauvism]], [[Cubism]], [[Expressionism]] and [[Futurism]]), one will have to distinguish between ''modern art'' and ''modernist art''. By this token modern art is [[Delacroix]]'s [[Romanticism]], [[Courbet]]'s [[Realism (visual arts) |Realism]], and [[Manet]]'s [[Naturalism (art)|Naturalism]]. Both modern and modernist art were firmly rooted in [[19th century France]] and both are manifestations of the [[cult of ugliness]] that opposed the [[Academic art|Academic]] [[Cult of beauty|ideal of the beautiful]].

Revision as of 11:03, 13 March 2008

Nazi Germany disapproved of contemporary German art movements such as Expressionism and Dada and on July 19, 1937 it opened the Degenerate art travelling exhibition in the Haus der Kunst in Munich, consisting of modernist artworks chaotically hung and accompanied by text labels  deriding the art, to inflame public opinion against modernity.
Enlarge
Nazi Germany disapproved of contemporary German art movements such as Expressionism and Dada and on July 19, 1937 it opened the Degenerate art travelling exhibition in the Haus der Kunst in Munich, consisting of modernist artworks chaotically hung and accompanied by text labels deriding the art, to inflame public opinion against modernity.
Olympia by Édouard Manet, painted in 1863, it stirred an uproar when it was first exhibited at the 1865 Paris Salon. Today, it is considered as the start of modern art.
Enlarge
Olympia by Édouard Manet, painted in 1863, it stirred an uproar when it was first exhibited at the 1865 Paris Salon. Today, it is considered as the start of modern art.
L'Art moderne by Huysmans, Huysmans was also known for his art criticism: L'Art moderne (1883) and Certains (1889). He was an early advocate of Impressionism, as well as an admirer of such artists as Gustave Moreau and Odilon Redon.
Enlarge
L'Art moderne by Huysmans, Huysmans was also known for his art criticism: L'Art moderne (1883) and Certains (1889). He was an early advocate of Impressionism, as well as an admirer of such artists as Gustave Moreau and Odilon Redon.

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Modern art is a general term used for most of the artistic production from the 1860s until approximately the 1970s. (Recent art production is more often called Contemporary art or Postmodern art). Modern art refers to the then new approach to art which placed emphasis on representing emotions, themes, and various abstractions. Artists experimented with new ways of seeing, with fresh ideas about the nature, materials and functions of art, often moving further toward abstraction.

While there is much disagreement on just what constitutes modern art, everyone agrees that it started in 19th century Paris. Walter Benjamin called Paris "the capital of the 19th century". Paris yielded this position of art capital of the world in the 1940s, when the center of artistic activity gravitated towards New York.

While in common parlance modern art is usually used to denote art of the early 20th century (Fauvism, Cubism, Expressionism and Futurism), one will have to distinguish between modern art and modernist art. By this token modern art is Delacroix's Romanticism, Courbet's Realism, and Manet's Naturalism. Both modern and modernist art were firmly rooted in 19th century France and both are manifestations of the cult of ugliness that opposed the Academic ideal of the beautiful.

Contents

History of Modern art

Roots in the 19th century

See French art of the 19th century

By the late 19th century, several movements which were to be influential in modern art had begun to emerge: Impressionism and post-Impressionism, as well as Symbolism.

Influences upon these movements were varied: from exposure to Eastern decorative arts, particularly Japanese printmaking, to the colouristic innovations of Turner and Delacroix, to a search for more depiction of common life, as found in the work of painters such as Jean-François Millet. At the time, the generally held belief was that art should be accurate in its depiction of objects, but that it should be aimed at expressing the ideal, or the domestic. Thus the most successful painters of the day worked either through commissions, or through large public exhibitions of their own work. There were official government sponsored painters' unions, and governments regularly held public exhibitions of new fine and decorative arts.

Thus, breaking with idealization and depiction were not merely artistic statements, but decisions with social and economic results.

These movements did not necessarily identify themselves as being associated with progress, or art artistic freedom, but instead argued, in the style of the times, that they represented universal values and reality. The Impressionists argued that people do not see objects, but only the light which they reflect, and therefore painters should paint in natural light rather than in studios, and should capture the effects of light in their work.

Impressionist artists formed a group to promote their work, which, despite internal tensions, was able to mount exhibitions. The style was adopted by artists in different nations, in preference to a "national" style. These factors established the view that it was a "movement". These traits: establishment of a working method integral to the art, establishment of a movement or visible active core of support, and international adoption, would be repeated by artistic movements in the Modern period in art.

Early 20th Century

Among the movements which flowered in the first decade of the 20th century were Fauvism, Cubism, Expressionism and Futurism.

World War I brought an end to this phase, but indicated the beginning of a number of anti-art movements, such as Dada and the work of Marcel Duchamp, and of Surrealism. Also, artist groups like de Stijl and Bauhaus were seminal in the development of new ideas about the interrelation of the arts, architecture, design and art education.

Modern art was introduced to the United States with the Armory Show in 1913, and through European artists who moved to the U.S. during World War I.

After World War II

It was only after World War II, though, that the U.S. became the focal point of new artistic movements. The 1950s and 1960s saw the emergence of Abstract Expressionism, Color field painting, Pop art, Op art, Hard-edge painting, Minimal art, Lyrical Abstraction, Postminimalism and various other movements; in the late 1960s and the 1970s, Land art, Performance art, Conceptual art and Photorealism among other movements emerged.

Around that period, a number of artists and architects started rejecting the idea of "the modern" and created typically Postmodern works.

Starting from the post-World War II period, fewer artists used painting as their primary medium; instead, larger installations and performances became widespread. Since the 1970s, new media art has become a category in itself, with a growing number of artists experimenting with technological means such as video art.

Art movements and artist groups

(Roughly chronological with representative artists listed.)

Modern art

19th century

Early 20th century (before WWI)

WWI to WWII

After WWII

Important Modern art exhibitions and museums

For a comprehensive list see Museums of modern art.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Modern art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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