Music and emotion
From The Art and Popular Culture Encyclopedia
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| + | "In an early work, [[Adorno]] once disclosed his emotional-epistemological secret almost without camouflage. In a few heartrending lines he wrote about crying in response to [[Schubert]]'s music, about how [[tears]] and knowing (''Erkenntnis'') are connected. This music makes us cry because we are not like it, not something complete, which turns toward the lost sweetness of life like a distant quotation." --''[[Critique of Cynical Reason]]'' (1983) by Peter Sloterdijk | ||
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| The study of ''''music and emotion'''' seeks to understand the psychological relationship between human [[Affect (psychology)|affect]] and [[music]]. It is a branch of [[music psychology]] with numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical composition or performance may elicit certain reactions. The field draws upon, and has significant implications for, such areas as [[philosophy]], [[musicology]], [[music therapy]], [[music theory]] and [[aesthetics]], as well as the acts of [[musical composition]] and [[performance]]. | The study of ''''music and emotion'''' seeks to understand the psychological relationship between human [[Affect (psychology)|affect]] and [[music]]. It is a branch of [[music psychology]] with numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical composition or performance may elicit certain reactions. The field draws upon, and has significant implications for, such areas as [[philosophy]], [[musicology]], [[music therapy]], [[music theory]] and [[aesthetics]], as well as the acts of [[musical composition]] and [[performance]]. | ||
| ==See also== | ==See also== | ||
| *[[Tears and music]] | *[[Tears and music]] | ||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 09:36, 23 November 2021
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"In an early work, Adorno once disclosed his emotional-epistemological secret almost without camouflage. In a few heartrending lines he wrote about crying in response to Schubert's music, about how tears and knowing (Erkenntnis) are connected. This music makes us cry because we are not like it, not something complete, which turns toward the lost sweetness of life like a distant quotation." --Critique of Cynical Reason (1983) by Peter Sloterdijk |
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The study of 'music and emotion' seeks to understand the psychological relationship between human affect and music. It is a branch of music psychology with numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical composition or performance may elicit certain reactions. The field draws upon, and has significant implications for, such areas as philosophy, musicology, music therapy, music theory and aesthetics, as well as the acts of musical composition and performance.
See also
